Crenshaw's Books & Decks

I love Santiago Calatrava's light-filled ethereal futuristic architecture, and this is a good basic introduction to the Spanish artist, civil engineer and architect and his work.

The book has good quality photographs of Calatrava's sculptures, buildings and some of his original sketches and drawings, and a very insightful introduction and comments on what makes him different from other contemporary architects as well as the particularities and innovations of each of the featured buildings.

Calatrava has produced a few stunning pieces of architecture since this book was written, so the book falls a bit short, it is outdated, and has barely 100 pages. This being the case, the pricing, although not high per se, it is a bit high in reality.

This is is not a book on Calatrava's complete works but a good first approach to Calatrava, so good enough for the novice.

A nice book for your coffee table as well. 

Is there anything sexier than a chair? Of course, Lamps and lighting items are absolutely sexier. They have inspired great artists and designers to create marvellous creations that still leave me in awe. I bought this book in my local bookshop, way more expensive that in Amazon, but it is still a very good price for a good quality book.

DOWNSIDES

= The books does limit itself to the 20th century so no designs from the 2000s. This being the case, many of the daring innovative contemporary lighting are not included.

= The book is unevenly organised. The 600+ pages covering the 20th century are heavily sided on the first half of the century, so much so that 456 pages are devoted to the period that goes to the 60s, while the rest is devoted to the 70s, 80s and 90s.

= Short in British and Spanish designers, while French and Italian ones are overwhelmingly present.

= If you are looking for a guide with plenty of explanations, a professional approach to lamp design and more details about the designers and the history of each item, or clear design periods go elsewhere.

 = The fact that the explanations are in three languages forces the comments to be shorter and less detailed.

I could not resist the title, and the subject. Any book with the word Fck in the title deserves a bit of attention, especially if good manners is the subject of the book. It is a tantalising or perhaps shocking mix. Rudeness is utterly pathetic. The shop attendant at my grocery shop says, people who don't return your good morning are like animals. Right there lady, they are the new cockroaches.Thank Gosh is not just me:

DOWNSIDES
Despite the book being really likeable, there are a few things that rest power to it. Here a few:
> The book shows lack of focus at times, placing in the same bag things I consider way different, even if they are connected: manners, being a caring friend, etiquette, having tact, behaving ethically, writing reviews on Yelp, tipping, and how she loves the Internet and how she met Marlon Brando in a forum.
> Etiquette and manners are not universal. Culture and Language do matter, even if we share being Westerners. Even more when the culture is not Western. However, the essence of good manners does not change much. I think the book needed a bit of more reflection on that, or an approach that also includes that. Some of the behaviours Alkon advises might be seen as rude and manipulative in another parts of the world, and some etiquette "must" are not etiquette elsewhere. Despite living in a globalised world and having the world at our fingertip, literally, people tend to live in their own bubble and consider their own bubble the world. Wake up to the Matrix.
> There are too many references to her blogs, her newspaper column, her TV interviews, her radio shows, her famous friends and her boyfriend, and they are tiring and unnecessary. They are OK in a blog or column. In a book, not so much so.
> Her writing is likeable and enthusiastic but I expected a more polished text and a text that reads less like a blog.
> Alkon has a preachy tone that I dislike. I mean, you can do or believe whatever you want, but if you preach high morals, high manners or whatever and you don't show that with your actions, I will notice that, realise that it is just crappola. For example, her book has as a main aim to be a reminder of how we are all imperfect and make mistakes, that we should have empathy, we should connect with other human beings and treat them well. Right? What she does to face rude people? She takes any opportunity, I mean any, to humiliate and name them publicly or in her blog/column. That is not to say that pigs are birds of paradise, but some acts of rudeness are involuntary or just happened once, where is her empathy gone? Why does she need to destroy Mrs X's reputation just because Mrs X made a mistake that was not even life threatening or affected her directly? If you are rudder than the rude, who might have acted out of ignorance once or due o lack of proper upbringing, and put yourself at their level, who is worse? You never put yourself at the level of the sh+t a friend of mine used to say. If you preach empathy and show none when you have to, you have none.

> The excuses she gives for her being constantly unpunctual are that she is trying, that she is even reading books on it, doing "something". You just need to get your alarm working and get up or get moving when it sounds, sweetie. For what she says, she is still wasting other people's time consistently. That is utterly rude. Is she going to use her anal humiliation approach to combat her rude self?

