Some images simply work, they feel right to us. We don't consciously know what makes images work because many times, when we look at an image, we attribute value to what we like. However, an image works or doesn't regardless whether we like it or not. So, which elements or principles make an image work?
This is the premise for Picture This. Molly Bang asked herself this question 25 years ago, dived into the world of imagery and then came up with a series of principles that make any image work and give it more or less expression and emotional content.
BASIC PRINCIPLES SUMMARY
These are basic staple principles that Bang lists and are grounded in our instinctive positive or negative responses to the world. The concepts are always used in combination and within a given context.
> Smooth, flat, horizontal shapes give us a sense of stability and calm.
> Vertical shapes are more exciting and active. Vertical shapes rebel against the Earth's gravity. They imply energy and a reaching.
> Diagonal shapes are dynamic because they imply motion or tension.
> The upper half of a picture is a place of freedom, happiness and power; objects placed in the top half also often feel more spiritual. The bottom half of a picture feels more threatened, heavier, sadder or constrained. Objects placed in the bottom half also feel more grounded.
> The center of the page is the point of greatest attraction.
> The edges and corners of a the picture are the edges and corners of the picture-world.
> White or light backgrounds feel safer to us than dark backgrounds because we can see well during the day and only poorly at night.
> We feel more scared looking at pointed shapes and more secure or comforted looking at rounded shapes or curves.
> The larger an object is in a picture, the stronger it feels.
> We associate the same or similar colours much more strongly than we associate the same or similar shapes.
> Regularity and irregularity—and their combinations—are powerful.
> We notice contrasts as contrast enables us to see.
> The movement and import of the picture is determined as much by the spaces between the shapes as by the shapes themselves.I LOVED
> The book
feels fresh despite this being the 25th anniversary of the first
edition. > The book is short and sweet and gives artists some tools to consciously create images and scenes that work. Some of these rules might sound simplistic, but most of us would not come up with this conclusions when looking at any sort of artistic imagery. //
> Bang explains everything in simple language and using minimal imagery that shows, without a doubt, how and why images work.
> The initial chapter "Building Emotional content of Pictures" in which Bang uses simple shapes, basic colours and an exploratory approach to build an image for Red Riding Hood. as she verbalizes her art process. I also loved the example she gives at the end of the book, with imagery from her illustration book When Sophie Gets Angry—Very, Very Angry, exploring her depiction of the arch of feelings in the book.
> The exercises mentioned at the end of the book. Even if I haven't done them yet, because the advice given is sound when creating an effective picture. One of my takes from this section is also the fact that, sometimes, we tend to focus on the details in a picture, but the question is, are the details necessary and contribute to enhance the feeling or message or emotional impact of the picture, or a distraction?
DOWNSIDES
> The epigraphs font size is too big and there is no gradation in sizing when there are sub-epigraphs or big sections. That's an edition problem that can be easily fixed in the Kindle edition.
> Bang mentions that the principles are a work in progress. Since these principles were explored and listed 25 years ago, I would have loved Bang mentioning if any others can be added .
> I would have loved having some famous paintings being analyzed following each of the principles listed, so that we could see them working in action. This would have rounded the book beautifully and it is easy to do digitally.
Hilli's book is both a source of inspiration and a constant frustration to read. This could have been a great book if anyone had bothered to edit the book for content. It has great advice and concepts, but it is too wordy and repetitive and feels amateurish.
MAIN CONCEPTS
> Zero to One, there is more distance or space between zero and one, than from one to two, two to three. In art, this means that the most difficult thing to do is starting anything. That is why a blank canvas can be terrifying and we postpone or delay working on it.
> The adjacent possible shows that any option that we make, whether in life or art, leads to something else that was unpredictable or unknown. It is something like the butterfly effect. So a new mark or line in a canvas might create, for example, a shape that inspires us to create something else that we hadn't thought about. For that to happen, the artist has to be ready for the unknown, dive into the unknown, allow the unknown to materialize by opening to it, and leave the predictable, the rules and the comfortable behind.
