Teo Degas' Books & Decks

Descender 4 is what I expected the story to be when I read the first volume, but took a while to get to. It has paid off sticking to the story because, by now, we have enough context and know the characters well-enough to get fast action without us asking, what what what?!  This volume is indeed action-packed, very engaging and entertaining, with several cool twists, and even a sexy scene.

The overall tone of this volume, as the others, is a mix of very elegant whites, light blues, bright red, dark greys and purplish pink. Nguyen's style mesmerises because of his virtuoso use of watercolour and naked pencil to create futuristic images that have a very cinematic feeling. His rendering of close-ups of human faces is also wonderful. One of the things I liked the most in this volume were those pages in which three different vignettes show parallel action related to three different characters happening in the same page, very cool and cinematic.

The lettering is also great and helps bring to life and give a voice to different kind of characters, and creates a very distinctive ambient noise.

The Kindle rendering of the book is very good, with awesome quality details. The digital vignettes are glorious, with the texture of the paper quite noticeable; in a way it is like having the original vignettes in front of us, almost touchable.Double tapping individuates vignettes and allows readers to swipe between them effortlessly. However, the individuation of the vignettes is not enough at times to read the small letter and, so pinching out solves the problem. By the way, there seems to be a faulty vignette, with most of it missing, as it the image of that only vignette had not downloaded, which is very odd; a bug? 

Overall, this is the volume that got me hooked in the series.

I wasn't sure whether to buy this volume due to the many non-enthusiastic reviews I've seen around, but I'm glad I did. I found some of the events and characters in the previous two volumes a bit unpolished, not well profiled, superficial, a bit silly, but once I read this volume, they all make sense. This is a flashback in time for each of the main characters, in separate chapters, and also a multi-time flashback for each of them, so we get to see and know from where they are coming from. To me that's was the right thing to do to give the story soul and psychological depth. Even the annoying Driller the Killer makes sense once we read the chapter devoted to it in this book.  As a stand-alone volume might not be worth buying, but if you are reading  or intend to read the whole series, this is a must.

 I am always mesmerised by Nguyen masterly drawing and water-colouring. It is a total delight to see each of his vignettes, no matter what he's painting, faces, landscapes, outaspaces, details, anything.  I resented, though, some of the imagery, which was too familiar and associable with characters I've seen in the old Star Wars and Totall Recall movies.

I love the lettering used in this series. Very creative and audible, if that can be said.

The Kindle rendering of the book is excellent, with awesome quality details. Double tapping individuate vignettes and allows us to swipe between them effortlessly; however, some of them do not automatically seize to the preferable reading size when there are vignettes with small lettering, but pitching out each vignette solves the problem.
 
Overall, very enjoyable, and I loved the story between Effie and Andy.   Also, very short and a bit pricey. 

Leveraging the Universe is a quite a cool book for a LOA book. It has many of the teachings of the genre, less BS, but a lot of magic. Dooley mixes principles from the LOA (effortless manifestation) with 'old school' advise (take action) on how to get from where you are now to what you want. It is a win-win advice, a safe position for any author to stand on, and for any reader to act upon. The middle way is the wiser way. Old adages never die and never lie.

The book is well structured, and Dooley's writing style is fresh, enthusiastic, approachable and enjoyable. Each chapter ends with a key summary of the main points discussed therein, something extremely helpful to re-read or revise the book without having to go through the bits that don't really matter. There are some exercises and journaling required, just if you want, to help you decide what you want and on your plan of action.

One of the things I like the most in this book is that Dooley himself anticipates some of the queries and apparent contradictions the readers might come up with, so what he says feels congruent and organic despite its apparent incongruities. Clever!

I especially liked how Dooley defines happiness: "True happiness is not contingent upon things happening in your life. Happiness is a state of mind. Happiness is an appreciation for life itself, for yourself, for where you are, no matter where you are." (p. 167).

