Teo Degas' Books & Decks

Unlike Spy the Lie, by the same authors, Get the Truth is not as much as how to spot a lie but what and how to do to extract the truth from the person who is lying and might want or not want to confess. Or in any interpersonal exchange where two sides have conflicting agendas. It’s about the process of exerting influence to elicit truthful information from a person who has a reason to want to withhold it.

This book is not a learn-how sort of book as much as see-how-we-do-it sort of book. However, readers will learn many things about interviewing, interrogation and negotiation because of the author's long years of expertise doing what they do and, at this stage, everything they do it appears natural, genuine and easy.

The book per se finishes about half way.

The first appendix by Peter Romary, has 13 short chapters, which elaborate on the principles on which the authors' system relies, which can be applied to everyday life. Those principles of persuasion were revealed long ago by Cialdini's classic book on influence and persuasion, mostly based on how to exploit human biases to get what we want: optimism bias, confirmation bias, the power of liking somebody and wanting to be liked, the consistency bias, the power of sharing experiences and bonding, the principle of reciprocity, among others. If you have read the classic by Ciadini, you will find that what Romary says is basically Cialdini applied to specific contexts. If you have never heard or read Cialdini's classic, this is a great approach to the principles on which persuasion, the effective one, feeds. In any way, they are useful because sometimes those principles can be used against us or we can be blind-sided by them. This appendix also includes a discussion of the five states of successful negotiation, which I found really helpful for daily life, with great advice about being fair, non-confrontational, respectful and sincere. It also advises on how to deal with the cognitive dissonance of criminals and untruthful people by keeping them in short-thinking mode, and using rationalisation, minimalisation and socialisation, and by setting a pace that is slow but steady with non-coercive questions, then the other person will 'cross the bridge' to your side when they are ready; not being judgemental, being kind and friendly, speaking calmly. Understanding what motivates one person, most wants or fears, make the other person feel comfortable and not judged, genuinely consider all viewpoints and don't be a win-at-all-costs person. 

The second appendix, also by Romary, is just a reminder of how important is preparation and practice to get good at getting the truth. You need to understand the background (ideological, religious, political) of the person you are interrogating, or negotiating with. Romary mentions where to get information about anybody, both in public and private records and online media. Most of what he says is simplistic and nothing you don't already know, and nothing that deserves an appendix.

The third appendix is a transcript of the actual interview with O.J. Simpson, whose interrogation is mentioned and used throughout the book to exemplify good and bad interrogation techniques.

BIG YAIS
A good summary of some of the points discussed in the book can be found in the boxed summary 'lessons we have learned', pp. 144-148.

One of the main points that the authors make is that to get a confession you don't need to be coercitive, aggressive, violent or use torture, because that would hardly get you the truth. Most of chapter 13, the elefant in the room, is full of great sound advise and  makes great points on why does not work, and where do you draw the line.

The book also has a glossary and an subject index, which, to my delight, is hyperlinked.

DOWNSIDES

If you have read Spy the Lie, you will find that some of the examples, real-life cases, described there are also repeated here. They are lovely to read, but I would have appreciated them bringing something new to the table. 

Although the authors advise being genuine and sincere, they advise something I consider unethical. For example,

But coming across as sincere is absolutely essential, and accomplishing that sometimes forces you to lie, especially when feeling any sense of genuine sympathy is simply impossible. (p. 46).

Also, in the first appendix, Romary says : 

"There is no such thing as a human lie detector"  (p. 14).

I cannot believe that a book that is so packed with information is also one of the most entertaining books I've read lately.

Three ex-CIA agents, now working privately with information and methods that were unclassified in 1996 (and so they can be taught and shared) spill the beans on the system they apply to detect lies. This method, called L-Square Mode System, works by observing what 'the suspect' says, does and reacts, and by learning to make the right kind of questions to spot deceiving behaviour. It all comes down to body language, congruency in speech and behaviour within the subject's own idiosyncrasy. It also come down to being aware of our self-defeating beliefs and limitations  to spot a lie: the belief that people will not lie to us, and are innocent until proved  guilty, the reliance on behavioural myths, the complexity of communication, our own biases, the 'global' influence, and how smart we think we are.