> Exploration and experimentation are at the core of creativity, and are the basis to progress, grown and evolve as an artist as complacency gets artists stagnant.
> Ugly art is necessary and teaches us invaluable lessons. We need to get comfortable with our ugly stuff and see that as a stepping stone for improvement and growth.
THINGS THAT I REALLY LIKED
Beyond the concepts mentioned above I liked some of the points that the author made. Here some of them:> Not being a known artist is actually a blessing, as this allows to create good art. However, even professional artists benefit for the approach of obscurity: What would you create if you were invisible? How would you sing if no one were watching? What if you were unself-conscious in your art making? What risks would you take if the outcome didn’t matter? > It is never pleasant when someone is critical of your art. The worst part: however, is when a part of you agrees with the criticism.(p. 60). > Advice on how to keep track of our art. > The questions to make a self-assessment of our art.> The technique trap: No amount of technique will move you closer to expressing your deepest art. Technique is painting from the outside in, rather than the inside out" (p. 148). > Learning that Joseph Campbell wasn't the father of the concept of the hero's journey.but Edward Burnett Tylor. > The fact that luck is related to two habits: changing up daily routines and avoiding over-scheduling. > I thought that the best chapters in the book, due to their content, structure and clarity, are: -- 12 Three tips for artists (keep a journal, just start, and work in a series).
-- 13 Three massive mistakes even the pros make (painting paralysis, the tyranny of technique, and empty virtuosity).
-- 14 Four traps artists face where old beliefs are replaced with new ones ( the critique trap,
the imposter trap, the judgement trap, and the technique trap).
-- 15 Three invisible paradoxes ( the refusal, the perils, and he dark night of the soul).
Finally, I also liked the recaps at the end of some chapters, some of the simple exercises advised and the fact that any major point discussed in the book has a real life story attached to it. NOT SO GOOD
This is a self-published book and, unfortunately, shows terribly. The book lacks a good structure, lack of cohesiveness in structure to be precise, as repeats the same ideas na concepts over and over, ad nauseam. One gets exhausted after the same ideas are repeated ad nauseam for nearly 200 pages.
Some of the more scientific concepts are unnecessary discussed in scientific jargon when in fact the simple explanation given at the beginning is sufficient. I thought that the description of what the hero's journey is was too long. Also, Hillis has a tendency to divert from the discourse at hand to then go back to it.
For the rest, the book seems addressed to professional or established artists not as much to beginner artists.
KINDLE EDITION
The Kindle edition is well edited except for some minor typos. Some of the ones I've noticed:
-- p. 78 short dashes should be replaced with long ones.
-- p. 155 there is the 3rd item of a list, mistake number 3, but is mistakenly labelled as mistake #1 .
-- p. 215, an hyphen is used instead of a long dash.
IN SHORT
The core of the book is as follows: start something even though that's the most
difficult part. Experiment, be fearless, accept your mistakes and learn
from them. Do art that reflects who you are not what other people want
to see. Keep open to experimentation and the unknown as these are
the keys to artistic growth. Technique serves art and it is not art per se.
This is another great book for beginners by art journalist extraordinaire Dina Wakley. It's packed with very easy to follow (and well photographed) tutorials, encouragement to start or continue with your art journey, and plenty of mixed-media techniques, like creating your own stencils, just to mention one that I loved.
Each chapter tries to motivate us to leave fears aside and start creating and the advice given is simple and sound:
-- Fear: I don’t know what to write! And I don’t like my handwriting. Courage: Writing takes practice! Plus, the only person who doesn’t like your handwriting is you.
-- Fear: I can’t draw. Courage: You can draw once you know the formula. And once you commit to practice!
-- Fear: I don’t want to, or know how to, include my image in my work. Courage: Examining yourself is a time-honored artistic tradition that helps you learn and grow as an artist.
-- Fear: Layering is hard. I don’t know what to do next. Courage: Breaking down the layering process into tools and methods will help you layer with confidence.
-- Fear: You don’t have the newest, trendiest art supplies so you can’t make good art. Courage: You can use supplies in unexpected ways to keep your artwork fresh and exciting!