MAIN CORE POINTS AND TEACHINGS
> We are all one and interconnected.
> Thoughts became things, so you better manage your thoughts and put them on the right things, because if you think in a certain way, you will act and feel in a certain way, and will have a certain energy around you, all of which has a direct impact on the way life unfolds for you personally. Your thoughts create your experience, so deliberately monitor your thoughts, weed those that don't serve you, and grow that will help you get what you want, see things the best possible way and uplift you. If you do, you will see 'miracles' happen, and things change dramatically.
> Your beliefs and feelings also create your thoughts, so the best way to change your thoughts is to work on your belief system, and change those things that don't support you.
> Monitor what you say, as words are the manifestation of your thoughts. Watch and wash your mouth!
> Nothing is wrong with you because you are not there yet. You don't have to focus or linger on what brought you here or how you will get there. Everything works in the end. Even if not realistic, it sounds truly uplifting and motivational to me.
> Take action, keep going, take tiny steps so that you don't get overwhelmed but are still moving. Do all you can, with what you have, from where you are and the magic of life will unfold. Be patient and persistent. The fact that you can't see results doesn't mean you are far from them, you could be really close, steps away.
> Focus your attention on the things you would love to do, want to do, not on those that you should, must or might. If you know what you want to do, go and do it, otherwise do anything. Give yourself a deadline and take tiny steps consistently. Do something, do your best, and remember that some negative experiences will turn to be blessings in disguise.
> Where you are is never who you are. A statement to frame!

DOWNSIDES
>> The book is unnecessarily wordy and repetitive. Really, if you put all the summary points of the book together, you have everything you need to know to understand Dooley's message.
>> Some of Dooley's trademark "Notes from the Universe" might sound great if arriving via email in a weekly newsletter, however, I found that, at least for me, they were not necessary or added anything to the book.
>> Dooley loves the world "fulcrum", which he uses a lot throughout the book. I found it pretentious.
>> Dooley says that invisible limiting beliefs, even if possessed, need not ever be discovered to navigate beyond them. I find that also uplifting. Actually, liberating. Any professional Jungian psychologists will tell you that it's extremely difficult to unearth your limiting beliefs, and even you do, it's even more difficult to change the effect they have on your life. That is, unless you go under therapy. So, what the heck, you have a license to focus on what you want and forget about the trauma of the past. I mean, I guess unless you really really had some real trauma.
>> Dooley's main point is in this book is that thoughts create your reality, but Prentice Mulford said that in his book Thoughts are Things in 1908!

IN SHORT
An enjoyable read overall. It has wise advise, albeit not original, but it is more of my liking than many other LOA books.

I usually love Dillard's approach to intuition, psyching abilities and the magic in our real life. I have read three of her books and found them not only a great read, but very good to explain themes that aren't straightforward in a very knowledgeable, sensitive and understandable way. Unfortunately, this book has been  a disappointment as I find it rushed, unnecessary long, and messy at times.

The first part is an introduction to symbolism, the importance and significance of symbols in different cultures, and the sort of symbols you can find and 'who' sends them. It is a very basic good introduction for people who know nothing about symbols and want a bit of contextualisation. This section is also a bit simplistic, so if you are really interested in symbols and symbolism start by reading anything by Joseph Campbell and Jung's Man and His Symbols.

The second part is the core and the best of the book. It is devoted to what Dillard calls "The Living Oracle", an intuitive system to gather information so that you can reply to personal queries which help you navigate life, especially when you are at a crossroads in life. The Oracle relies on the interconnectivity of the whole Universe, of which we are all part, and that nothing is separated from us, the ripple effect works at all levels; the Universe as a whole is all connected and living in a time-space continuum in which present and future are all accessible and, in a way, coexisting. This interconnection makes possible to tap into it to get answers to your queries.

