This is another great book for beginners by art journalist extraordinaire Dina Wakley. It's packed with very easy to follow (and well photographed) tutorials, encouragement to start or continue with your art journey, and plenty of mixed-media techniques, like creating your own stencils, just to mention one that I loved.
Each chapter tries to motivate us to leave fears aside and start creating and the advice given is simple and sound:
-- Fear: I don’t know what to write! And I don’t like my handwriting. Courage: Writing takes practice! Plus, the only person who doesn’t like your handwriting is you.
-- Fear: I can’t draw. Courage: You can draw once you know the formula. And once you commit to practice!
-- Fear: I don’t want to, or know how to, include my image in my work. Courage: Examining yourself is a time-honored artistic tradition that helps you learn and grow as an artist.
-- Fear: Layering is hard. I don’t know what to do next. Courage: Breaking down the layering process into tools and methods will help you layer with confidence.
-- Fear: You don’t have the newest, trendiest art supplies so you can’t make good art. Courage: You can use supplies in unexpected ways to keep your artwork fresh and exciting!
-- Fear: I have to have everything planned in my head before I work. Courage: By working organically and intuitively, you can create interesting art and push yourself to see more.
-- Fear: Working in my journal is comfortable, but I’m afraid to move on to other projects. Courage: Moving your art from the journal page to other substrates and mixed-media projects is satisfying and exciting!
The language used in the book is simple and effective, no technicalities. Even if you don't follow the tutorials to the letter or not at all, you'll still learn a lot of stuff that will improve your artwork.
The table at the end of the book with the properties, uses and downfalls of each media type is excellent.
Wakley, who has a huge range of mixed media products for sale in the craft market, doesn't promote them in the book at all, so that's really refreshing.
KINDLE EDITION
The Kindle edition is really good and the images have good resolution. Besides, the pages can be bookmarked and annotated easily, unlike other art books on Kindle.
DOWNSIDES
> The initial chapter on tools and materials is a copy-and-paste of Wakley's previous book Art Journal Freedom.
> Chapter Six starts with a big statement about the fact that we don't need expensive supplies to art journal or paint. Yet, in the tutorials included in this chapter include the use of very expensive PanPastels and Caran D'Ache Neocolors.
> I would have wanted a bit of more guidance on face shading because the book barely provides guidance on this subject.
TYPOS
Bold is missing from the words 'fear' and 'courage' at the start of chapter 6.
This is a lovely selection of art journal pages and images from authors around the world although most authors come from the US. In the introduction, the author confesses that she did choose some of her favorite authors and pages while the majority were chosen after an online call out for submissions.
Most of the artwork is of my liking, and I got inspired by some of the interviews and pages in the book, which is the reason I got it in the first place. There is a mix of techniques and media (illustration, painting, collage and mixed media) and styles (whimsical, dark, abstract, surrealist, visual diary, etc.). The interviews with the featured artists are short and sweet and very encouraging for non-professional artists.
I hesitated about whether to buy the Kindle or hard copy edition. I'm happy that I chose the former. The kindle edition is great and allows me to zoom in without loosing quality image, so I can appreciate the smallest details and lettering in each work.
DONWSIDES
> This Kindle edition does not allow page bookmarking.
> The structure of the book is not of my liking. It's organized alphabetically, by country of origin, which is fair enough, but I'd rather have it by types of art (conceptual, abstract, whimsical, etc.) as I would personally focus on specific areas.
> The book reads like a published blog. This being the case, it lacked insight on the creative process. Each image is accompanied by a generic list of elements, but that's also simplistic.
> Although there are many authors and styles in the book, I missed some avant-garde or dark journaling.
> There is a heavy weight on US authors, so the world overview is, in the end, quite unbalanced.
Deborah Blake, who has authored numerous fiction and non-fiction books on modern witchcraft, hit the jackpot with this Tarot deck, first published in 2017 and the mini format in 2020. This is one of my fav Tarot decks because of the general jolly vibe, the overall narrative, and the artwork.