-- Fear: I have to have everything planned in my head before I work. Courage: By working organically and intuitively, you can create interesting art and push yourself to see more.
-- Fear: Working in my journal is comfortable, but I’m afraid to move on to other projects. Courage: Moving your art from the journal page to other substrates and mixed-media projects is satisfying and exciting!
The language used in the book is simple and effective, no technicalities. Even if you don't follow the tutorials to the letter or not at all, you'll still learn a lot of stuff that will improve your artwork.
The table at the end of the book with the properties, uses and downfalls of each media type is excellent.
Wakley, who has a huge range of mixed media products for sale in the craft market, doesn't promote them in the book at all, so that's really refreshing.
KINDLE EDITION
The Kindle edition is really good and the images have good resolution. Besides, the pages can be bookmarked and annotated easily, unlike other art books on Kindle.
DOWNSIDES
> The initial chapter on tools and materials is a copy-and-paste of Wakley's previous book Art Journal Freedom.
> Chapter Six starts with a big statement about the fact that we don't need expensive supplies to art journal or paint. Yet, in the tutorials included in this chapter include the use of very expensive PanPastels and Caran D'Ache Neocolors.
> I would have wanted a bit of more guidance on face shading because the book barely provides guidance on this subject.
TYPOS
Bold is missing from the words 'fear' and 'courage' at the start of chapter 6.
Without a good composition, images simply don't work.
I'm a fan of Wakley's art products so I thought I'd give this book a try. This is a short enjoyable read, great to understand basic rules of composition and colour. Everything is explained in a very simple effective way, in a language that has no technicalities or complexity. Wakley also shows how to break the rules and when to do it. By the end of the book, one gets to understand why some images work and others not. Subjects discussed in the book are: symmetry/asymmetry, white space, continuance, closure, proximity, dominance, repetition, colour basics, contrast with colour, and colour as composition tool.
THINGS I LOVE
> The book is a workshop on its own.
> Good for anyone wanting to start painting not just art journaling.
> The summaries at the end of each book with taglines about the major points discussed.
> Everything Wakley says is exemplified by images coming from her own artwork, so it is not just theoretical talk.
> Each chapter has a tutorial, simple but beautiful, really well explained and photographed.
> Each page has prompts to put some of the points discussed in practice.
> Although the book is for beginners, it has plenty of value for intermediate artists.
> Great Kindle edition and quality images.
I DIDN'T LIKE
> The fact that a sewing machine is one of the tools needed. I don't have one, and I don't think this is really necessary. Some of the things Wakley does with the machine can easily be achieved with a marker or pen, so why not providing this alternative?
> Although I love Wakley's artwork, I would have loved having visual examples from other artists exemplifying what she says.
MIND
> This is a book thought for beginners, so take it as such.
> This is a book about mixed media not drawing or painting per se.
This is a lovely selection of art journal pages and images from authors around the world although most authors come from the US. In the introduction, the author confesses that she did choose some of her favorite authors and pages while the majority were chosen after an online call out for submissions.
Most of the artwork is of my liking, and I got inspired by some of the interviews and pages in the book, which is the reason I got it in the first place. There is a mix of techniques and media (illustration, painting, collage and mixed media) and styles (whimsical, dark, abstract, surrealist, visual diary, etc.). The interviews with the featured artists are short and sweet and very encouraging for non-professional artists.
I hesitated about whether to buy the Kindle or hard copy edition. I'm happy that I chose the former. The kindle edition is great and allows me to zoom in without loosing quality image, so I can appreciate the smallest details and lettering in each work.
DONWSIDES
> This Kindle edition does not allow page bookmarking.
> The structure of the book is not of my liking. It's organized alphabetically, by country of origin, which is fair enough, but I'd rather have it by types of art (conceptual, abstract, whimsical, etc.) as I would personally focus on specific areas.
> The book reads like a published blog. This being the case, it lacked insight on the creative process. Each image is accompanied by a generic list of elements, but that's also simplistic.