Dillard presents us with different techniques to gather information, turn it into symbols and interpret them in different 'spreads'. All what she says about gathering intuitive symbols, how to make queries, the sort of queries you make, are valid, and I have experienced them to be right on point myself. One of the most important items of advice she gives is that

" To become aware of the guidance that you are seeking , it is necessary to let go of the way that you want the answer to come to you and be open and receptive to the many ways spirit communicates". (loc. 102)

The Living Oracle, is like a tarot card spread made out of symbols you gather outside in real life, your neighbourhood, for example. You make a query, say, should I take this job? Go out for a stroll, and see what things, odd, unexpected, repeatedly, are you drawn to or pop up from nowhere. Then you put them together as if they were puzzle pieces, and interpret them as a cluster. Your answer will be there, it will resonate with you clearly, and you might get an aha! moment. Even if you don't trust the results, you will be able, later further down in time, to see if the answer was spot on or not. 

A good part of the Oracle is synchronicity. I have experience the magic of it in my life many times, but I found that some of the examples used in the book trivialise synchronicity. I believe that other examples would have been more revealing for those people who don't know anything about or haven't experienced the magic of it.

The third part, which covers most of the book, is the dictionary of symbols, mostly common urban symbols. Each entry is short and sweet, but I found that none of them resonated with me. I felt this was a stir-fry of Dillard's personal symbolic associations and information you find in generic dream or animal dictionaries. Nothing wrong with that, if the dictionary was for herself. There are universal and personal symbols, but even the former can be tinted by our personal attachment, or lack of, to them. For example, green might be a beautiful positive colour for some people as it reminds them of new beginnings, spring, and the heart Chakra, while it might be a negative colour to others because they associate it with toxic waste, supermarket discount adds, and their nasty father's fav jumper. Dillard, of course, knows that, and, in fact, she explicitly says:

"You may need some help to further interpret it. If this is true for you, consult the glossary for additional insight. If the glossary interpretation does not seem to make sense, interpret your concern, question, and current situation symbolically and look at how the meaning of the sign describes or connects to it." (loc. 1398)

So one wonders why, then, the need to present a book with half of it devoted to a symbol dictionary that might not resonate with many people, me for example. 

The further reading area is useful, some classics were there, but others like Campbell or Johnson were not, but good enough for the general public.

The book is beautifully edited for Kindle, with links to the contents index at the end of each chapter (so handy!), and no typo on view, all things that I truly enjoy and don't take for granted. And what a gorgeous book cover! 

 Dillard is a deeply spiritual and religious person and, therefore, her work relies on Spirit. She's not dogmatic or preachy about anything, but if you aren't into angels, ascender masters and the like and don't believe in the afterlife, and still want to develop your intuition, you might want to go other authors that have no spiritual varnish but offer similar ways of gathering intuitive information: Laura Day, Lisa K, Marcia Emery for example. If you are really spiritual and religious, this book will especially resonate with you. You might also want to check Robert Moss's work, who has been presenting similar exercises for decades, lately in his book the Sidewalk Oracle, and has a more shamanistic playful approach to it.

There are graphic books that enchant because of the quality detailed artwork, others because they have one's favourite characters in them, and others because they are like an entertaining movie that one truly enjoys and cannot put down. However, sometimes one come across books that we love despite not having any of that, books that one loves because they are fresh and refreshing, funny and full of wisdom, all at the same time.

The alien in this graphic novel is like a small child with poor literacy skills to whom the world around has never been explained except for a few generic facts, and who discovers it on its own. Its clean eye notices the idiosyncrasy and contradictions of human nature without any judgement, just puzzlement at times. Sadness, happiness, personal identity, and the fear of the unknown are some of the themes posed to the reader throughout this comic. My favourite characters are the egg that wants to be a frog (an analogy for so many existential quests) and Nothing(ness) and its God-like wisdom. The texts are naive, witty, hilarious at time, sweet and wise; the book ends with the cute alien's travel log, which contains some philosophical witty tweets to ponder about. The drawing is simple, purposely child-like. I thought that the book feeds on some premises we can find in some of the stories in Lem's The Star Diaries.

The Kindle edition was not good, at least in my tablet. Images could not be zoomed in or out, and neither was the lettering. One can use double tapping for vignette individuation, but since there aren't vignettes in this comic, what one sees is the letters augmented a tiny bit. Despite that, some of the texts are very difficult to read without a magnifying glass.