I LOVE
> Elisabeth Alba's juicy imagination and artwork that adjusts to the structure of the RSWT Tarot but creating a wizard world that's unique and colorful not dark or gothic. We are allowed into a magic world of modern boho witches and wizards, whose lives are full of fun, adventures, dangers and challenges. Alba is an amazing illustrator and, if this wasn't a Tarot deck, this would make a stunning graphic book. > The imagery is rich enough to get my intuitive juices flowing even if I didn't anything about Tarot.
> Good quality card stock.
> Great quality printing.
> Cute card back illustration.
> The deck shuffles beautifully.
> Easy to carry in a small camera bag.
> Good for people with small hands.
> Children's friendly re size and imagery.
> Cat lovers' delight. If you, like me, love cats, you'll be delighted with the important role that cats play in each card image, and with the way they are depicted.
SO-SO
> Bad quality box, which arrived with the corners squeezed and slightly damaged.
> No booklet/leaflet. I have the app with the digital book, so that's fine with me. However, if you aren't familiar with the deck, you might need to get the full size deck with the accompanying guidebook.
> The card back gives away whether the card is coming straight or reversed.
> People with average-size hands might struggle with the sizing as this deck is more a tiny deck than a mini deck.
> Unlike Blake's Everyday Witch Oracle, this deck has no ethnic/racial diversity whatsoever, which is inexcusable as the deck was first published in 2017.
MIND
> Based on the RWST, with some adjustments in the imagery, the most noticeable being the female Hyerophant.
> Teen and youngster vibe overall.
Belinda Grace's oracle is a soulful exploration of romantic relationships that will be useful for singles or partnered people. The imagery draws on issues that affect and influence relationships for good or bad. Some of the imagery uses well-known world myths to illustrate couple dynamics and qualities of relating. This being the case, the cards can be used in counseling or therapeutic settings.
Lori Banks' artwork is just my cup of tea: colorful symbolic paintings that are pregnant with meaning and very intuitive to use. However, what makes this decks so lovely to me is not just the cute artwork, is the quality of the guidebook and the texts that accompany eachc card.
FAB QUALITY
RockPool demonstrates, once more, that other Tarot publishing houses have much to learn on how to produce affordable good-quality decks.
> Beautiful keepsake box with magnetic clip.
> The quality of the booklet is amazing. Premium glossy paper, color illustrations, good-sized lettering.
> Flexible good quality glossy cards, easy to shuffle and handle. Despite the size, the deck is light and not bulky.
> Good value for money.
ON THE FLIP SIDE
> The cards are a big too big for people with small hands.
> No ethnic or gender diversity.
> Three of the full body frontal images have wrong proportions between head and body, thus, the characters look a bit dwarfish: The Divine Masculine, Chivalry and the Sacred Woman.
The Wild Unknown Tarot pocket size in a tin, is just a great good quality deck.
This tarot deck has Kim Krans unique unmistakable atmospheric illustration style, which is immediately recognizable because of the simplicity of the elements, abstract predominantly B&W imagery with splashes of bright colors. The imagery relates to the natural world, the woods and the animals that populate it. This is a night-time-vibe Tarot, as the night scenes dominate most of the images and, overall, it has a strong night energy.
Beyond the imagery, there are other things that I like about this deck:
> The sizing is fantastic, really good for people with small hands.
> The cards shuffle and fly off beautifully and the deck is not heavy at all.
> The tin design is just fabulous.
> The major arcana, aces and court cards are really beautiful, but the deck, overall, is just artistically congruent and fabulous. I also love the snake-skin card back.
ON THE FLIP SIDE
> The card stock is a bit flimsy.
> The booklet is mass produced, bound too tightly and using bad quality paper.
> Some of the imagery used for the minor arcana seemed too abstract.
> Despite the fact that I admire this deck, I cannot connect with it. Said differently, I love the artwork, but it doesn't work for me. I find it too dark in mood and lacking warmth.
> Not a deck for beginners.
> Not an intuitive deck.
I actually returned the deck to the seller, because although I loved the artwork, I thought I would not use this deck and would sit on my shelves untouched.
MIND
The deck follows
the structure of the RSWT but the court cards are daughters (pages), sons (knights), mothers (queens) and fathers (kings).