The system relies on getting clusters of deceiving information, not just individual clues. However, one of the most surprising statements in their method to me is that if we can identify the first deceiving behaviour (verbal or non-verbal) in the first 5 seconds (yes, seconds!) we can reasonable conclude that that behaviour is directly linked with the stimulus. (p. 31). And, of course, the higher the number of deceiving behaviours exhibited by a person, the most likelihood of deception.

One of the most important things to keep in mind when applying this system is that its virtue relies on its simplicity, that deceiving clues do not always equal deceit or a lie, that the system is not bullet-proof, that the more we practise the better we get at it, and part of the success depends on obtaining information in a non-confrontational non-judgemental non-aggressive way. The authors have successfully applied this system for years, and once we go through the book and see some of their examples (especially the long transcript and examination in appendix 2), you will notice that you can, too, start spotting deceiving behaviour.

The book has a glossary with simple explanations of all the specialised terms the authors use throughout this work. I always appreciate the effort when electronic books have the index properly hyperlinked, which is the case here.

The main downside of the book is that is not particularly didactic if you want a step-by+step sort of book. Some of the things that prevent the book from being more user- friendly are:
> I usually love end of chapters' summaries or key points, as they are really useful bits to go back when one wants to re-read a book. Oddly enough, some of those summaries are placed in the middle of a page, interrupting the narration and some of them not directly related to what's immediately said.
> The amount of information and types of questions they offer can be complicated because they are called in a certain way, and because they all involve different and dynamic approaches that vary depending on how the subject of interest reacts. Why not creating a cheat-sheet scheme to have it at hand?
> I would have loved a section with exercises for us to practise, with hidden solutions at the end of the book. Just a suggestion!
> Some of the statements about body language are familiar to me, but it would have been really useful having some figures or photos with some of those mentioned in the book.

Overall this a fascinating book that left me wanting to know more and dig deeper. I find it very useful to unleash your inner Matahari or inner Bond, get a gist of the approach to interrogation that Intelligence and law-enforcement agencies use, and most importantly, provides readers with tools to use it with family, friends and co-workers to obtain true information or spot deceiving behaviour.

Although the world is full of people who will tell you who you are, what you are, and what you are to do and not to do, they wander amid their unaddressed confusion, fear, and need for consensual belief to still their own anxious journey (locs. 83-85).

The last book by Hollis is perhaps the most accessible didactic and approachable book he has ever written, and the one I would recommend to anybody who wants a shortcut to his work. In Living an Examined Life, Hollis has somewhat put aside his usual erudition, academic writing, psychologist jargon and complexity of thought, and made a serious effort to address those points of his discourse that I've always found a bit vague or difficult to understand for the lay reader. However, no sacrifice has been made regarding content, and you will still find his usual depth of thought, understanding of human suffering and nature, his compassion for human nature and weakness, his analysis of preconditioned inherited ancestral behaviour and complexes. There is, as usual in his work, a call to live our own live with purpose, taking responsibility for it, to honour our true nature and live authentic and genuine lives, to work vocationally because our vocation is the expression of our soul not just something we do doe fame, money, power and social accolades.

This book is is not a book with solutions to our problems, waw waw waw, but sound advice on how to overgrow them by changing our attitudes, behaviours and way of  seeing them, by going inside ourselves and taking responsibility for our deeds, and changing anything that stops us from being who we truly were born to be. It demands sitting with our discomfort and asking it which message is bringing to us. It demands from us doing what we fear the most, learning to love our unlovable parts and scrutinise our inherited values and decide which ones are meaningful to us. In a way, we are asked to become medieval-alike post-modern warriors, and go in search of the evil dragon inside us to free our true self.

The book is structured in twenty short easy-to-read chapters, which Hollis recommends reading one per day to let the material sink in. I did so, but, if you have read most of his books, I don't think that is necessary. Otherwise, by all means.

SOME OF MY HIGHLIGHTS
There are so many paragraphs and comments that really made the reading very fulfilling and satisfying to me. Herewith a few of them:

>> Chapters 10, What gift have you been withholding from the world? is beautifully profound, yet simple; it speaks to the soul without the need of calling any gods, and it is a call to authenticity and honouring our  true selves.