This book has been in my must read for a while, mostly because of the high ratings, as I had never read anything by Gaiman. Unfortunately, after this one, I won't be buying anything else by Gaiman.

 The best thing about this graphic novel is the concept behind it, the time-travel alternative historical setting, and the fact that a bunch of known and loved super-heroes are put there. However, I struggled (even forced myself) to finish the book, because I got bored quite often, and annoyed at the pretentiousness of the whole story, the uninspired writing, and lack of tempo. I expected the ending to make up for the previous shortcomings, but alas, it was totally anti-climatic. The story has little action and is mostly a bunch of characters plotting for 200 pages; if you like plotting stories, this is your book! Some of the historical settings are clichéd and full of trite depictions of nations, as well. Most importantly, I could not empathise or sympathise with any of the self-absorbed stilted characters, totally anti-heroes, except for the sweet girl Virginia and for Roojzan, just because he's hot :)). In fact, I would had exterminated the whole bunch if I had super-hero powers myself. Let's be fair. The story was not bad at all, it is just that it was not good either.

 The artwork was good, though: rich atmospheric colours and chiaroscuros, wonderful landscapes and great face close-ups; I especially loved the images used at the start of each chapter, which are among my favourite in the book. The lettering was classic overall, with a few different fonts used when Thor or the the Germans speak.

That was my experience with this book. If yours is different and you really enjoyed it, good for you!

This is a good book about what intuition is, how it works, how it gathers information and how to use it in a methodical way to get answers from your queries, no matter how trivial or life-changing those might be. The author has a background in science, so she debunks the myth that intuition and psychic abilities are something extraordinary or some sort of gift some people have and others don't. Everybody is intuitive, everybody is a psychic, everybody can use intuition, and intuition speaks to us all the time on demand.

Lisa K. provides us with some clear examples of how intuition talks to us, how to distinguish true intuitive messages from ego-driven faux-intuitive messages, how to ask our intuition, the sort of questions to ask, the type of language that intuition speaks, some techniques to get intuitive replies to your questions, how to interpret your messages,and which activities help us to develop our intuitive abilities.

The book is great as a first approach to intuition, especially if you have never read anything about the subject. If that is your case, I would certainly recommend starting with this work, as it is well structured, easily written, and has a summary of the main points discussed at the end of each chapter, something I always find very useful. I found the chapter on meditation really great, right to the point, practical and, again, without any woo-woo halo: what is meditation? how do we do it? What happens when we meditate, and what we experience. I also loved the chapter that explains how the chakras and energy system work from a physiological scientific point of view, and why intuition can be felt in certain parts of the body.

The main downside of the book is that it is extremely repetitive and wordy; the same statements are repeated over and over, ad nauseam, within a chapter and throughout the book, something that can put some people off. I always blame the editors for not doing their job when this happens, as the book would be useful and enjoyable the same with half the pages it has now, and it would be more polished and read better. If you have read some books on intuition, this is still useful, I learned many tips and things I didn't know! However, the book might be a bit basic and lacking the depth and variety that other books have.

Personally, I found Laura Hay's Practical Intuition, Practical Intuition in Love, and Rule the World from your Couch as healthy and matter of fact, but also more challenging. If you want a book with a similar writing style and enthusiasm but with more exercises and techniques, I recommend the classic by Marcia Emery's PowerHunch. In fact Lisa K, and all of these books fit together perfectly to me, I would start with Lisa K's follow with Emery's and continue with anything by Hay.  

Overall a very practical and enjoyable reading. 

Jungian writers are usually complex beings with complex language, a high level of education, abstraction and symbolic understanding. Probably that is why the attract like-minded people, but not everybody wanting to learn a bit about Jung is prepared for the complexity and depth of Jungian everyday talk. So, if you know nothing about Jungian Psychology and want to start from the foundations without having to go through bothersome highly complex language, this is your book.