This is a very cute little oracle based on the secret life of plants, to call it something.
THE GOOD STUFF
> Original concept.
> Very intuitive cards, something that I love. They can be really straightforward with their answers and it reminds me of the linearity in question-answer that I find in Kipper oracles.
> Beautiful vintage-looking children-book illustrations.
> Booklet has good quality paper and nice text.
> Good quality beautiful sturdy keepsake box.
NOT SO GOOD
> Very small number of cards.
> The cards coating makes them stick to each other so shuffling is deficient.
> The back has poor contrast between background image and lettering.
> Cards aren't numbered, but they are numbered in the booklet. As the cards are not alphabetically ordered in the booklet and are numbered, and the card has no number, you'll have to go through the whole index to find your card.
I have many oracle and tarot decks and this became an instant favourite. Oftentimes, I purchase a deck that I've seen used by online readers, I get excited because when I order the deck, I have already the imagery and style in mind and I know how it works in general readings. What often also happens is that, when I get the product, I get disappointed: the cards are too stiff, or too big, or the colors very different from the promotional photos or how they look on camera, or they don't shuffle well, or simply the energetic connection in person is not there. Yet, this Tarot was a great exception to the norm. The Light Seer's Tarot was love at first sight for me. Published by Hay House,
an editorial home that has been producing average quality decks for
years and, by doing so, ruining some great oracle and tarot decks, has
done the right thing and followed the artist's heart. This being the
case, the end result is not only a beautiful quirky Tarot, it is also a
good quality enjoyable usable deck.
The Rider White Smith Tarot by Pamela Colman is so ubiquitous and well-known that reinventing the tarot still being true to it is not a simple task. However, here she comes, another female artist, Chris-Anne, a "spiritualpreneur" as she calls herself, who does just that. It is not only that, with this deck, she has reinvented and modernized the Tarot, it is that she has done this successfully because the end result is not a curio that sits on display in collectors shelves, but a widely used deck by Tarot readers and aficionados use and connect with. The
Light Seer's Tarot, is a deck that outshines most of modern Tarot
decks, because it s true to the core of what Tarot is, reverse meanings
included, but it gathers and reflects contemporary energies and imagery
that the reader can easily connect and relate to. This Tarot and the Urban Tarot by Robin Scott are my favorite reinvented contemporary Tarot decks.
GOOD THINGS
> Great size cards, that good to handle for people with small or large hands.
> Cards shuffle and fly out beautifully.
> The card back design is elegant and perfectly geometric so it doesn't give away whether the card is coming upright or reverse.
> Amazing printing quality and colors.
> Wonderful boho indie expressive artwork, which is very much my cup of tea.
> Very modern feeling without loosing the essence of what traditional Tarot is.
> Multiracial, multi-gender multi-age deck. This is is so rare, that it has to be pointed out.
> Beautiful good-quality keepsake box.
> Good quality printing booklet on soft thick paper.
> Booklet text and meanings are really great. You will find both the general known meanings of the card upright and reverse, but also why the artist has interpreter the card the way she has, and also how the energies are applied to modern New Age spirituality.
> Wonderful deck for proper Tarot readings and intuitive readings. Actually, you can use this deck as an oracle as well.
SO-SO
> The card stock is beautiful, but a better coating was needed because the edges deteriorate easily.
> No gilded, silvered or colored edges. Why not? It would have rounded up the product beautifully.
> The booklet is bound too tightly, so it is difficult to open it and read it comfortably. > A bit pricey.
MIND
> The deck is very New Age, so it might not resonate with everyone.
> The cards are sometimes inspired in the images in the RSWT, but reinterpreted and modernized (see the 10 of pentacles above(, while others are quite different but capture the mean meaning given to those cards (see the ace of cups above).
Colette is "the" Oracle master so I imagined that, if she had to create a Tarot deck, was never going to be a replica of the RW Tarot. The structure of this deck is, however, that of the classic tarot, but the imagery has been freely interpreted and simplified. Also a very feminine vibe has been added, as well as characters of different ages and ethnic backgrounds made part of the deck. Colette says in the booklet that she has added some LOA and positive psychology principles, but I am not sure is this is just blah blah blah. For sure, the deck has a positive vibe as reversals are gone as well as any 'distressing' imagery. The LOA and PPsy is more clearly found in the meanings in the booklet.