> She might have manners but she swears too often in the book. I wonder how much more in real life.
> The formatting of the book on Kindle is generous in the margins, so that makes more pages than they should.
> The index in the Kindle edition does not refer to the Kindle edition but to the hard-copy, so it is worthless for Kindle readers.

= The book devotes little space to the 1980s and 1890s compared to other periods.

= Short in Asian and non Western designers in general.

IN A NUTSHELL
If you are looking for a book to have on your coffee table to entertain guests or yourself while having a coffee or tea, this is it.

 This is a revised edition of Hardon's classic published in 1980, updated in 2013 way after the death of the author. Said differently, the updates in this abridge dictionary are not the author's. It is great having this sort of dictionary on Kindle, though.

The entries included are defined in plain language and provide the lay reader (Catholic or not) with a concise precise information on each item. The cross references in the body of the text are linked, which makes consultation easy. However, most of the words I have looked up are not there! Most of them related to liturgy and vestments, some religious feasts, some titular sees of the Catholic Church, some types of blessing, among others. Then, you find, for example, an entry on Marxism or another on abortion, which are, well, out of place and moralistic. Hello Hello, Common Sense lost, Houston!

Then, there is an appendix with all the Popes of the Church. That is always handy, but you can easily find that on the Internet, for free. I would have preferred having that space occupied with more entries.

I would had rather have the complete original Catholic Dictionary in two Kindle volumes if necessary, than a chopped one. Besides, the Kindle index is generic, alphabetic, so worthless unless you want to use the dictionary letters as a chapter to read as a whole. It would have paid off (to highlight the name of the editor) having a general index with each entry linked back and forward. Something really easy to do if the editor and publishers thought more often about Kindle readers. Of course, we have the Search tool for searching, but that is not the same as going directly to the entry you want to check without wasting a second because some look-ups render a considerable amount of information that you have to go through without guarantee of finding anything of interest.  

Get the original in hard-copy format, which has 5000 voices instead of the 2000 in this one.

Useful Dictionary but very basic.

If you are a woman (sorry Barbie it is not you) you have told yourself one of these lies at a certain point in your life and, by doing so, you've self-sabotaged yourself successfully. Congratulations, you feel miserable. No prize for you, you just pay the price.

Written by a female coach,  Big Lies... offers a concise evaluation of fifty-nine self-lies, limiting beliefs and distorted views of your female self and your self in general. They deal with your worth, your body, self-care, success, money, love, relationships, authenticity, and your spirit. The message is, see them as lies, because they are, and do not use them to justify your situation, your misery or your empty life.

Examples of big fat lies are: I am old, I cannot do X, I have to please everybody to be liked, money is bad, it is OK living beyond your means, you have to fake who you are to get a man, love is sacrificing yourself, better be polite than authentic, grieving openly and strongly is wrong, and so on. 

Many of these beliefs could be applied to men, as well, but others are specifically female. Also, some of these big fat lies are obvious, but others are not, and are the ones that I like the most, because they are not socially popular or accepted and will help you to separate hay from grain. Having said this, even the obvious ones are important to be highlighted because the truth is that a ridiculous amount of women are spending tons of money to "improve" themselves and "gain confidence" by increasing the size of their boobs, cutting and modifying pieces of their body flesh, and faking what they are not, instead of focussing on inner, ethical or intellectual growth. 

I found some of the "lies" on spirituality redundant. Being not religious or not spiritual is perfectly OK, as long as you have ethics. The power and value of behaving ethically is overseen too often despite being more universal than any religion out there, and applying to any religion out there. I am a bit sick of religious spiritual people who say and preach that they have strong morals or look for people with strong morals and then disrespect me or treat me in ways I consider totally unethical. Spirituality is fine if you need it. It is fine to believe or practice any religion, but being agnostic or atheist with a good set of ethics is something to be proud of, not a macule on your soul, mind you.     

The book is easy to read, and a quick read as well, as every single big fat lie has a mini chapter devoted to it, so you can read them easily while commuting. 

This is a sound book, but this is not the book of a psychologist. See it for what it is.

An entertaining good-hearted read overall. 