This basic introduction has everything you need to know about Jung, the man, how his life and personality shaped his contribution to Psychology and Science in general, the basic concepts and themes of Jung's approach to the human psyche, mental illness, psychoanalytical practice, his troublesome relationship with Freud and his supposed pro-Nazism. The chapter on Dreams is perhaps the weakest part, mostly because Jung's dreams chosen  seem a bit too complex and symbolic for a book that tries to be approachable and addresses the general public.

The language used is concise, approachable with the bare minimum technicalities, yet, with enough depth to make you understand the basics on which to build your knowledge about Jung and Jungian Psychology.

This is a good Kindle edition with good-quality photos, but the final index is not linked, unfortunately.

There are books that one wants to buy as soon as we read the title, like this one. A priori, Frankfurt appears as an agent provocateur, as the book is sold on Amazon, where there is a straight no-profanity no-expletives policy.  However the book feels a total ploff flop once we start reading, because the expectations were so high, that the book can only fall short.

Frankfurt's intention is to define what BS means, the intention behind the concept, if any, the function/s it serves, and what does it not mean. Through this essay, we get to see some of the characteristics that Frankfurt unearths and attributes to BS. Thus, BS is a deceptive deliberate misrepresentation, short of lying, by word and/or deeds, produced in a careless or self-indulgent manner, unrefined and somewhat spontaneous. Its essence is the lack of connection with truth, an  indifference to how things really are. Frankfurt identifies BS as connected to 'hot air' or bluff but not as much to nonsense. BS is phony not false, colourful and creative, but not precise or sharp.

Frankfurt starts his essay with a cross-examination of the definition of Humbug, as provided by Max Black in 1985. He also compares the meaning and use of the word with the definitions that the Oxford English Dictionary offers of bull, bull session, and BS. He also sketches  St Augustine's typology of lies, and, of course, invites Wittgenstein to the party because the whole essay is a Wittgensteinish exercise.

One of the aims of this work  is to explain the difference between a lie and BS, and Frankfurt succeeds at doing so, because we get to see clearly how both things are essentially different in intention, conception, format, and presentation. Another of the aims of the book is to discuss whether there is more BS today than before and why, and although the discussion on this subject occupies barely two pages, it is quite good and goes straight to the point.

One of the most questionable discussions in the book is, paradoxically, one of the things I enjoyed the most. It revolves about a conversation that Fania Pascal and Wittgenstein had in Cambridge in the 1930s.  She was feeling really bad after having her tonsils removed, and told Wittgenstein that she felt like a dog run down by a car, to which the philosopher replied, somewhat upset, “You don’t know what a dog that has been run over feels like.”.  To me, the whole point of the discussion between Pascal and Wittgenstein is that she was talking hyperbolically and metaphorically to express how bad she felt and how unwell she was, and, we can guess, to get a bit of friendly support. But she did not get any because Wittgenstein was not really listening to her, he was hearing the words coming out of her mouth and interpreted them literally, as an autistic person would do. She wasn't implying that she knew how a dog would feel in those circumstances, or that a human and a dog would feel the same if run down by a car, or that she knew how a dog in those circumstances felt but decided to ignore it for the sake of verbal flourish. The point of the episode is not, like Frankfurt says, on Pascal disregard for reality when she speaks, it is that Pascal and Wittengstein were speaking two different languages because their emphasis was different. Hers was on the flourished colours of her pain. His on the literal transcription of reality that he expected from language in a mathematical-like precision. That being the case, to me, the anecdote is pointless in a discussion on the subject of BS.

While reading this book, I wondered why the need to give BS 'a' definition, or rather one meaning, or so it appeared to me. The Urban Dictionary  allows us to appreciate the different  shades of the word in common everyday colloquial language. In my personal life, I have had the word speared at me to mean, depending on the context and the person,: 1/ you don't know what you are talking about (even though I did know what I was talking about). 2/ You are kidding! 3/ You are talking nonsense.  5/ You are lying and you know it, but want to fool me. 6/ I don't believe you, I don't want it to be true!