>> Although Hollis devoted a whole book to the Shadow, nothing comes nearly as clear to a definition as the one he provides in this book:

The shadow is not synonymous with evil, though great evil can surely come from our shadows. Rather, I would define the shadow as those parts of us, or of our groups and organizations, that, when brought to consciousness, are troubling to our concept of ourselves, contradictory to our professed values, or intimidating in what they might ask of our timid souls (locs 1379-1382). 

The second half of life is not a chronological moment but a psychological moment that some people, however old, however accomplished, however self-satisfied in life, never reach. The second half of life occurs when people, for whatever reason — death of partner, end of marriage, illness, retirement, whatever — are obliged to radically consider who they are apart from their history, their roles, and their commitments. Every  (Locs. 402-405).

>> Hollis almost-utopian parenthood model is utterly beautiful, like a step ahead of our times, perhaps; something that, if I had children, I would try to implement so that my unborn children would be whatever they wanted to be, to shine their light or perhaps their inner crap without judgement, if that is even possible. My mother, an almost illiterate very traditional lady, very restrictive in many ways, always told me to do what would make me happy, and that despite her condition of submission to parental, fraternal and marital figures. That is the most empowering thing that my mother did for me.

>> Hollis' call to re-evaluate our life authorities is perhaps the most revolutionary aspect of his work, and also one of the things that gives me the most comfort. It makes me realise that we all live in the same existential mess and forces me to be more compassionate with myself and others:  "Tiny in a world of giants, we reason that surely the world is governed by those who know, who understand, who are in control. How disconcerting it is then when we find our own psyches in revolt at these once protective adaptations, and how disillusioning it is to realize that there are very few, if any, adults on the scene who have a clue as to what is going on." (locs. 155-157). Growing up requires that we accept that no one out there knows what is going on, that they are as much at the mercy of their complexes and unconscious mechanisms as the least of us, and so now we must figure it out for ourselves. (locs 1699-1701).

>> Hollis munching about happiness is precious; he debunks happiness (the pop version), I know, I know, nothing we would like to hear when we are reading a book to help us with our problems. However, Hollis' focus on seeking meaning, instead of happiness, because that's more important for the soul. He says that meaning is an organ of the soul. Amen! But perhaps meaning is the new happiness.


SOME QUERIES

>> Given the definition Hollis makes of Second Half of Life, I wonder why he and other psychologists keep using Second Half of Life, repeating something that, for what he says, it is totally imprecise and misleading. Why not turning the tables and using a clearer truer term, like, for example, True Maturity, True Adulthood or anything of the like? Second Adulthood, which he uses at times in the book is also misleading because some people only become adults after a crisis, so that is their first psychological adulthood no?  I know people in their 40s that are still as immature as their teenage selves and resist to grow no matter what happens to them.

>> I found myself munching about the following statement:

I wonder, if we have a true self that is specific and intrinsically us, call it our inner nature or character, compensate some of those impediments? I mean, obtrude our advance despite not having much baggage, or making us jump hurdles easily?

>> Regarding his ideal model of parenthood, I found myself questioning if different family structures and ways of relating, as those we see in different parts of the world (say, for example, Anglo-Saxon, Mediterranean, Middle Eastern, West-African) can do this in different ways that are still healthy for the psyche but coming from different cultural backgrounds?  

>>  Hollis is very keen to remind us of the wonders of therapy and how therapy can change our life, but, as I have said in other reviews of his books, it is not possible for everybody wanting to grow up, evolve or resolve our problems to pay for therapy. I understand that Hollis does not want to spend his time to teach us something impossible, to become therapists by reading a book. However, I still think that he would be able to provide with a bit of more exercises to allow us to go inside and get more juice of his teachings. Just saying.