Have you ever watched a foreign movie with subtitles and, while watching a scene, you were a bit puzzled because there was some sort of disconnection between the action and the subtitles? 

Let's start with a personal example that links well with what this book is about. 

When Spain won the Football World Cup in 2010, one of the scorers got his shirt up to show another shirt with a text written on it. I was watching one of the most viewed morning shows in Australia at the time. The presenters and newsreader didn't know what all the fuss was about, but they wanted to know. It could have cost them nothing checking with a translator in advance or just checking foreign media in English that had bothered to do so. Two people from the audience translated the text and sent it to the program via social media. The first text was a political patriotic text, which was obviously too long for 5 Spanish words. Still, the newsreader read it and was happy to feed the masses with this crap. Another viewer sent a proper translation of the text adding the context as well. The text was a posthumous homage to a deceased friend and co-footballer not a patriotic message. The newsreader read this translation as well, and ended by saying, "now we don't know which one is right, they are so different". I was rolling my eyes in disbelief.

You might ask, who cares about football, right? Put it this way, how many times have you been or are you being mislead by the media because they rely on non-translations or bad translations of items of news on subjects that matter to you? Or on hot topics of world news we are fed by the media every single day? 

***

Found in Translation is a a very entertaining unpretentious light-hearted book written by a professional translator and a professional interpreter. The authors are passionate about what they do, and are good at what they do, and their enthusiasm and expertise shows in the book. 

The book is a well-structured collection of stories that revolve about translation and interpretation coming from professionals all over the world not just the authors. We see the role of translation in   wars, politics, diplomacy, the health system, newspapers and magazines, media analysis, online network sites (Facebook, Google, Twitter, Wikipedia), History, business, multinational companies and brands, the Justice system and international courts of Justice, marketing, rescue missions overseas, International Courts and multinational institutions, sports events, stock market, Literature, the Bible and other religious texts, beauty pageants, dating sites, porn, wines descriptions. TED talks, and much more! There are many delightful bloopers and anecdotes that show the impact that a bad translation can have in our daily life and the world.

 Why we need translation or translators in the age of globalisation? Why is important having good translators? Are machines ever going to replace translators? What about Google Translate and Translating programs? Which fields require of translation and interpretation? Wouldn't it be nice if everybody spoke English so we do not need to translate? What does translators do? How do you translate Creole languages or words that do not exist in your language? Or vice versa? Does a good translator finds easy to translate everything in his language/s of expertise? The authors reply to these and other pertinent questions and offer an overall view of where translation is, whether you notice it or not, see it or not, or you think you need it or not.

The target of the book is the general public, so the language used and the approach to the subject is light and easy to understand. No jargon. Beyond the interesting anecdotes, there is the realisation that translation and interpretation are something more that a conversion of language X into language Y, and that translation pervades the world we live in. This is NOT a manual on translation or a book on translation theories, methodologies or techniques, or on the History of translation. No boring stuff!

I missed more focus on areas as translation of historical and anthropological texts, which provide the modern translator with some specific challenges. but this is just me. Yet, one of my favourite episodes, the one of the Treaty of Waitangi, which I have had the pleasure of seeing in person, is in the book.

I found this book among the list of best illustration books of 2014 chosen by Amazon's editors. Really? Unbelievable! This is an enlargement and remake of the author's blog entry, available for free on the Internet. See it here :)

I consider this one of the most appalling books I have read lately, and at rip off price of 10+ bucks for the Kindle edition. Give that money to charity! The book is not worth it.

The author is truly lost in translation, and wants you to get you lost as well. The ratings of the book seems to indicate she has succeeded.

The introduction is a clear example of pompous, vacuous well-intentioned "crappola" that says nothing and means nothing but wants to impress and fool the general public. Still, I had hopes that this would be, well, just a crappy introduction. Sadly it is not.

How did the author came across some of the non-existent words, some very translatable untranslatable words, is beyond my understanding. I came across something really similar in Tumblr a couple of years ago, and it is free and way better! (the blog is called Otherworldly). Otherwise, just google "untranslatable words into English" and you will find gazillion entries, most of them featuring the same bunch!

The Malaysian word in this book does not exist. I believe the Malaysian guy who says so in his review mostly because he/she is Malaysian and must know.