THINGS I LOVE
> The concept is perfect for beginners as there aren't reversals.
> The "frightening" images in the RWT are not there, so all the imagery has a positive feeling.
> The artwork by DellaGrotaglia is stunning once again. Her layering, textures and colouring are superb. Despite the sophisticated symbolism of her imagery and the richness of symbolic elements, the images feel clean and sophisticated at the same time. The imagery has a wonderful oneiric fairy-tale feeling that I love.
> The interpretation given to each card is short and sweet and captures the essence of what the original card meant upright.
> The fancy lettering describing the suit card and number is fanciful wonderful.
> Beautifully simple card back.
> The
Good Tarot has a mythological ethereal whimsical archetypal feel that
roots in the Tarot and in traditional fairy tales and angelic realms.
> The cards Strength and Love are wonderfully related with the women first controlling the beast and then falling in love with it. Like Beauty and the Beast.
> Sturdy beautiful keepsake box.
THINGS THAT BOTHER ME
>
This deck is massive and extremely difficult to shuffle even if you
have average-size hands, so it's really a pain for people with small hands.
> The cards gloss coating makes them stick together so they are difficult to shuffle. Shuffling well and easy is at the core of any reading, so if the cards don't shuffle well, what's the point?
> The booklet printing quality and paper stock are average.
> Some of the cards are slightly blurry.
> The major arcana card numbers aren't placed on a fix position, something that really annoys me.
> The blue tones from air and water suits are so similar that is difficult to identify which suit is which one by the color. The same re the earth and fire suits. Why not having completely distinct suit color palette for each suit?
> Too many winged beings in this deck. The air suit with angelic winged beings and the earth suit with butterfly-ish fairy beings and there are wings everywhere, really.
MIND
> The overall feminine tone of the deck might not speak to male readers or tarot aficionados. The only male figures are the Kings plus the hanged man and the page of earth. Figures that are usually depicted as male in the RW Tarot like the knights (messengers) and the Hierophant are here feminine as well.
> This is a simplification of the Tarot most common meanings, so it is not as rich and deep as the original.
SUGGESTION TO THE PUBLISHER
US Games Systerms has the best card stock in the market. It not only make shuffling a pleasure, it is good enough to have any artwork really pop up and display the right way. I think Hay House should just copycat the card stock, because most of HH Tarot decks, like this one, are too bulky, too heavy and to mass-produced.
These cards collect the essence of the Dhammapada Sutra, a Buddhist sacred text gathering the teachings of Buddha, which were originally spoken by him during his life.
GOOD STUFF
> Great affirmations. This is the most spiritual deck in the Rockpool small series. The affirmations are reminders of what matters in life, of what's important, of universal truths that better our spirit and lighten our soul. The deck affirmations are not only motivational, but also invitations to ponder and they go well with any ethical principles in the major world religions. > Perfect deck for people with small hands.> Sofan Chan's design of the deck is both vibrant, colorful, modern and elegant. Very good lettering and contrast. Elegant modern design with great colors and contrast on the top and inner box. In a way I love that the deck is in a vibrant red color and not in a subdue color, it makes me reflect on the fact that Buddha messages are powerful, fiery and strong and not the soft pastel-colored New-Age soft dreamy version of Buddhism.> Good quality glossy flexible cards that shuffle beautifully. > Very good quality keepsake box with upper non-detachable magnetic lid.> Instructions of how to use the cards are written on the inner lid. > Great portability.
I MISS
> There is no booklet or cards explaining which part of Buddha/ism reflect the divine masculine and the divine feminine. Chan has another deck devoted to Buddha and the divine feminine, so I wonder what's the difference. As a non-Buddhist, my vision of Buddha is both masculine and feminine, neutral or yin-yan. I find this association/dissociation in the two decks puzzling.
> Tiny deck, so if you have big hands, it might not be for you.
