Deborah Blake, who has authored numerous fiction and non-fiction books on modern witchcraft, hit the jackpot with this Tarot deck, first published in 2017 and the mini format in 2020. This is one of my fav Tarot decks because of the general jolly vibe, the overall narrative, and the artwork.
I LOVE
> Elisabeth Alba's juicy imagination and artwork that adjusts to the structure of the RSWT Tarot but creating a wizard world that's unique and colorful not dark or gothic. We are allowed into a magic world of modern boho witches and wizards, whose lives are full of fun, adventures, dangers and challenges. Alba is an amazing illustrator and, if this wasn't a Tarot deck, this would make a stunning graphic book. > The imagery is rich enough to get my intuitive juices flowing even if I didn't anything about Tarot.
> Good quality card stock.
> Great quality printing.
> Cute card back illustration.
> The deck shuffles beautifully.
> Easy to carry in a small camera bag.
> Good for people with small hands.
> Children's friendly re size and imagery.
> Cat lovers' delight. If you, like me, love cats, you'll be delighted with the important role that cats play in each card image, and with the way they are depicted.
SO-SO
> Bad quality box, which arrived with the corners squeezed and slightly damaged.
> No booklet/leaflet. I have the app with the digital book, so that's fine with me. However, if you aren't familiar with the deck, you might need to get the full size deck with the accompanying guidebook.
> The card back gives away whether the card is coming straight or reversed.
> People with average-size hands might struggle with the sizing as this deck is more a tiny deck than a mini deck.
> Unlike Blake's Everyday Witch Oracle, this deck has no ethnic/racial diversity whatsoever, which is inexcusable as the deck was first published in 2017.
MIND
> Based on the RWST, with some adjustments in the imagery, the most noticeable being the female Hyerophant.
> Teen and youngster vibe overall.
The Wild Unknown Tarot pocket size in a tin, is just a great good quality deck.
This tarot deck has Kim Krans unique unmistakable atmospheric illustration style, which is immediately recognizable because of the simplicity of the elements, abstract predominantly B&W imagery with splashes of bright colors. The imagery relates to the natural world, the woods and the animals that populate it. This is a night-time-vibe Tarot, as the night scenes dominate most of the images and, overall, it has a strong night energy.
Beyond the imagery, there are other things that I like about this deck:
> The sizing is fantastic, really good for people with small hands.
> The cards shuffle and fly off beautifully and the deck is not heavy at all.
> The tin design is just fabulous.
> The major arcana, aces and court cards are really beautiful, but the deck, overall, is just artistically congruent and fabulous. I also love the snake-skin card back.
ON THE FLIP SIDE
> The card stock is a bit flimsy.
> The booklet is mass produced, bound too tightly and using bad quality paper.
> Some of the imagery used for the minor arcana seemed too abstract.
> Despite the fact that I admire this deck, I cannot connect with it. Said differently, I love the artwork, but it doesn't work for me. I find it too dark in mood and lacking warmth.
> Not a deck for beginners.
> Not an intuitive deck.
I actually returned the deck to the seller, because although I loved the artwork, I thought I would not use this deck and would sit on my shelves untouched.
MIND
The deck follows
the structure of the RSWT but the court cards are daughters (pages), sons (knights), mothers (queens) and fathers (kings).
I have many oracle and tarot decks and this became an instant favourite. Oftentimes, I purchase a deck that I've seen used by online readers, I get excited because when I order the deck, I have already the imagery and style in mind and I know how it works in general readings. What often also happens is that, when I get the product, I get disappointed: the cards are too stiff, or too big, or the colors very different from the promotional photos or how they look on camera, or they don't shuffle well, or simply the energetic connection in person is not there. Yet, this Tarot was a great exception to the norm. The Light Seer's Tarot was love at first sight for me. Published by Hay House,
an editorial home that has been producing average quality decks for
years and, by doing so, ruining some great oracle and tarot decks, has
done the right thing and followed the artist's heart. This being the
case, the end result is not only a beautiful quirky Tarot, it is also a
good quality enjoyable usable deck.
The Rider White Smith Tarot by Pamela Colman is so ubiquitous and well-known that reinventing the tarot still being true to it is not a simple task. However, here she comes, another female artist, Chris-Anne, a "spiritualpreneur" as she calls herself, who does just that. It is not only that, with this deck, she has reinvented and modernized the Tarot, it is that she has done this successfully because the end result is not a curio that sits on display in collectors shelves, but a widely used deck by Tarot readers and aficionados use and connect with. The
Light Seer's Tarot, is a deck that outshines most of modern Tarot
decks, because it s true to the core of what Tarot is, reverse meanings
included, but it gathers and reflects contemporary energies and imagery
that the reader can easily connect and relate to. This Tarot and the Urban Tarot by Robin Scott are my favorite reinvented contemporary Tarot decks.