The beauty of language (when a precise definition is not needed for the exercise of Law, legislation or relevant philosophical analysis, and when the word has not been used for decades or centuries and its meaning is quite established) is that language is alive, fluid, and in constant movement. At times one has to be familiar with the person to 'get' the way and meaning s/he uses and gives to a certain word, the context, the colour, the intention. There are words with a definition that most people would agree on, while other words have so many different hues and undertones, that offering an unique definition feels like a corset. So, why reducing a word to a sort of ivory goddess-like monolith with a specific colour, material and varnish? Why trying to define philosophically a word that was never meant to be philosophical or used philosophically?  I don't mean to say that the exercise in the book is pointless or useless, I mean to say that there is not much philosophy behind Bs, Bsiting and Bsiters, and the exercise is more about how to approach a concept to define it precisely than anything else. Said differently, it is more about the exercise itself than about the word that the philosopher has chosen for this book. Which is interesting the same.

In a way, this book shows (I don't know whether willingly, as a joke, or whether unwillingly, as an academic exercise gone bananas) the need of the Academia to define colloquial and popular words and concepts to give them a status that they were never meant to have. Or, on the contrary, the need and demand of modern pop culture to have its most darling  words sealed with the Academia's seal of approval and the Academica, in response to the demand, takes a leap of faith and dances with Bs itself.

At least to me, this work feels as if the author had had a great idea, started to write a book, something had happened, and he had interrupted his work and left the work incomplete. Yet, it is a nice read overall with some good points to ponder. It is just that I wanted more. I expected more. It could have had more depth and more juice!

Life is not a problem to be solved (loc. 3093).

This is the third book I read by Hollis, a Jungian psychoanalyst who specialises in the so-called middle passage, psychological true maturity and individuation. Hollis has the virtue to have me to stop and wow quite often, and this book was not different. Finding Meaning in the Second Half of Life  engaged my head and my soul, spoke to me and my hunger for transcending reality as imposed to me by gender, age, and cultural constrictions, which I have always instinctively rejected as being addons not truly me. 

Because Hollis is a former academic with a background in Humanities who became a properly trained Jungian therapist later on in life, his writing is colourful, literary, sophisticated and very polished. His discourse goes from the mundane to the philosophical and the spiritual and does so in depth, without the usual psycho-babble you find elsewhere in pop-psychology these days. If you have a good level of education or self-education, are familiar with Jungian terminology and approach to the psyche, and love reading books by people who preach by example, this is your book.

BREAK WITH EVERYTHING

This is perhaps Hollis' most revolutionary and confronting book on the subject. On the one hand, in this book Hollis does not provide you with any shortcut or present a rosy view of anything, especially of your future in you decide to stay right where you are, doing what you do. Hollis debunks romantic love, traditional family, professional success, consumerism, pop ideologies, the many obsessions and addictions of our daily life (the obsession with health, youth and media included), New Age and herd behaviour, and does so without bitterness.  His definition of soul as psyche, his emphasis on the power of the myth and  symbols to the well-being of society and the healthiness of the psyche, his castigation of major religions as not really spiritual, among other pearls, might be controversial.

DON'T CRY BABE
On the other hand, Hollis won't tell us how we have to lead our life, how to behave, or how to do things. He says that the middle passage will only be successful after going through our suffering, finding out from where it originates,  burying our old set of values and ways of being, and giving birth to others that are more in tune with our soul's desire.  We have to leave being and  playing the victim, and assign a positive spin to our life dramas or moments of despair.

This book is a call to listening to our deep calling, to taking responsibility for our own life, and to moving beyond repetitive patterns of behaviour and personal history. Each person has a journey that is personal, nobody else's, so there is no cookie cutter to cut the fat, we have to de-construct our false self ourselves.

Feeling good or getting comfort is not the aim of this book, nor is numbing your pain, but  that of enlarging your life and achieving wholeness. Without the suffering, the non-suffering is taken for granted, so suffering has a function, to allow you grow up and appreciate things more.

