This is a very handy book for both beginners and intermediate crafters
and mixed-media painters. It contains plenty of techniques, tips, creative
ideas and projects to try on and get inspired by.
The book is divided in three parts.
The first one contains all the techniques that the authors will use in
the following mixed-media projects but isolated and photographed step by
step with simple clear effective descriptions. The second part contains
tutorials for 12 different projects by both authors, which are photographed and described step by step in the same effective manner as before. The third part contains 10 new projects, but they aren't
photographed step-by-step, just the steps described.
THE GOODIES
> I got plenty of inspiration and some ideas despite having worked on mixed-media for a while.
> The book is unpretentious and goes to the point.
> The tutorials are photographed and short-described wonderfully, so you can follow them quickly and effectively.
> Some of the tips spread throughout the book are extremely helpful.
> I love the fact that the authors use stitching, fabrics as well as sealing wax and wax in general as the results are very tactile and visually rich.
> The variety of styles and complexity in the projects included. It goes from the very simple to the challenging. I especially loved the projects Bounty of secrets, Our House, Devotion Shrine, Sweet Heart, Birds Nest, Kindness to Ruth, Flight, and My Secret Heart Hopes.
> Good quality photographs.
> No typos in view and good edition overall.
> The book having a index of subjects at the end, something that I always love.
> A quick read, but it can be used as a reference guide, as well.
DOWNSIDES
>
The book feels a bit aged in some parts, but some of the techniques and results must have been groundbreaking when the book first came out 9 years ago
> Some of the techniques are very basic and won't be helpful to people who already work on mixed-media like me.
> I miss the second batch of projects being photographed step-by-step like the first. I don't know why they did it this way, to be honest.
> Ain't a fan of rhinestones on artwork unless they're vintage, small and delicate.
> Text isn't justified.
As the title reveals, this is a book written to showcase the creative process and teachings that Alena Hennessy follows with her students on the online program A Year of Painting. I'm sure that the online workshop is fun and encouraging, but since I'm reviewing the book, I can only say that I'm happy that the book was handed on to me and I didn't spend any money on it.
The book is structured following the four seasons. There is a seasonal checkup with journaling prompts and suggestions, activities and ideas for each month of the year, plenty of quotes, artwork by the author and her students as well as a detailed tutorial for each month.
GOOD THINGS
> Very pretty book edition overall and no typos or odd things on view.
> I love some of the naif paintings showcased throughout the book.
> Good quality photos.
> Greatly photographed step-by-step tutorials, which are great for beginners.
> Easy to follow tutorials even for people who have not much experience painting or with mixed media.
> The suggested list of materials is short and sweet. The reader won't feel overwhelmed by the demand for huge stash or super-duper specialized products.
> The Journaling prompts on the seasons check-up section are great.
> Hennessy's comments on the beginner's' mind, on putting in the work and the hours, and on holding back the inner critic in us are all good advice. >
"Certainly don’t feel bad if you want to mimic a work you see—you will
still make it your own and your style will grow stronger with time.
(Page 8)." I think this valid for beginners and it's brave for her to say it. It's not about copycatting
anyone style/voice but about practicing techniques and experimenting having
an end in mind. For sure, it won't help you find your creative
voice, but it will get your hands loose.
> Basic glossary of art terms.
> A traditional index at the back.
NOT SO GOOD> Not a good book for intermediate or professional painters. Like, it's too basic. It feels more a book targeted at craft painters than anything else. I think this is also highlighted by the overall quality of the artwork showcased in the book.
> Some of the monthly and seasonal projects are totally unimaginative, uninspired and even childish. Like create a work of art about love in February for St Valentine's, or a holiday theme for Xmas in December, or paint Spring flowers in Spring or Summer flowers in Summer.
> After each tutorial, there are several artworks from Hennessy's students showcased to further inspire the reader on the suggested theme. Yet, in many cases those pieces don't relate at all or very vaguely to that theme.
> The author says "This book is a bit different than other how-to painting books out there. It is inspired by my popular online course, A Year of Painting, and includes the work of many of the wonderful artists who participated in the course, so you’ll receive an array of approaches and styles as examples for each monthly lesson." (Page 8). That's quite pretentious and not true, at least in year 2023, when there are gazillion art books inspired in online workshops showcasing students' artwork.
> "If you are an experienced painter, allow this book to get you to try new things within your own style. My experience is that it can only deepen a portfolio and add to your creative toolbox. (Page 8)." Also pretentious. If you're an experienced painter, you don't need to open this book, you know more than the author.
> The Art Terms, i.e. the art glossary, is located at the beginning of the book and not at the end, which is a commonplace in edition. Many readers won't certainly need it while others will definitely do. This being the case, placing the glossary at the end makes even more sense.
> The "What You need" sections at the beginning of each tutorial have, at least in the digital edition, way bigger font than the text accompanying each month prompt and the tutorial written steps.