GOOD THINGS
> Great size cards, that good to handle for people with small or large hands.
> Cards shuffle and fly out beautifully.
> The card back design is elegant and perfectly geometric so it doesn't give away whether the card is coming upright or reverse.
> Amazing printing quality and colors.
> Wonderful boho indie expressive artwork, which is very much my cup of tea.
> Very modern feeling without loosing the essence of what traditional Tarot is.
> Multiracial, multi-gender multi-age deck. This is is so rare, that it has to be pointed out.
> Beautiful good-quality keepsake box.
> Good quality printing booklet on soft thick paper.
> Booklet text and meanings are really great. You will find both the general known meanings of the card upright and reverse, but also why the artist has interpreter the card the way she has, and also how the energies are applied to modern New Age spirituality.
> Wonderful deck for proper Tarot readings and intuitive readings. Actually, you can use this deck as an oracle as well.
SO-SO
> The card stock is beautiful, but a better coating was needed because the edges deteriorate easily.
> No gilded, silvered or colored edges. Why not? It would have rounded up the product beautifully.
> The booklet is bound too tightly, so it is difficult to open it and read it comfortably. > A bit pricey.
MIND
> The deck is very New Age, so it might not resonate with everyone.
> The cards are sometimes inspired in the images in the RSWT, but reinterpreted and modernized (see the 10 of pentacles above(, while others are quite different but capture the mean meaning given to those cards (see the ace of cups above).
This deck has been such a great disappointment. Jungian Psychology, archetypes and Tarot are something I feel passionate about. I found the concept of the deck brilliant, as I thought that the Tarot archetypal nature would be further explored and developed from a Jungian lens o view, not only to favour the use of Tarot on therapeutic settings but also as a tool of self exploration. I honestly thought that this deck would just provide us with further insights into the archetypes of the Tarot. Unfortunately, that didn't happen for me.This deck is a companion to a book by the same author, so the book might be a better buy.
GOOD THINGS
> Very good size cards for people with small or large hands.
> Good quality cardboard.
> Cards shuffle well.
> Deck is not heavy at all.
> Lovely cardboard keepsake box.
> Wonderful printing quality and colors.
> The Major arcana are beautifully illustrated.
> Stunning card back printing.
> Small booklet with the meaning of each card. Texts are short and sweet and perfect for beginners. They have the added information about the astrological sign each card relates to and the archetypes that the major arcana embody.
DISAPPOINTING
> White people figures all of them, mostly blonde, with some brown-hair figures. No cultural diversity whatsoever.
> The card back gives away whether the card is upright or reverse.
> No reverse meanings in the booklet.
> Most of the Court and suit cards are simplistic, not much thought seems to have been put into them, not much symbolism, and you can call them Jungian if you want, but I call them bland unimaginative Tarot cards. Other tarots will better allow you to use them in Jungian therapy, the RSWT to start with, for example.
> Meanings given to each card are the usual if you know a bit about Tarot...
> Overall product concept, design and quality doesn't justify the price.
GOOD STUFF
> Great affirmations that go to the point, aren't too short or too lengthy, and have substance.Due to the fact that doors are the main theme, the deck as a 'transitional' vibe and messages. > Very small deck, so it's perfect for people with small hands.
> Beautiful real-life photography of unique doors from around the world.
> Elegant design of the back,on the affirmations side, in white-marble and gold colors.
> Good quality glossy flexible cards that shuffle beautifully.
> Very good quality keepsake box with upper non-detachable magnetic lid.
> Instructions of how to use the cards are written on the inner lid. > Great portability.
SO-SO
> Tiny deck, so if you have big hands, it might not be for you.
> There is no guidebook or booklet explaining why the door theme was chosen. Because really, there must be one. It
might be the case that Engracia came with the messages after choosing
the photos himself and meditating on them, but we don't know about the
concept that inspired the deck anywhere. A bit of background on the
concept might have been wonderful. > Contrast between lettering and background is deficient on the inner lid.
> Most photos are stock photos from Pexels, Shutterstock except for four of them attributed to Melissa Lee Vernali. There seems not to be much effort put beyond choosing the photos and Engracia's lovely messages on the back.
This is another beautiful tiny deck by Rockpool Publishing. It has the house trademarks:
> Small stylish deck.
> Motivational messages.
> Gorgeous illustrations/photos/artwork.
> Portability.
> Great quality glossy card stock
> Sturdy practical keepsake box with upper self-closing lid.