The Spanish "vacilando" (not a verb, but a verb tense, mind you) does not translate the way the author defines it. The verb "vacilar" has many different meanings, all translatable into English. You never use a gerund on its own, but within a a sentence that has another verb (or it is implicit in it), so that is always easier to translate than a noun or concept. The meaning presented in the book is not mainstream or standard Spanish. It might be slang, Spanglish or a regional/national use of the word, so, if that is the case, well, mention that instead of presenting it as a  general Spanish word. The definition is roughly translatable in English as wanderlust/ing or lurking around. A Spanish word that has no translation whatsoever is "sobremesa", for example, but that is not included in the book.

I don't know Japanese, Inuit or Norwegian, but if the Malay and Spanish words are non-existent or inaccurate, how many of the others are incorrect or understood wrongly?

Many of the words in the book can perfectly be translated into English, sometimes directly, sometimes indirectly, some others approximately. Just one example Commuovere in Italian is not a specific Italian word (the Spanish "conmover" has a similar meaning), and it can be easily translated into English as "being moved (by something)" as in the movie really moved me.  What makes a word untranslatable is not what it means, it is, most times, the embedded cultural meaning and use. When you use it, how you use it, who does it use it (age group, social group, racial group), the relevance of the word in the culture of a given social group or country, if it is a polite or rude word, etc. For example, you can translate the Portuguese word "Saudade" as nostalgia, longing, or as "blues", but the word has so much embedded cultural meaning in Portuguese literature and song lyrics, or even in the spirit of the Portuguese spirit, hat you cannot capture that in English. If you understand that, you also understand that the illustration in the book accompanying the word "Saudade" does not make any sense. Some words convey ways of living or thinking that are alien to the English speaking reader, so the translation has to do an U-turn to have specific words translated. The same also happens the reverse way.

The illustrations are lovely and cute, and I really enjoyed them. Very naif children's book sort of style, something that is very much my liking. However, the illustrations are there to illustrate, and they do not succeed at doing so at times because the meaning of some words is barely grasped. If this was just a stand alone book with no text, my rating would be way higher. 

I returned the book for refund. Why would I want to keep a book whose information is incorrect or wrong? Even if the book was accurate in its approach to the rest of the foreign words, it would still be a rip off and some of the definitions are questionable It takes you 10 minutes to read the 100+ "pages". What is more, there are masterpieces of illustration sold by Amazon at similar or cheaper prices!

Originally published in 1983, We is a mesmerising book, still relevant for our culture and psychology, and the best book I have read this year so far. 

This is Johnson at his best.  We shows what Johnson can (could) do when he takes the necessary time to work and write properly, with focus and direction, thinking about the reader and putting his vast knowledge to our service. Together with Inner Work, this is Johnson's best book, Jungian analysis explained in plain wholesome awesome language.

Despite what the title might induce you to think, this is not a romantic book or a dating book or a book on how to get the man/women of your dreams. Yet, it touches on romantic relationships from a psychological perspective. 

It is Johnson's trademark using classic mythology to dig a hole in our personal and cultural psyche and explain who we are, how we behave and why. Like many of his other works, We uses a myth (in this case the myth of Tristan & Isold) as a connector to take us in a long ride that goes from the 12th century to the 21st century having the ideal of romantic love in society, in relationships, and in our psyche. 

The book is well structured and it is narrated in a very beautiful prose. Although no footnotes are provided, the book is the most academic of Johnson's. The general introduction, and the chapters On Myths and Note for Women form a sort of prologue. In them you get, in a nutshell, what the aim of the following exploration is, what the book is about, and a short consideration on the the versions of the myth used for the study. Johnson uses as a basis the version of the myth in the Bédier Compilation, except for the three years that follow the drinking of the potion, for which he uses the Béroul's version (the first poet that told the story) as it is closed to the archetypal realms. It is important to remark that Johnson approaches and analyses the myth from a Jungian Psychology point of view not for a Literary point view. 

Four parts follow. The beginning of each part is a condensed summary of the myth, which is followed by several chapters analysing the symbols, characters, and dynamics explored in that part of the myth.

The conclusion, structured in three chapter, is great, brilliant at times. In it, Johnson tries to give a practical solution to what to do with the information he has given us.  The book ends with a list of references of the books quoted in the book, as well as a recommended reading list. A bit outdated, but good nevertheless.