>> Hollis bluntly states that rites of passage are missing in our contemporary culture. I consider that true if we talk of passage rituals as seen in traditional cultures and the times of our elders. However, I consider some young people's wild behaviour as rites of passage, it is just that it does not come associated with meaning and an integration in society, these rites are mostly of separation from the nest and assertiveness of the self with regards to parental and authority figures.  On the other hand, women had rarely had rites of passage in traditional cultures, as the rites of passage were for men and those traditions considered women like second-class humans, souls and brains. So, in a way, many women have only male rituals of passage to imitate. I wonder whether young women behaving wildly, as wild as men, these days are just taking on passage rites that once were male because they don't have a substitutive that brings power and meaning to their lives. On the other hand, I also wonder whether we have new female passage rites, meaningful and specific to the needs of women, aren't just also a passage rite for many women. I don't mean any fanatic feminism, I mean real meaningful feminism, the one that allowed women to vote, get equal salary, and be able to access jobs that were just only allowed to men, and so on. I would love to hear Hollis thoughts on this. You are welcome :)

IN SHORT
Living an Examined Life is a book easy to read, meaningful, thoughtful and very comforting, but also a bit repetitive and impractical at times. Not a book with cookie-cutter solutions or rosy advice. I can only say that I always come back to my highlights of this book when I have a bad day, feel awkward for being myself, and find myself immersed in misery and stuck in ways of being that I know don't work for me. Hollis is ready waiting for me, with a hug to comfort me, a whisper to my ears to wake me up, and slap on the face for me to react to. Are you up to the task? For whatever reason, I think this book is especially suited to introverts, who are naturally seekers of introspection and depth.    

Sidewalk oracles are simple and fun ways of gathering intuitive information to help you navigate life by posing a question to the Universe to get guidance on any matter or let the Universe get you some items of information about matters that concern you.

Moss is a storyteller, a wonderful speaker, and has the virtue of mixing entertainment with academic and practical knowledge through his personal journey as historian, journalist and shamanistic dream-work master. His style is unique, and mixes chit-chatty sort of writing when he narrates episodes of synchronicity, with an erudite knowledge of folk culture and mythology and more serious writing when deals with those.  Personally, I like the way Moss uses antiquity Greek-derived words to describe intuition and divination; it's something unique to him, and his chosen semantic field gives an elegant varnish of luxury antique to his writing.

Synchronicity is something difficult to explain if you haven't had a direct experience of it. In this book, Moss is able to define and describe synchronicity in a way that is easy to understand by lay readers, so they get to know how synchronicity manifests and how it feels. Moss calls synchronicity kairomancy,  making magic by seizing special synchronistic moments, and includes any form of divination you might want to use.

Moss provides readers with a historically sound and beautiful contextualisation of synchronicity, not as something 'invented' by Jung, but as a concept that is intrinsically linked to very ancient cultural beliefs from around the world. Thus, "A wall around Jung Tower" is a voyage to the China of the Tao and the Book of Changes (I-Ching), to Australia and the Aborigines' dream culture, to the Native Americans cultures, and to the Nordic realms of the Wyrd.

Section three contains the twelve 'rules' of kairomancy: 1/ You attract what you believe, feel or think. 2/ Oracles speak best when you have a query or worry in your mind but aren't looking for anything specifically or focusing on it intensely. 3/  The law of spiritual gravitation or attraction. 4/ We live in a conscious universe where everything is alive, connected and spirit. 5/ Pay attention to recurrent themes, symbols, images and events that keep popping up in your life. 6/ Coincidence multiplies when we are travelling. 7/ For every setback there is an opportunity, sometimes the breakdown comes before the breakthrough. 8/ Called or not, the 'gods' are always present. 9/ Our paths constantly interweave with those of numberless possible parallel selves and the spirits of the land. 10/ Marry your field, i.e. your creative force, whatever that might be. 11/ Dance with the trickster, that power that open doors in life when we need to change and recover our sense of humour to counterbalance any over-controlling ego-driven agenda. 12/ The way will show the way. There is also one oath for the kairomancer: being open to new experiences; available to set aside and step out of boxes; being thankful for secret-hand shakes and surprises; and being ready to honour our special moments by taking appropriate action 