> Pleasurable shuffling
ALSO GREAT
> The illustrations are all beautiful Aboriginal motifs in earthy colours. The deck has artistic congruence, as well.
> However, what stands out to me, having as many motivational decks as I have, is that the messages in the cards aren't the same-old messages. On the contrary, the they are original nuggets that will make you ponder.
SO SO
> Aboriginal artwork has a multitude of ocher and earthy tones that makes it both rich and earthy, but this deck lacks colour depth and feels a bit flat in that regard.> A bit pricey for what they are.
> Perhaps, not good for people with big hands.
This is really a tiny mini deck, perfect for people with small hands or children, and you can fit it in your pocket or in a small handbag. It comes with a mini-booklet that is surprisingly good. If you want a portable RWS this does the job to perfection.
US Games Systems consistently produce cards that have the perfect card stock thickness and coating, so shuffling is natural and pleasurable. This deck is another example of the house savoir faire in that regard.
ON THE FLIP SIDE
> The RWS imagery is in the public domain, so not artistic effort was put to produce this deck. Besides, the keepsake box is not especially good. This being the case, I regret not buying a similar RWS mini deck from Lo Scarabeo as the latter printing house produces better quality mini decks for a similar price.
> Perhaps because I'm used to the Radiant RWS, this deck feels a bit too pale and not as appealing.
This is a cute small oracle deck devoted to Kuan Yin, the Divine Mother.
I LIKE
> Beautiful imagery by the talented Chinese fine-artist Wan Yiguang with an atmosphere that captures adventure, youth, playfulness, and has a marked Tibetan/Mongolian vibe.
The young Kuan Ying,seems to be floating over the Earth playing with her yak, moving around happy and free with her loyal companion as The Fool in the Tarot would do.
> Fairchild's texts in this deck really resonate with me. In this deck, Fairchild's usual writing is deprived of her usual flourished never-ending verbose style and the meanings goes to the point without losing depth.
> A great oracle to start your day.
> No need of guidebook as the oracle message is written in the card back.
> Light, easily-to-shuffle deck.
> Hard keepsake box.
> Perfect for people with small hands.
ON THE FLIP SIDE
> The Divine Mother is a bit too young in the imagery. The character is not a woman yet. The story seems that of a young spirited girl who travels the world with her yak in a very playful mood more than that of the Asian goddess.
> The imagery and the text on the cards do not relate much. Other images might have been used, unrelated to the Asian goddess, and it would have not mattered. This being the case, this is more a text oracle than an intuitive oracle that relies on imagery, as the latter seems more decorative that intuitive.
> Cards coating makes them stick together, which is very annoying.
> Not many cards in this oracle.
> The quality and overall product does not justify the price.
This is such a well-known oracle, ubiquitous on YouTube tarot-reader channels that is difficult to say something that it hasn't been said before.
The oracle is personified in the human head/face that appears on the back as well as blended in in most front cards.
THINGS I LIKE
> Beautiful digital artwork by DellaGrottaglia, a digital artist with whom Colette collaborates and has a wonderful eye for intuitive imagery in divination decks. Overall, the whimsical surrealist clean imagery is wonderful: polished, simple but rich enough to be used on its own or with the guidebook interpretations. The deck has a strong presence of spirit animals and fairies, and it's embedded with tenderness and sense of humor.
> Presence of racial diversity in the characters depicted on the cards.
> The symmetric colorful back is a stunner.
> The guidebook contents. Each card has an oracle message, a relationship message, a prosperity message (career, business, work, projects) and a protection message, so it's not only practical but versatile and in-depth.
> Good quality card stock
> Sturdy keepsake box.
I DON'T LIKE
>
At the end of the day, what matters the most when using any oracle
deck is that things flow and your answers are replied with precision. You ask a query about work and the card imagery and/or guidebook
text are spot on and go to the core of the matter. I tend to ask any
deck, when I first start using it, questions about things I know the answer about or things about myself that I obviously know. Unfortunately, I have a mix bag of results with my queries on that regard and the oracle has been less magnificent than expected.
> The beautiful flourished numbering is not positioned on the same spot on each card. Sometimes, it's on the right hand side (in most cards) but not always at the same height. In one case, it's on the middle tip, while in other cases, the numbering is located on the left hand side but at different heights. This is simply bad design.
> The card stock isn't flexible enough and the glossy coating makes cards stick to each other, and, as a consequence, shuffling it's not natural or pleasurable.
> Average guidebook printing quality and paper stock.
> 23 cards have a flag garland on the top while the rest have none.Why? Does the flags signal something different on those cards that have them?
> The cards are on the large side so they're easy to shuffle if you have small hands.