Why using a myth to analyse the ideal of Romantic Love, you will ask. Johnson summarises it in this simple way:

"The myth not only records the dynamics of romantic love in the male psyche, it also reflects the fate of the feminine in our culture" (... )A myth is the collective “dream” of an entire people at a certain point in their history. It is as though the entire population dreamed together, and that “dream,” the myth, burst forth through its poetry, songs, and stories. (...) The myth of Tristan and Iseult is a profound expression of the Western psyche."

The way Johnson is able to dissect a myth without forgetting the historical context that led to its birth is something remarkable taking into account that he is not a historian. This is not to say that some of his statements are not controversial, which is so mostly because of lack of a proper academic apparatus and footnoting; this is the case, for example, of the relationship between Catharism and the birth of  Romances in the Middle Ages. I was mesmerised by Johnson's easiness at having a myth peeled off, layer by layer, until it connects with things that we modern humans still do.

This reflection on the female/feminine element and patriarchate in the Western Culture are priceless and very relevant to this very day. Most of the Note for Women reflects on this issue and on the fact that this is a male-made myth not a female one, and the shortcomings that can derive from the vision of the feminine from it.

There are different levels of analysis of the myth, all interconnected and intermingled: 1/ The historical approach to the text to understand why it is what it is. 2/ The analysis of the symbols in the myth. 3/ The analysis of the dynamics between our own psyche, that is, between our conscious and unconscious. 4/ The depiction of the ways of relating in romantic relationships the myth show, and how we are still replicating them; and 5/ the reasons for the ideal of romantic ideal being so strong (and destructive at times) in the Western Culture. This is also a great book to understand what Anima/Animus are and what Psychological Projections are and how they manifest. 

Johnson succeeds on many fronts in this book, especially at analysing what romance and romantic ideals are, and how they undermine our personal lives and society. He is able to explain the substratum that is the basis of the need for romance and romantic ideals and what the ideal is seeking in our inner world and in our unconscious.  

Despite what many reviews say, this is not a religious book or John does not preach. First at all, Jungian psychology is more spiritual than any other psychological discipline,but it is not religious. Even Johnson says that you have to decide what religion and God mean to you, and he speaks of God and the Gods. In that regard, you can criticise his Jungian approach, not the way Johnson links spirituality and psyche, as soul and self are concepts intrinsically linked in Jungian Psychology and Johnson is doing a Jungian approach to the text. In other words, a disregard for the connection between self and soul is not Jungian. Yet, just read Johnson's definition of soul in this book, which is treated as a psychological entity, and tell me that this is religious. It is not. Johnson, despite being a religious person, is good enough to detach himself for his personal religious preferences and speaks in ways that touch people like me, who are not religious. If this was not enough, the use of some Christian references are not literal. Johnson never uses his examples from the Bible in a literal way, ever. Just see the way he explains the Jesus' human-divine duality. Having said that, I think Johnson is a son of his time, and uses religion and spirituality as synonyms, something that is not so common nowadays.

The analysis of the myth shows us patterns of behaviour, psychological structures and couple dynamics that go from the far past towards this very day. As Johnson says, the myth doesn't tell us what to do with that information; this is he aim of his conclusion.  The answer is given by using the same mythological basis, but using the advice of two different mythical languages 1/ the myth of the Oglala Sioux Nation (the story of the Bison Spirit Woman), and 2/ in the language of dreams, by using the dream of one of Johnson's clients (The Bell of the Holy Virgin).

Johnson concludes that romantic projections are, in essence, deep down,  a quest to communicate with the most sacred part of our inner self, but just expressed in the reverse way. The passions of romance or drugs and the seek for physical possessions have in common a misdirected unhealthy way to reach that what our psyche-soul seeks. We need to redirect that energy to the right place, so that we can "channel it correctly so that it will enrich our lives— in the realms both of spirit and of relationship— rather than sabotage them".  How do we return to our inner sacred core, to our soul? "What is required is not so much an external, collective religion, but an inner experience of the numinous, divine realm that is manifested through the psyche" Dreamwork and archetypal inner work are a perfect alternative, numinous and spiritual at many levels, which can reach those places inside us that we consciously want to reach but unconsciously were are too afraid to. 