Section four is the core of the book, seventeen side-walk oracles, which can be summarised as follows:
1- Play Sidewalk Tarot. Pose a question on which you need  guidance, chose a frame time, the number of cards you want to get or let the Universe decide on how many, and see what pops up. One card is enough, though. Anything that enters our field of perception any of our senses is considered a card in play. It might be a recurrent sound, smell, logo, dream, or event. 
2- Walk a dream. Take the images of any dream significant to you and see what happens in hour awaken life that comments, highlights, or brings meaning to the symbols or stories from your dream.
3-Keep a journal, totally secret, in which you note your synchronicities, odd happenings, symbols unique to you, dreams, serial events, patterned findings or events, items of personal superstition, and so on. You'll be able to use it as your personal oracle deck and as a repository of information to consult with.
4- Listen to the first sound that comes from silence or the shapeless noise in a street, and see what they tell you.
5- Bibliomancy -- open any given book, at random, and blindly put your finger on a line in the page, and see what that line or paragraph says and how it relates to your query or your life.
6- Play with shelf elves, i.e. pick up those books that appear around you, fall on you, you stumble upon, and notice those that disappear, and see whether the title or the book itself help you with your queries. 
7- Notice your chance encounters, see how your energy relates to that of those people, and if something shifts in you when you have them close.
8- Notice your slips of tongue, screw-ups, typos, and memory lapses and see what they are trying to tell you.
9- Notice which song is playing in your head or you are singing over and over, and how it makes you feel, what it says about your mood and life. Change it consciously if it is not helping you. 
10- Notice any déjâ vu moments, already dreamed moments and already lived moments, record them and see what followed each of those moments.
11- Imagine that your feelings, worries and troubles are a real person knocking at your door, open it, and establish communication wit them and decide whether you let them in, out or send it elsewhere, what they are trying to tell you, what you want to tell them, and so on. 
12- Notice a situation you have already been in life before and apply what you learned from the past to avoid making the same mistake.
13- Be aware of which superstitions or omens you believe in personally and don't disregard them. When they reoccur, note them down and see what happens after the event. 

14- Listen to your body (your gut feeling, changes in your energy), notice and record any relevant episode that follows. Develop your own code of positive and negative body signals.
15- Participate in a dreamwork circle to share your dreams and get feedback on them, so other people can help you decode those symbols or dream fragments that aren't clear to you. You can play the game with anything, like some serial events, weird happenings, a synchronicity, and so on.
16- Create a card deck with synchronicities, dream fragments, odd events, funny stories, coincidences, the song line that is in your head. Then shuffle the cards and ask the oracle for guidance. You can play it in group or individually and apply similar rules to those used in dream circles.  
17- Write a message or letter to a person close to you whom you haven't seen in a while and want to talk (it is OK if is not a close person, too) do not send it, and see if the person contacts you, come across you, and gets the message in your letter.  

THE DOWNSIDES
There is a tendency amongst New Age writers to trivialise synchronicity, so readers get that this is a sort of 'small world' coincidence, nothing remarkable to write about. I believe that many of the examples that Moss gives in this book help readers to see what synchronicity really is. However, at times the examples he uses are also so generic and trivial.

I found sections five and six enjoyable but totally unnecessary, I would rather have a short and sweet book than one with too many examples.  "On Other Planes" is a collection of personal examples of synchronicity while flying. They are really great for a live event, for a blog or newsletter, for a book that already has many examples before getting here, not so much. The same can be said of section six, with endless examples of the fox as archetype of the trickster, sometimes not clearly related to sidewalk-oracling at all, at least to me.

Just a note. Masaru Emoto experiments on water, which Moss mentions in the book, were heavily criticised by the scientific community, so ignoring what the flaws of the experiment were, it is just biased writing.  

IN SHORT
Overall, this is a short enjoyable book, well structured and very practical, with a superb introduction on synchronicity and personal stories galore, perhaps too many. 

Descender 4 is what I expected the story to be when I read the first volume, but took a while to get to. It has paid off sticking to the story because, by now, we have enough context and know the characters well-enough to get fast action without us asking, what what what?!  This volume is indeed action-packed, very engaging and entertaining, with several cool twists, and even a sexy scene.

The overall tone of this volume, as the others, is a mix of very elegant whites, light blues, bright red, dark greys and purplish pink. Nguyen's style mesmerises because of his virtuoso use of watercolour and naked pencil to create futuristic images that have a very cinematic feeling. His rendering of close-ups of human faces is also wonderful. One of the things I liked the most in this volume were those pages in which three different vignettes show parallel action related to three different characters happening in the same page, very cool and cinematic.

The lettering is also great and helps bring to life and give a voice to different kind of characters, and creates a very distinctive ambient noise.