> The upper side of the cards has one standard image, so it is not very artistic or as artistic as other decks in this Rockpool deck series. I get that the main focus is the affirmations not the artwork, but I would loved having Chan, who's a wonderful painter, create different images for each card.
This is a cute small oracle deck devoted to Kuan Yin, the Divine Mother.
I LIKE
> Beautiful imagery by the talented Chinese fine-artist Wan Yiguang with an atmosphere that captures adventure, youth, playfulness, and has a marked Tibetan/Mongolian vibe.
The young Kuan Ying,seems to be floating over the Earth playing with her yak, moving around happy and free with her loyal companion as The Fool in the Tarot would do.
> Fairchild's texts in this deck really resonate with me. In this deck, Fairchild's usual writing is deprived of her usual flourished never-ending verbose style and the meanings goes to the point without losing depth.
> A great oracle to start your day.
> No need of guidebook as the oracle message is written in the card back.
> Light, easily-to-shuffle deck.
> Hard keepsake box.
> Perfect for people with small hands.
ON THE FLIP SIDE
> The Divine Mother is a bit too young in the imagery. The character is not a woman yet. The story seems that of a young spirited girl who travels the world with her yak in a very playful mood more than that of the Asian goddess.
> The imagery and the text on the cards do not relate much. Other images might have been used, unrelated to the Asian goddess, and it would have not mattered. This being the case, this is more a text oracle than an intuitive oracle that relies on imagery, as the latter seems more decorative that intuitive.
> Cards coating makes them stick together, which is very annoying.
> Not many cards in this oracle.
> The quality and overall product does not justify the price.
GOOD STUFF
> Ceccoli's amazing artwork, which is a mix of toned up pastel oneiric surrealist art that is just my cup of tea. Each card is a piece of art.
> For whatever
reason I see this deck as very in tune with subconscious themes and
matters, and something that can be used in therapeutic settings as an
oracle or conversation started for people with trauma.
> Stunning printing quality.
> Great quality cardboard.
> Cards shuffle wonderfully.
> Sturdy keepsake box.
> Booklet in several languages (English, Spanish, French, Italian, and German.)
> Perfect for people with small hands or when you want to have a deck to carry around in a small purse.
> A wonderful collectable.
DISAPPOINTING
> Despite the beauty of the deck, this feels like an odd Tarot deck and more a collection of beautiful art cards made fit in into a Tarot and not images created to be part of a Tarot. This is just my impression, at least with some of the cards. Some of them fit well with their RWS counterparts at least in spirit, but others do no do at all.
> Not a beginners tarot.
> As the booklet is so small and limited, one gets lost in the beauty of the imagery and gets lost in it.
MIND
> If you really love this Tarot, get the full edition with the guidebook.
> If you have big hands this might not be your size.
This is a beautiful colorful set of motivational cards that will remind you that your thoughts are responsible for your life, that you can change your life by changing your thoughts and that you have to love yourself as you are.
The deck was illustrated by five different artists (Anne Smith, Diane Bicda, Ann Boyajian, Donna Incemanson and Suy Pilgrim Waters) and I think one can clearly distinguish their five different styles. Despite this, the deck has artistic coherence and cohesiveness. The artwork is naive and looks a bit artcraft-ish but it has a wonderful positive vibe. The cards have messages both on the front and the back.
THUMBS UP
> Great quality printing and card cardboard.
> Beautiful sturdy keepsake box with upper lid.
> Good cards to boost your confidence and remind yourself how to change your reality.
> Perfect to start your day or go to bed with a positive affirmation.
DOWNSIDES
> Deck is unnecessarily bulky and heavy.
> Cards shuffling is deficient as the coating make the cards stick to each other.
> The contrast between the background and the lettering is not always good.
> The deck was first issued in 1999, so when this came out was very innovative. Today, it is another deck with Law of Attraction, New Age and Self-Improvement affirmations.
MIND
You can use this with other decks like Moon Magick, Chakra Love, Let Go, Inspired by Frida, and Don Miguel Ruiz's The Four Agreements Cards, among other motivational decks, to create a positive mindset each day.
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