This is one of the most interesting oracles I've come across lately. The deck relies and draws on a very-strong feminist array of women archetypes. All of them are writers with lives that are/were out of the ordinary. Their life and work is the basis for the symbolic portraits (major arcana if you wish), while their materials (symbols associated with their writing and/or lives) are in the sepia simple icon-like cards.
CLAP CLAP CLAP
> Original concept. > Amazing 'odd' women and writers from different cultures, races, sexual orientations and historical periods (from historical figures to living legends), so the deck feels contemporary and in tune with the need of cultural diversity in our world.
> Beyond some renowned female writers, you'll get to know some others that are equally remarkable but not so well known.
> Horan's art is just great. The illustrations of the witches are the most evocative and helpful for intuitive readings. I'll give you an example:
I asked, 'What I have to know in my relationship with guy X?" The card that came up was Octavia E Buttler's The Future. The image depicts a woman opening a young man's chest, at the heart level, as if she was healing a wound or just a opening his heart. The man seems to be dreaming, surrounded by darkness and subject to the hold of subconscious tentacles. The man is white and the woman is black, so she might be his shadow side. Can you see the beauty of the card and how this would work on a romantic question? You don't really need to know who Octavia E. Buttler is to use the cards because the imagery is rich and multi-layered. You can still go to the booklet, look up Octavia's story and add some further elements. The summary says, for example, that she wrote novels that reflected on power dynamics about sexes, so you could see that the woman on the card has the upper hand in this relationship, she's bigger than the man perhaps she has power over him, she has power over his heart or is more mature, or more conscious. In other cases, the enquirer might find that the image depicts a woman breaking the guy's heart, for example. I took two other cards to clarify the message and I got the cat (a being that comes and goes, who attaches to people freely but needs its own space) and the snail (a being that is slow in movement, has a shell, and has a small house). Just beautiful, isn't it?
- Indie wonderful design.
- Elegant practical keepsake box, beautifully designed inside out. The box has an inner pull-up ribbon to help get the cards out.
- Great quality card stock with flexible textured luxurious cards that shuffle beautifully and don't stick to each other.
- Good printing quality.
> The deck seems to works for me. It gives precise answers to my questions. I have tried it with questions about people I know well, and then asked the cards, and boom, the answers have been spot-on.
THUMBS DOWN
> I get that this is a spin-off of the eponymous book, but this booklet doesn't say much. The summary about each artist is good enough, and the Wikipedia surely has more information. The booklet basically says, use your intuition with this deck, which is great, but doesn't help explain the concept behind the oracle. So, what's the point of producing an oracle that has no oracle guidance? And really, I don't want to buy the book just to understand the deck.
> Some design issues. For example, the witches cards have their name and keyword on the front; however, the materials cards have the keywords in the booklet. That's bad design because it doesn't seem to show design congruence.
> The materials cards relate to the witches, yet, we aren't told why and which materials belong to to each witch.
> The keyword attributed to each writer isn't always intuitive for me. Emily Dickinson is the epitome of the hermit and solitude. However, she's given the keyword 'soul' instead of 'solitude' which is given to Alejandra Pizarnik. This would not matter if both writers were unknown, but Dickinson is well known for her solitary life.
> Lettering in the booklet is diminutive and you might need a magnifying glass to read the text.
MIND
> The strong feminist blueprint might not be some people's cup of tea and men with strong male energy might not relate to the deck at all.
> This deck is bulky and the cards are on the large size so people with small hands might struggle shuffling.
GOOD STUFF
> Ceccoli's amazing artwork, which is a mix of toned up pastel oneiric surrealist art that is just my cup of tea. Each card is a piece of art.
> For whatever
reason I see this deck as very in tune with subconscious themes and
matters, and something that can be used in therapeutic settings as an
oracle or conversation started for people with trauma.
> Stunning printing quality.
> Great quality cardboard.
> Cards shuffle wonderfully.
> Sturdy keepsake box.
> Booklet in several languages (English, Spanish, French, Italian, and German.)
> Perfect for people with small hands or when you want to have a deck to carry around in a small purse.
> A wonderful collectable.
DISAPPOINTING
> Despite the beauty of the deck, this feels like an odd Tarot deck and more a collection of beautiful art cards made fit in into a Tarot and not images created to be part of a Tarot. This is just my impression, at least with some of the cards. Some of them fit well with their RWS counterparts at least in spirit, but others do no do at all.
> Not a beginners tarot.
> As the booklet is so small and limited, one gets lost in the beauty of the imagery and gets lost in it.
MIND
> If you really love this Tarot, get the full edition with the guidebook.
> If you have big hands this might not be your size.
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