The Kindle rendering of the book is very good, with awesome quality details. The digital vignettes are glorious, with the texture of the paper quite noticeable; in a way it is like having the original vignettes in front of us, almost touchable.Double tapping individuates vignettes and allows readers to swipe between them effortlessly. However, the individuation of the vignettes is not enough at times to read the small letter and, so pinching out solves the problem. By the way, there seems to be a faulty vignette, with most of it missing, as it the image of that only vignette had not downloaded, which is very odd; a bug? 

Overall, this is the volume that got me hooked in the series.

I wasn't sure whether to buy this volume due to the many non-enthusiastic reviews I've seen around, but I'm glad I did. I found some of the events and characters in the previous two volumes a bit unpolished, not well profiled, superficial, a bit silly, but once I read this volume, they all make sense. This is a flashback in time for each of the main characters, in separate chapters, and also a multi-time flashback for each of them, so we get to see and know from where they are coming from. To me that's was the right thing to do to give the story soul and psychological depth. Even the annoying Driller the Killer makes sense once we read the chapter devoted to it in this book.  As a stand-alone volume might not be worth buying, but if you are reading  or intend to read the whole series, this is a must.

 I am always mesmerised by Nguyen masterly drawing and water-colouring. It is a total delight to see each of his vignettes, no matter what he's painting, faces, landscapes, outaspaces, details, anything.  I resented, though, some of the imagery, which was too familiar and associable with characters I've seen in the old Star Wars and Totall Recall movies.

I love the lettering used in this series. Very creative and audible, if that can be said.

The Kindle rendering of the book is excellent, with awesome quality details. Double tapping individuate vignettes and allows us to swipe between them effortlessly; however, some of them do not automatically seize to the preferable reading size when there are vignettes with small lettering, but pitching out each vignette solves the problem.
 
Overall, very enjoyable, and I loved the story between Effie and Andy.   Also, very short and a bit pricey. 

Leveraging the Universe is a quite a cool book for a LOA book. It has many of the teachings of the genre, less BS, but a lot of magic. Dooley mixes principles from the LOA (effortless manifestation) with 'old school' advise (take action) on how to get from where you are now to what you want. It is a win-win advice, a safe position for any author to stand on, and for any reader to act upon. The middle way is the wiser way. Old adages never die and never lie.

The book is well structured, and Dooley's writing style is fresh, enthusiastic, approachable and enjoyable. Each chapter ends with a key summary of the main points discussed therein, something extremely helpful to re-read or revise the book without having to go through the bits that don't really matter. There are some exercises and journaling required, just if you want, to help you decide what you want and on your plan of action.

One of the things I like the most in this book is that Dooley himself anticipates some of the queries and apparent contradictions the readers might come up with, so what he says feels congruent and organic despite its apparent incongruities. Clever!

I especially liked how Dooley defines happiness: "True happiness is not contingent upon things happening in your life. Happiness is a state of mind. Happiness is an appreciation for life itself, for yourself, for where you are, no matter where you are." (p. 167).

MAIN CORE POINTS AND TEACHINGS
> We are all one and interconnected.
> Thoughts became things, so you better manage your thoughts and put them on the right things, because if you think in a certain way, you will act and feel in a certain way, and will have a certain energy around you, all of which has a direct impact on the way life unfolds for you personally. Your thoughts create your experience, so deliberately monitor your thoughts, weed those that don't serve you, and grow that will help you get what you want, see things the best possible way and uplift you. If you do, you will see 'miracles' happen, and things change dramatically.
> Your beliefs and feelings also create your thoughts, so the best way to change your thoughts is to work on your belief system, and change those things that don't support you.
> Monitor what you say, as words are the manifestation of your thoughts. Watch and wash your mouth!
> Nothing is wrong with you because you are not there yet. You don't have to focus or linger on what brought you here or how you will get there. Everything works in the end. Even if not realistic, it sounds truly uplifting and motivational to me.
> Take action, keep going, take tiny steps so that you don't get overwhelmed but are still moving. Do all you can, with what you have, from where you are and the magic of life will unfold. Be patient and persistent. The fact that you can't see results doesn't mean you are far from them, you could be really close, steps away.
> Focus your attention on the things you would love to do, want to do, not on those that you should, must or might. If you know what you want to do, go and do it, otherwise do anything. Give yourself a deadline and take tiny steps consistently. Do something, do your best, and remember that some negative experiences will turn to be blessings in disguise.
> Where you are is never who you are. A statement to frame!