> Although there are many authors and styles in the book, I missed some avant-garde or dark journaling.
> There is a heavy weight on US authors, so the world overview is, in the end, quite unbalanced.
THINGS I LOVE
> Caitlin Sholl's texts and the advice given are terrific. The author guides us and
allows us to deep dive into gratitude with prompts to make us find
things we are grateful for, and tips on how to express gratitude. Scholl's definition of and introduction to gratitude are wonderful and very unique.
> The deck structure. The cards are organised in three sections and energies: 1/ Affirmation, connected to the morning. 2/ Inspiration, connected to midday. 3/ Reflection, connected to the evening. They have three different coding colours (yellow, green and violet) and each card comes with an inspiration quote at the top, and some items of advice to follow on the day, plus the extended advice in the guidebook.
> The overall pastel colour scheme and the whole visual design of the deck, which is minimalist and very elegant.
> The plush deck bag, which is an awesome bonus.
> The quality of the cards and the fact that they shuffle well.
> You can use just the cards or just the booklet without missing anything.
> You can use the different sections at different times of the day or shuffle all of them at once. In that regard, the deck is very versatile.
> The booklet is printed in good quality glossy paper and is bound loosely so you can open it comfortably.
> Good value for money. NOT SO GOOD> The contrast between the background and the lettering is deficient overall, but especially noticeable in the yellow set.
> The booklet's deficiencies are unforgivable:
-- The binding is just lightly glued. I was just gently browsing the booklet and two came off unglued from the bottom. Can you imagine if I use this properly?
-- The cards aren't numbered, so the awesome extra information on each card has to be looked up in the guidebook manually, just within the corresponding section. As the cards are made to shuffle, this look-up can be a bit labyrinthine, time consuming and not very helpful. I find surprising that the editorial house didn't pay attention to something so important for a guidebook, because, otherwise, it's not a guide, it's a book where to search for information.
-- The index is too generic to be of any use.
-- The cover is just paper, not even a bit of cardboard to hold the whole thing together.
-- This being the case, I feel hesitant to gift someone with this deck, even though I think this is just a wonderful deck.
> I can use just the booklet or just the cards, not both combined for the reasons mentioned above.
MIND
The cards are on the large side, so if you, like me, have small hands, you might struggle with the shuffling.
WISH
I would love seeing the booklet properly reprinted and edited.
I bought this to give it as a gift a friend who would benefit from such an inspirational deck as she's going through a lot. The conception and healing properties of the deck are undeniable, yet, the quality of the final product isn't good and I ended keeping it myself, as I don't want to gift anything that looks cheap.
THINGS I LOVE
> The structure of the deck. The deck is
structured on three sections (affirmation, inspiration and reflection)
with three different pastel colors (blue, green and violet) and each
card comes with an inspiration quote at the top, and some generic advice
to follow on the day, plus the extended advice in the guidebook.
> The quality of the writing and the advice given by Scholl are terrific and covers not only self care when you're are on your own, but also when you're in social settings.
> The overall pastel palette of the deck, which gives a calming vibe to it. > The quality of the card stock.
> The elegant imagery and card design.
> The plush pouch bag being included in the set, also the fabric is very pleasurable to touch.
> The booklet is printed in good quality glossy paper and is 'bound' loosely so you can comfortably open it flat.
> The quality of the keepsake box.
> Good priced an good value for money.
NOT SO GOOD
> As per my photo, the top layer of the printed paper arrived bubbled up. This is not the result of the posting and handling as the deck arrived sealed in plastic and well packaged, but the result of not spreading well the sheet of paper on the cardboard on the glue. This being the case I couldn't gift my friend with something it looks used or badly done.
> Some of the quotes and the advice given on them is not always really connected, at least to me.
> The booklet's deficiencies:
-- The binding of the booklet is just glue, and it's so tightly done that the pages will certainly come off as soon as I start to use it frequently.