~~ One of the most interesting episodes of the myth, to me, appears narrated in part three, while the lovers are in the enchanted Garden and Isold tells a hermit that confronts them on their wrongdoings:

“Lord, by God Almighty, He does not love me, Nor I him. It was because of an herb potion Of which I drank And he drank, too: it was a sin.”

I was expecting Johnson to comment on it at length as it is really intriguing. It is a moment of awakening, of consciousness of the unconscious, if that can be said. It is like Adam and Eve a la Reverse. It is a lucid dreaming sort of episode as well, because when they are saying that, they are truly not projecting. The episode contrasts remarkably with the attitude of both characters before and after this episode. No word is devoted to it. How is that possible? I am dying to find this episode explained the Jungian way. Anyone?

~~ The major flaw of the book is the last chapter of the Conclusion. I was in awe at finding Johnson's projections on other Culture so patently obvious. He compares Western ways of relating and Eastern-Indian ways. He spent a good deal of time in India, obviously with good families and friends, and uses his own experience to produce a pink version of the Indian way of relating in family and romantic relationships. Some affirmations made me cringe, even shriek. Statements of the sort that Indian families are healthier, and they produce non neurotic children, that they are not romance based and that projections basically do not exist. I consider that a big blind cloth in front of Johnson's eyes. Have you ever watched a Bollywood movie? That would suffice to show how projections show in Indian culture, specifically. The fact is that relationships between women and men in India are far from ideal and vary from family to family, like in the West. Too many women are still treated as mere objects and possessions, women are raped on a daily basis in Delhi, and their raping and rapists are justified by a good part of society and the legal system. The documentary on the girl brutally raped and murdered on a bus in India a few years ago, would suffice to show how many men treat women in India, and how well educated people did justify it. Some women of my age only speak to their husbands when they are asked to do so. The cast system is still well alive in India, even though it is not politically correct to say so. There are 3-5 years old children begging for money, alone, at 5am in the morning in some major train stations. You can ignore that part of Indian reality, of course. I think that there are good and bad families everywhere, in India and in the West, and that the way Indian people project is different from us, but they still project.

IN SHORT
Personally, I would recommend starting with We, and then read Johnson's He and She, and not the other way around, even though We is a later book, just because you want to start with a clear idea of what Johnson does, how he approaches any myth or subject, and not having to guess that. We is a brilliant book and He and She do not match that greatness as they are published lectures not real books.

A NOTE ON THE COVER
The covers of Johnson's books on Kindle are usually dreadful, you wonder why investing so little in making the book shine also outside, but the cover of this Kindle edition is just beautiful and perfect for the book. A wild poppy.

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Flotsam is a very short wordless graphic  book full of wondrous images and a great storyline. I love wordless picture books because they are more demanding on the artist, as the images have to carry the narrative on their own, and they are more open to interpretation (more a door to the imagination than a finished story) but also more Universal.

David Wiesner's drawing and illustration style are marvellous, crispy clean, detailed, almost hyper-real, delicate at times, flamboyant at others, with a great use of colour and wondrous imagery.

Flotsam is a message-in-a-bottle sort of story, the bottle being replaced by the images in an old camera that lands on a beach where our main character is spending his day.

Life is wondrous, you just have to look at it with a bit of attention. There is magic in the ordinary and we are all interconnected. Those are the main points in the message embedded in the story.

I consider that the story is fragmented unnecessarily. I truly loved the Magritte-like photographer-in-the-photographer photograph going from the present to  the past. That is fantastic, a great concept and well realised. The pictures about the sea world that the character sees in the photos are wondrous, but less original and with more artistic and illustration trites than the rest of the imagery. To me, the story about the photographer's photo of the photographer has so much potential for development that it is a pity that the author distracted himself with the underwater world and forgot to connect the first photo in the story with the photo of the first photographer who used the camera. That would had been way more interesting and would have rounded up the story more organically. The ending of the book is great.

Awarded the  best children book for 2006, devoted to children between 5-7y.o.a, the book is also good for adults and illustration lovers.

The "book" is not a book properly speaking, as it has 40 pages in paper and 26 or so in Kindle format. There must be a name for this sort of "books" that are not really books but are not novellas either. The Kindle format gave me so many problems in my tablet that I had to return it. I think this book is great to have in paperback.