DOWNSIDES
>> The book is unnecessarily wordy and repetitive. Really, if you put all the summary points of the book together, you have everything you need to know to understand Dooley's message.
>> Some of Dooley's trademark "Notes from the Universe" might sound great if arriving via email in a weekly newsletter, however, I found that, at least for me, they were not necessary or added anything to the book.
>> Dooley loves the world "fulcrum", which he uses a lot throughout the book. I found it pretentious.
>> Dooley says that invisible limiting beliefs, even if possessed, need not ever be discovered to navigate beyond them. I find that also uplifting. Actually, liberating. Any professional Jungian psychologists will tell you that it's extremely difficult to unearth your limiting beliefs, and even you do, it's even more difficult to change the effect they have on your life. That is, unless you go under therapy. So, what the heck, you have a license to focus on what you want and forget about the trauma of the past. I mean, I guess unless you really really had some real trauma.
>> Dooley's main point is in this book is that thoughts create your reality, but Prentice Mulford said that in his book Thoughts are Things in 1908!

IN SHORT
An enjoyable read overall. It has wise advise, albeit not original, but it is more of my liking than many other LOA books.

I usually love Dillard's approach to intuition, psyching abilities and the magic in our real life. I have read three of her books and found them not only a great read, but very good to explain themes that aren't straightforward in a very knowledgeable, sensitive and understandable way. Unfortunately, this book has been  a disappointment as I find it rushed, unnecessary long, and messy at times.

The first part is an introduction to symbolism, the importance and significance of symbols in different cultures, and the sort of symbols you can find and 'who' sends them. It is a very basic good introduction for people who know nothing about symbols and want a bit of contextualisation. This section is also a bit simplistic, so if you are really interested in symbols and symbolism start by reading anything by Joseph Campbell and Jung's Man and His Symbols.

The second part is the core and the best of the book. It is devoted to what Dillard calls "The Living Oracle", an intuitive system to gather information so that you can reply to personal queries which help you navigate life, especially when you are at a crossroads in life. The Oracle relies on the interconnectivity of the whole Universe, of which we are all part, and that nothing is separated from us, the ripple effect works at all levels; the Universe as a whole is all connected and living in a time-space continuum in which present and future are all accessible and, in a way, coexisting. This interconnection makes possible to tap into it to get answers to your queries.

Dillard presents us with different techniques to gather information, turn it into symbols and interpret them in different 'spreads'. All what she says about gathering intuitive symbols, how to make queries, the sort of queries you make, are valid, and I have experienced them to be right on point myself. One of the most important items of advice she gives is that

" To become aware of the guidance that you are seeking , it is necessary to let go of the way that you want the answer to come to you and be open and receptive to the many ways spirit communicates". (loc. 102)

The Living Oracle, is like a tarot card spread made out of symbols you gather outside in real life, your neighbourhood, for example. You make a query, say, should I take this job? Go out for a stroll, and see what things, odd, unexpected, repeatedly, are you drawn to or pop up from nowhere. Then you put them together as if they were puzzle pieces, and interpret them as a cluster. Your answer will be there, it will resonate with you clearly, and you might get an aha! moment. Even if you don't trust the results, you will be able, later further down in time, to see if the answer was spot on or not. 

A good part of the Oracle is synchronicity. I have experience the magic of it in my life many times, but I found that some of the examples used in the book trivialise synchronicity. I believe that other examples would have been more revealing for those people who don't know anything about or haven't experienced the magic of it.