-- The structure of the booklet. The cards aren't numbered, so the awesome extra information on each card has to be looked up manually, just within the corresponding section. As the cards are made to shuffle, this look up can be a bit labyrinthine, time consuming and not very helpful. I find surprising that the editorial house didn't pay attention to something so important for a guidebook, because otherwise it is not a guide, it is a book where to search for information.
-- The index is also too generic to be of any use.
-- The cover of the booklet is paper thin, literally just paper, not even a bit of cardboard to hold the hole thing together.
MIND
The cards are on the large side
OVERALL
This could have been an awesome deck if the some basic stuff had been been tended to properly. Despite the undeniable psychotherapeutic quality of the deck as a self-care tool, the overall cheap quality of the product and the poor structuring of the guidebook end resting value to a deck that deserves being better curated and produced.
I purchased this book because I wanted a work to add to my interior design Taschen books, and this seemed to be comprehensive. It is indeed a nice coffee table book, both informative and entertaining, and nicely printed. It is not as tiny as some of the other reviewers made me think. It is on the small size, for sure.
I LIKE
> Portable and compact coffee-table sort of book.
> Elegant cover and inner cover design.
> Pleasurable paper stock.
> Informative without being a bore. Easy to read.
> Mix of design pieces (think Aalto, anything produced by Alessi or Jansen) and invented/patented pieces that are part of our daily lives (zip, Dixon pencil, safety pin, metal dustbin, cylinder lock, door handle, corkscrew, etc.).
> Very good photos overall. Many of them are vintage images of the designers or of the adds used to sell the products.
> Excellent binding. You can comfortably open the book and read both pages without fearing that they will come out.
> Index of products at the end.
DOWNSIDES
> The paper is too thin and a bit transparent-ish.
> No fabric page marker included in the binding, something that is common in similar design books by Taschen.
> The lettering is very small and I need a magnifying glass to read the text.
> The body of the text is not justified, something that always annoys me.
> The book has no introduction with the criteria used for the selection of the pieces included in the book, period covered or any other relevant information on the matter.
> The selection lacks cultural diversity, as there is a constant rotation of specific designers and areas of the world. I would have liked a bit of more open-minded, to call it something, because it is difficult to understand why there isn't any South-East Asian, African, or South American designer in the book, and why France and Spain and so under-represented. Because, you aren't going to tell me that there designers from those parts of the world haven't designed anything we use or didn't contribute to the history of design at all.
I listened to this audiobook, narrated by the author herself, many years ago. Laura Day mixes her profound intuitive and psychic knowledge, with the Psychology of Love, and the Law of Attraction with psychology of love and knowledge of how the subconscious works to produce an unique book that was really an example of what today is common among good relationship books.
Laura Day's approach to love is not fluff. You will have to reply to many questions (to yourself), dig down on who you are, who you are looking for, how to prepare yourself to find him/her, your possible blocks to love, and what love is or is not.
I especially loved the intuitive exercises she proposes, especially those in which you don't know their purpose/question until you've finished them . You'll find them delightful, especially if you are a very visual and/or imaginative person. They teach you many things about yourself and will surprise you.
I would have liked the book to go for longer, forever!, and to have more practical exercises. After finishing this book, I read Laura's How to Rule the World from your Couch, which has a lot to do with love (especially the chapter body heat telepathy), so I recommend reading both books at once if you're looking for advice on matters of the heart.
This is not your book if you are looking for dating tips, how to act, how to perform in front of a man/woman hiding who you truly are, to find his/her approval or play any sort of games to get attention and feed your wounded ego. If you are looking for real love, true love, and are intuitive you will enjoy this book.
Laura Day's voice and narration style is very engaging, warm and joyful.
I've had this book for about 10 years. I was elated to purchase the recent Kindle edition, because I re-read this book regularly. Although I am naturally very intuitive, this book helped in the past, and still does, to refresh and strengthen my intuitive skills.
I LIKE
# Having
read the hard copy version and the digital version with nearly a decade
of difference, I can honestly say that this book is as relevant today
(2021) than it was published first in 1997.
# The
book is very practical, has no pretense or mambo-jumbo and includes
examples of students' responses to the exercises we do. The book is written in a very approachable way, as if you were in one of Day's workshops.
