Steal Like an Artist. 10 Things Nobody Told You About Being Creative by Austin Kleon (2012)

, 17 Feb 2023

I have very mixed feelings about this book.

I LOVED
> The author's colloquial language and lack of pretense.
> Good edition without typos or language oddities in view. The digital edition is acceptable and can be bookmarked. 
> The illustrations and note-cards spread throughout the book. The illustrations and note-cards spread throughout the book. I thought that some of the discarded task cards were excellent!. 
> The very down-to-earth approach to art and artistic creation. 
> A few good ideas. My favs are:
--- Find your own creative/artistic genealogical tree and position yourself in one of the branches where you stand alone as a result of what has influenced you. The way this is explained is really simple, effective and inspiring.
--- "The reason to copy your heroes and their style is so that you might somehow get a glimpse into their minds." (Page 38). 
--- He  puts the idea of the rebel artist in the bin. "I’m a boring guy with a nine-to-five job who lives in a quiet neighborhood with his wife and his dog. That whole romantic image of the creative genius doing drugs and running around and sleeping with everyone is played out. It’s for the superhuman and the people who want to die young. The thing is: It takes a lot of energy to be creative. You don’t have that energy if you waste it on other stuff." (Page 98).
--- "The art of holding on to money is all about saying no to consumer culture. Saying no to takeout, $4 lattes, and that shiny new computer when the old one still works fine." (Page 99).
--- The Logbook idea and focusing just on the good things that happened, which are often overlooked due to something negative taking all of our energy and thoughts.
NOT SURE
> > Kleon sometimes struggles making clear that you have to stay home and work, but at the same time go out and do nothing, procrastinate to allow the creative spark to spark. Like I get that there is a balance, you cannot be consumed by your art because it will consume you and you'll get an artistic block, that ideas and inspiration sometimes come from your siesta, your walk or your music/movie streaming. Yet, the way it 's put in the book feels like he's saying something and then the contrary..
> "Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to"  (Page 46). I agree and disagree with this. My fav art is abstract and surrealism, but what I hand paint is mostly abstracts. I sometimes paint surreal-hinted imagery and I do mostly surreal when playing digitally. So, in short I don't always want to do the art I love the most. Also, the fact that I love surreal paintings (not only digital collage) doesn't mean that I can draw well and realistically. You know what I'm saying'?
> "Don’t worry about unity—what unifies your work is the fact that you made it. One day, you’ll look back and it will all make sense." (Page 63). I also agree and disagree. The cohesiveness of your artwork will come from things that give them unity, like your colour palette, mark making, textures, composition and energy. Yet, if there is not cohesiveness, there is no unity and it's not crystal clear that paint 1 and paint 2 belong to me. So, I worry about unity and cohesiveness.
> "So get comfortable with being misunderstood, disparaged, or ignored—the trick is to be too busy doing your work to care." (Page 93). Sometimes we don't understand some art and consider it 'bad'. I have heard tons of people saying this of Picasso's works because they don't get it neither viscerally or intellectually. But, it's also true that sometimes we dislike something because it's bad art, mediocre writing or not good enough. I can see my own flaws and struggles when I look at my artwork, and in all honesty I can tell when it is good or bad, even if somebody tells me, oh it's really nice. 
> "The trick is to find a day job that pays decently, doesn’t make you want to vomit, and leaves you with enough energy to make things in your spare time." (Page 102). That's the ideal, I agree wit this. However, employability decreases with age and area where you live, and whether the job that feeds you actually gives you enough money to survive. 
I DIDN'T LIKE
> The very lean content. More a booklet than a book due to the small number of pages and the fact that these have wide margins, some of them have just the section or the chapter title, and the font is on the large size overall plus the illustrations.
> The overwhelming presence of somebody's else quotes. I love quotes, mind you. The ones Kleon provides are of my liking. However, I consider constant quoting unnecessary because I guess the author has his own voice and can speak from there. Like, when there are so many quotes, I wonder why the author didn't gather all together and put them cozily packed under the heading, as this would have sufficed to give sound advice. Yet, I think that Kleon has plenty of stuff to say, it's just that he doesn't take the plunge. The quotes are like crutches he leans on when, in fact, he can walk on his two legs perfectly. 
> Some lack of cohesion throughout the book.
> It feels like a published blog. If this was a blog, I'd like it. As a book, I think it lacks depth and tools to really inspire or support emerging artists and writers.
Many of the ideas and sentences I liked could be put in a single blog entry. 
> The book is full of platitudes, especially evident those about the Internet and traveling the world.
> Lack of conclusions or summing up of the main points in the book.
IN SHORT 
An enjoyable light reading with some good ideas for emerging artists and creative people. Bloggish and lacking depth, full of platitudes. Nice illustrations.