The third part, which covers most of the book, is the dictionary of symbols, mostly common urban symbols. Each entry is short and sweet, but I found that none of them resonated with me. I felt this was a stir-fry of Dillard's personal symbolic associations and information you find in generic dream or animal dictionaries. Nothing wrong with that, if the dictionary was for herself. There are universal and personal symbols, but even the former can be tinted by our personal attachment, or lack of, to them. For example, green might be a beautiful positive colour for some people as it reminds them of new beginnings, spring, and the heart Chakra, while it might be a negative colour to others because they associate it with toxic waste, supermarket discount adds, and their nasty father's fav jumper. Dillard, of course, knows that, and, in fact, she explicitly says:

"You may need some help to further interpret it. If this is true for you, consult the glossary for additional insight. If the glossary interpretation does not seem to make sense, interpret your concern, question, and current situation symbolically and look at how the meaning of the sign describes or connects to it." (loc. 1398)

So one wonders why, then, the need to present a book with half of it devoted to a symbol dictionary that might not resonate with many people, me for example. 

The further reading area is useful, some classics were there, but others like Campbell or Johnson were not, but good enough for the general public.

The book is beautifully edited for Kindle, with links to the contents index at the end of each chapter (so handy!), and no typo on view, all things that I truly enjoy and don't take for granted. And what a gorgeous book cover! 

 Dillard is a deeply spiritual and religious person and, therefore, her work relies on Spirit. She's not dogmatic or preachy about anything, but if you aren't into angels, ascender masters and the like and don't believe in the afterlife, and still want to develop your intuition, you might want to go other authors that have no spiritual varnish but offer similar ways of gathering intuitive information: Laura Day, Lisa K, Marcia Emery for example. If you are really spiritual and religious, this book will especially resonate with you. You might also want to check Robert Moss's work, who has been presenting similar exercises for decades, lately in his book the Sidewalk Oracle, and has a more shamanistic playful approach to it.

There are graphic books that enchant because of the quality detailed artwork, others because they have one's favourite characters in them, and others because they are like an entertaining movie that one truly enjoys and cannot put down. However, sometimes one come across books that we love despite not having any of that, books that one loves because they are fresh and refreshing, funny and full of wisdom, all at the same time.

The alien in this graphic novel is like a small child with poor literacy skills to whom the world around has never been explained except for a few generic facts, and who discovers it on its own. Its clean eye notices the idiosyncrasy and contradictions of human nature without any judgement, just puzzlement at times. Sadness, happiness, personal identity, and the fear of the unknown are some of the themes posed to the reader throughout this comic. My favourite characters are the egg that wants to be a frog (an analogy for so many existential quests) and Nothing(ness) and its God-like wisdom. The texts are naive, witty, hilarious at time, sweet and wise; the book ends with the cute alien's travel log, which contains some philosophical witty tweets to ponder about. The drawing is simple, purposely child-like. I thought that the book feeds on some premises we can find in some of the stories in Lem's The Star Diaries.

The Kindle edition was not good, at least in my tablet. Images could not be zoomed in or out, and neither was the lettering. One can use double tapping for vignette individuation, but since there aren't vignettes in this comic, what one sees is the letters augmented a tiny bit. Despite that, some of the texts are very difficult to read without a magnifying glass.

This book has been in my must read for a while, mostly because of the high ratings, as I had never read anything by Gaiman. Unfortunately, after this one, I won't be buying anything else by Gaiman.

 The best thing about this graphic novel is the concept behind it, the time-travel alternative historical setting, and the fact that a bunch of known and loved super-heroes are put there. However, I struggled (even forced myself) to finish the book, because I got bored quite often, and annoyed at the pretentiousness of the whole story, the uninspired writing, and lack of tempo. I expected the ending to make up for the previous shortcomings, but alas, it was totally anti-climatic. The story has little action and is mostly a bunch of characters plotting for 200 pages; if you like plotting stories, this is your book! Some of the historical settings are clichéd and full of trite depictions of nations, as well. Most importantly, I could not empathise or sympathise with any of the self-absorbed stilted characters, totally anti-heroes, except for the sweet girl Virginia and for Roojzan, just because he's hot :)). In fact, I would had exterminated the whole bunch if I had super-hero powers myself. Let's be fair. The story was not bad at all, it is just that it was not good either.

 The artwork was good, though: rich atmospheric colours and chiaroscuros, wonderful landscapes and great face close-ups; I especially loved the images used at the start of each chapter, which are among my favourite in the book. The lettering was classic overall, with a few different fonts used when Thor or the the Germans speak.

That was my experience with this book. If yours is different and you really enjoyed it, good for you!