# Day debunks what intuition and psychic abilities are. This being the case, the book will appeal to people who are way far from the occult and esoteric bunch that you usually associate with this sort of subjects with. In fact, Day has taught how to use intuition to businesses, medical practices, film productions, therapy and healing groups, venture capital groups, and families.
# Day's intuitive lessons are the best I've found anywhere. I've read many books on intuition, each one with their own tools, techniques and valid ways of tapping into our sixth sense. Yet, Day's
books are the only ones that I regularly re-read or consult.
# Most of the exercises are wonderful and enlightening. Some of them really wow. I especially loved exercise no. 26: The Circle Technique.
# Some of Day's digressions in chapter 30 re about intuition, oneness, interconnection and social ecology, space and time, predestination, spirituality and so on are still relevant 30 years after the book was written.
# The double-blind reading experiment described in chapter 31.
# Herewith some of my fav pearls of wisdom:
-- "If you want an outcome and your intuition says no, ask why."
-- "Make it a rule never to mimic a trained and licensed professional in a given field."
-- "Intuition should add to good judgement, not replace it."
-- "Intuitive information is always objectively valid, and it is always right. It’s in the interpretation of intuitive data that errors are introduced."
-- "Reality is nothing more than a consensus."
-- "Intuition teaches us that things are separated neither in space nor in time. There is no past or present or future."
INTUITIVE READING ADVICE
1/ You don't need helpful information other than the question; actually, the less you know about the topic, the better.
2/ You aren't always right.
3/ Your subject still needs to exercise judgement as you aren't making decisions for them.
4/ You aren't a therapist.
5/ Your preferred way of working and intuitive style.
6/ Ask the person to have the questions written and framed before the reading takes place
7/ Get relaxed and centered
8/ Once the question is asked, begin speaking straightaway so that your logical mind has no chances to interfere. You may get impressions before the question is asked or impressions that seem meaningless to you but not for the other person, or impressions that seem unrelated to the question but they are.
9/ Don't let your subject interrupt you, as this interferes with the intuitive flow.
10/ If you aren't getting anything, be honest about it, but try to see that this not-seeing-anything doesn't equal no, nothing, etc. Refocus the question.
11/ Translate your intuitive images into colloquial language.
12/ Report your impressions going from the details to the big picture, and look for verifiable signposts (names, dates, places, history, etc.).
13/ At the very least look for these things: a) Positive/negative feelings to the question. b) Whether your feel that you're in the present, past of future of the question, or if it moves back and forward. c) If you see people or events affecting the question.
14/ Ask and work with feedback.
15/ Ask for further questions.
16/ Remain objective no matter what you get. You can’t assume that any event is necessarily good or bad. If you are delivering 'bad' news, be tactful and gentle, try to see the silver lining and mention that you might be wrong. If necessary feel free not to answer a question.
DOWNSIDES
>> The book has a
chatty anecdotal conversational tone that might not be for everyone.
>> Although I value the way that Day compares how dreams and intuition are
similar and different, as a dreamworker I don't personally agree with some of her
statements she makes about dreams.
>> The wording of some of the exercises is not clear enough. Exercise 22 and the chapter on intuitive polarities it relates to are especially confusing to me.
>> Day says that the more random an intuitive technique is, the more likely it is to work. She also states "The key difference between intuition and these other divining techniques is that with intuition you’re not using external cues to help you – or to lead you astray." For that reason she says that, for example, tarot readings aren't as good, as, say, the I Ching. I Tarot/oracle cards are chosen randomly (flip out or random selection) to start with. Also, oracle/tarot decks have different imagery and depictions of similar archetypes, sometimes to the point that the same card on a different deck provides you with different intuitive elements. You can mix and match several decks to get an intuitive reading made of a mix of cards coming from them. If everything is related, as Day says, and everything is meaningful for an intuitive reading, a card is as valid as anything else.
>> The exercise between number 24 and 25 was never numbered.