> Over-presence of 'paint flowers' suggestions and artwork. I love the theme, and I get that this is part of Hennessy's thing, but I would have also loved a bit of more variety.
> In the March prompt Hennessy says "The experienced artist will also enjoy this lesson for it allows us to “paint” with paper—not something commonly done by painters.(Page 41)." That's utter nonsense.
> Advising being intuitive while telling you how to follow a tutorial and make a painting that represents who she is, it is just counterintuitive. There are not hints on how to work with your intuition, especially in a book that follows the seasons and is quite linear and uninspired.
> The structure of the months follows the Northern Hemisphere not those of the Southern Hemisphere. So Xmas and Summer go together there, but this isn't considered.
> Too many unnecessary quotes that add barely anything to the book.
It's a OK book for beginners. One of the many naif art books out there with nothing original that you cannot learn elsewhere, on YouTube for example. Overall, I find it amateurish and a bit pretentious, but also useful for craft painters and people who have never tried mixed media. I have no doubt
that the online course is way more fun. You can look up the author name on YouTube and find some of her tutorials. See if it's your cup of tea and whether the book is for you or not.
This is another great book for beginners by art journalist extraordinaire Dina Wakley. It's packed with very easy to follow (and well photographed) tutorials, encouragement to start or continue with your art journey, and plenty of mixed-media techniques, like creating your own stencils, just to mention one that I loved.
Each chapter tries to motivate us to leave fears aside and start creating and the advice given is simple and sound:
-- Fear: I don’t know what to write! And I don’t like my handwriting. Courage: Writing takes practice! Plus, the only person who doesn’t like your handwriting is you.
-- Fear: I can’t draw. Courage: You can draw once you know the formula. And once you commit to practice!
-- Fear: I don’t want to, or know how to, include my image in my work. Courage: Examining yourself is a time-honored artistic tradition that helps you learn and grow as an artist.
-- Fear: Layering is hard. I don’t know what to do next. Courage: Breaking down the layering process into tools and methods will help you layer with confidence.
-- Fear: You don’t have the newest, trendiest art supplies so you can’t make good art. Courage: You can use supplies in unexpected ways to keep your artwork fresh and exciting!
-- Fear: I have to have everything planned in my head before I work. Courage: By working organically and intuitively, you can create interesting art and push yourself to see more.
-- Fear: Working in my journal is comfortable, but I’m afraid to move on to other projects. Courage: Moving your art from the journal page to other substrates and mixed-media projects is satisfying and exciting!
The language used in the book is simple and effective, no technicalities. Even if you don't follow the tutorials to the letter or not at all, you'll still learn a lot of stuff that will improve your artwork.
The table at the end of the book with the properties, uses and downfalls of each media type is excellent.
Wakley, who has a huge range of mixed media products for sale in the craft market, doesn't promote them in the book at all, so that's really refreshing.
KINDLE EDITION
The Kindle edition is really good and the images have good resolution. Besides, the pages can be bookmarked and annotated easily, unlike other art books on Kindle.
DOWNSIDES
> The initial chapter on tools and materials is a copy-and-paste of Wakley's previous book Art Journal Freedom.
> Chapter Six starts with a big statement about the fact that we don't need expensive supplies to art journal or paint. Yet, in the tutorials included in this chapter include the use of very expensive PanPastels and Caran D'Ache Neocolors.
> I would have wanted a bit of more guidance on face shading because the book barely provides guidance on this subject.
TYPOS
Bold is missing from the words 'fear' and 'courage' at the start of chapter 6.
Without a good composition, images simply don't work.
I'm a fan of Wakley's art products so I thought I'd give this book a try. This is a short enjoyable read, great to understand basic rules of composition and colour. Everything is explained in a very simple effective way, in a language that has no technicalities or complexity. Wakley also shows how to break the rules and when to do it. By the end of the book, one gets to understand why some images work and others not. Subjects discussed in the book are: symmetry/asymmetry, white space, continuance, closure, proximity, dominance, repetition, colour basics, contrast with colour, and colour as composition tool.
THINGS I LOVE
> The book is a workshop on its own.
> Good for anyone wanting to start painting not just art journaling.
> The summaries at the end of each book with taglines about the major points discussed.
> Everything Wakley says is exemplified by images coming from her own artwork, so it is not just theoretical talk.
> Each chapter has a tutorial, simple but beautiful, really well explained and photographed.
> Each page has prompts to put some of the points discussed in practice.
> Although the book is for beginners, it has plenty of value for intermediate artists.
> Great Kindle edition and quality images.
I DIDN'T LIKE
> The fact that a sewing machine is one of the tools needed. I don't have one, and I don't think this is really necessary. Some of the things Wakley does with the machine can easily be achieved with a marker or pen, so why not providing this alternative?
> Although I love Wakley's artwork, I would have loved having visual examples from other artists exemplifying what she says.
MIND
> This is a book thought for beginners, so take it as such.
> This is a book about mixed media not drawing or painting per se.
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