>> Chapters 27 and 28 bear the same title, but the former is devoted to carer and
finances and the other to general personal matters. Why not titling each chapter
accordingly?
RECOMMENDATION
I would advise to complement this book with the Intuition in Love,
Intuition for Success and How to Rule the World from your Couch, because
they are the best intuition tools out there.
KINDLE EDITION
Overall, this is a good Kindle edition, with pagination markers instead of location markers, something that I always prefer. On the other hand, I noticed some minor editorial mistakes: -- "the progression of a season . if you don’t receive such clues" in p. 128.
-- "Intuitive information is o rich and complex", p. 162.
-- The pair high/low is listed twice in exercise 21.
-- "anything, tell them to pretened", p. 184.
I was thrilled to get the Kindle Edition of this book, and it had to be COVID-19 Pandemic what allowed the project to be done. The first printed copy saw the light in 2001, and it has taken two decades to get to the digital edition on Kindle. It was time! In all honesty, I thought this would be another book on intuition, but it is not.
The Circle is a revamped version of the Law of Attraction (LOA) and The Circle is just a way of calling The Universe or the space where manifestation occurs. The book mixes concepts of the LOA with others of the Thought Church, Psychology, Intuition, Reiki and simple common sense.
MY HIGHLIGHTS> There
is a unwavering faith in the process and in humanity expressed through
the book, and this is one of the most positive takes for me.
> The section on rituals, what they are and why they are important in our lives.
> Some of the statements in the book:
-- "When you change yourself, you change the people and events around you." (loc 216)
-- "To a great extent, you are what you believe you are-and the world responds accordingly." (loc. 225).
-- "It requires far more energy to be ill or create a life out of balance
than it does to be well. Your internal structure wants to be well and
works towards health and balance whether or not you are helping." (loc
453).
-- "In times of stress, or when handling people or situations, you tend to
turn to one particular system by reflex, your default system. Your
default system is not necessarily your strongest." (Loc 470).
-- "When you analyse a lack of success in any aspect of your life, you
tend to look outside yourself for the explanation. Yet often the answer
is that you are getting in your own way." (loc 496).
-- "One way to discover what people fear is to see where they put their
focus and energy. Look at the perfectly put together person and realise
that person is probably afraid that he or she will fall apart." (loc
599).
-- "When you see and need, ask if you can fill it. When you have a need, ask that it be satisfied." (loc 781)
-- "So much of life is lived in the head. The human mind is a wonderful
place, but to create change, things need to be built in the physical
world." (loc 912).
THE CIRCLE SUMMARY
The process to tap into the Circle (Universe) and bring any wish into reality is structured as follows:
1/ Initiation:
> 1st element = Intentionality = The hidden gift is conscious creation.
> 2nd element = Embodiment = The gift is awareness.
> 3rd element = Ritual = The gift is sacredness.
In short, make a wish and put your intention behind and into it, embody the result you want to create, and make some ritual to start tapping into what you want your new reality to be.
2/ Apprenticeship:
> 4th element = Synchronicity = The gift is effectiveness.
> 5th element = Making Space = The gift is transformation.
> 6th element = Coherence = The gift is right action.
In short, pay attention to the synchronicities that reflect change in the outer world. Make space for the new to enter your life, and resolve any inner or outer conflict that prevents your goal to materialize. When you go through this realize that your initial wish might be other, so allow your wish to transform as you transform.
3/ Mastery:
> 7th element = Outer roadblocks = The gift is intuition.
> 8th element = Inner roadblocks = The gift is healing.
> 9th element = Contact = The gift is unity.
In
short, you'll find inner/outer resistance before getting your wish manifested. These obstacles are the right path to success but need to be
addressed. When you enter the energy of The Circle you are in oneness with everything and everyone. Be part of a group, a circle of like-minded people, who support each other and go through this process together.
OH BOY
>> The book as a chit-chatty godmother's preachy tone that, on the one hand, makes it easily readable and understandable, but, on the other, rest validity to what she says.
>> >> The writing style is unnecessarily repetitive and full of platitudes. The words The Circle and New Reality are repeated ad nauseam.
>> Many of the messages that Day conveys in the book are a verbose beautification of popular common-sense wisdom such as:
-- Life is unpredictable.
-- Go with the flow.
-- If life gives you lemons, make lemonade.
-- What doesn't kill you, makes you stronger.
-- There is a silver lining in every situation.
-- After reaching the bottom, the way is always up.
-- Everything depends on how you look at things: Is the bottle half full or half empty?
-- Let go to move on.
-- Get out of your own way.
-- Be careful of what you wish for.
-- Your unconscious rules your life.
-- Create a community of liked-minded people.
-- A candle doesn't lose its light by giving light to another candle.
-- Shine your inner light and give it as a gift to the world.
-- There is a lesson in everything.
>> Synchronicity, Serendipity and Good Luck are three different things. Why putting them together in the same basket?
>> Generalizations of the type "some studies have shown" (loc 432). Which studies, by whom? Or 'Mothers have been known to lift vehicles weighing a ton off their children." (details needed or it sounds like charlatanism) are not good for any serious author.
>> The book is full of generalizations about how the subconscious, childhood conditioning and behavior patterns show in life.
>> There is nothing like listening to a meditation by the author who created it. Personally, I love having the meditation recorded so that I can listen to it and connect with the author. Yet, there is only the written text and the advice of recording the med yourself.
>>
The digital cover has lovely color palette, but
there isn't enough contrast between the background and the lettering to be readable.
>> The Kindle edition is poor. See below.
(BAD) KINDLE EDITION
I hope the issues I mention below (and those I haven't noticed) are corrected, because it takes little effort to do that. The Kindle book is sold a standard price, but it feels like a rushed draft. Herewith some of the issues I've found:
>>> The Index of Contents is minimal. Only the major sections of the book are listed but not the chapters or major subsections. What is worse, the Workbook is not mentioned in the index, but it is in the book, so you'll need to bookmark the workbook and its subsections to get there.
>>> Too many examples of poor edition and transcription, which are painful to see and make reading unnecessarily unpleasant. Some examples below:
-- "after the after the Epilogue", locs 245, 338, 384 (after the Epilogue).
-- "The more you “know” the more the mine wants to reason", loc 642 (mind).
-- "What higher power or higher parts of your own being.Do you want in your sacred space with you?", loc 314 (An interrogation mark would have been more appropriate after 'being' not just after the latter question.)
-- "Celebrate the successes and victories. Acknowledge and mourn the losses and allow the energy of disappointment to become the energy of faith and transformation. And always on the journey", loc 327.(It reads badly).
-- "Though you haven’t yet fully realise their significance to your New Reality", loc. 362 (realised).
-- "Heading The Fifth Element Making Space", loc. 395 (in bold as the other headings)
-- "Uses energy positively by expanding your Circle", loc. 772 (Use energy)
-- "Write without pausing so that you don’t have time to “think” or “reason” loc. 642 (Many examples of overuse/misuse of quotation marks throughout the book).
-- "2. ave each person silently", loc. 822 (Have)
-- "I no longer have to-I simply have to be", loc, 1238 (period intended?)
-- "I may-instead of berating myself-bless each bite of food" loc. 1238 (long dashes needed plus a space of separation with each one)
Day, Laura. The Circle: How the Power of a Single Wish Can Change Your Life (Practical Intuition Book 1) . Laura Day. Kindle Edition.
>>> The exercises mentioned before getting to the workbook have no special formatting or indentation, so they aren't distinguishable from the rest of the body of the text. That's just poor editing. It would have been really nice to have them showcases in in a box or indented in, or the "Enter the Circle' in bold.
>>> In the workbook, the daily exercises start with a section title, but the weekly ones have the title missing.
>>> Some of the exercises in the workbook are a repetition of those mentioned in the book, and some of the daily and weekly ones are almost identical.
>> Affirmations are way too verbose to be powerful and directional.
Laura, please, change editor :) Or correct the current digital edition so it reads a bit better. Or decrease the price of the book.
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