According to Hollis,  the two major tasks of the grown-up to be aren't money, position, possessions or Prozac, they are: 1/ The recovery of personal authority, to find what is true for us and find the courage to live it in the world. 2/ The discovery of a personal spirituality that resonates with us, and is meaningful to us, no matter what other people think, and be willing to stand for what it is true for us. A kind of Braving the Wilderness.

Everything Hollis wants to say is, "If you do not like your life, change it, but stop blaming others, for even if they did hurt you, you are the one who has been making the choices of adulthood." (locs. 3210-3211). Ouch!

TOUGH LOVE
Hollis has a great compassion towards human suffering, it is tuned to the needs and troubles that one faces when crisis strikes in adulthood, because he has been there himself. However, because he's a depth therapist, he won't tell you what you want to hear if you are going through depression, anxiety, desperation, marital crisis, empty-nest syndrome, professional crisis, and so on. He will tell you what you need to know, so you get something out of your pain through your pain, you become yourself, dare to show your self to the world, and became the individual who your soul always wanted you to be:

 "often, inexplicably, it is the soul itself that has brought us to that difficult place in order to enlarge us" (loc. 212).  

> Ego as "that thin wafer of consciousness floating on an iridescent ocean called the soul" (locs. 230-231).  > Self as "the embodiment of nature’s plan for us, or the will of the gods -- whichever metaphor works better for you". (locs. 237-238).
> Complex/es as a "cluster of energy in the unconscious, charged by historic events, reinforced through repetition, embodying a fragment of our personality, and generating a programmed response and an implicit set of expectations."  (locs. 1273-1275).
 > Doubt = a form of radical trust, a trust that the world is richer than we know, so abundant that we can hardly bear.  (Locs 2944-5).

Hollis succeeds at explaining why the problems of the second half of life are almost a new thing, and also the direct link between the disconnection with ancestral myths and tribal rituals and the rise in individual and social neurosis and pathologies, and how the psyche longs for a connection with a larger deeper world in which certain personal and social energies are channelled, transformed and healed.

PONDER  WONDER
Although this is not a how-to book, Hollis presents us with some poignant questions to play psychoanalysts with ourselves. The most important one, to me, is: "If I have done the expected things, according to my best understanding of myself and the world, so why does my life not feel right?” (locs. 453-4). I think this is important because it doesn't focus on the world out there,  the image we project of ourselves, our achievements, how successful we are, how many houses, cars or jewels we own, but on how we feel inside.

Other major questions to ask ourselves are:
> What gods, what forces, what family, what social environment have framed your reality, perhaps supported, perhaps constricted it?
> Whose life I have been living?
> Why do you believe that you have to hide so much, from others, from yourself?
> Why have you come to this book, or why has it to come to you, now?
> Why does the idea of the soul both trouble you and feel familiar, like a long-lost companion?
> Is the life you are living too small for your soul’s desire?
> Why is now the time, if ever it is to happen, for you to answer the summons of the soul, to live the second, larger life?

Some queries to spear to ourselves when faced with the harshness of life (guilt, grief, loss, betrayal, doubt, loneliness, depression, addiction, or anxiety) are: How am I to enlarge consciousness in this place?  How find the meaning for me in this suffering? What new life is seeking to live through me? What must I do to bring it into being? What is the compulsive behaviour a defence against ?

When obsessed or addicted to something (shopping, alcohol, cleaning, working, exercising, whatever)  or engulfed by energies or practices that do not satisfy us internally, we should start reading the world psychologically and ask ourselves, “What is this touching in me?” “Where does this come from in my history?” “Where have I felt this kind of energy before?” “Can I see the pattern beneath the surface?” “What is the hidden idea, or complex, that is creating this pattern?” “Is there something promising magic, seduction, ‘solution’ here?” Also “Am I made larger, or smaller, by this path, this relationship, this decision?” 

DOWNSIDES

Although I loved the book, there are a few things that I consider delusions, not clear enough, or based on conceptions of what life should be. I don't think they are intentionally so, more, perhaps, the result of the author's age and the life he has lived, not as much of the life other people live.

1/ Tool-less.
Hollis is perfectly aware that most people have not the means, economical or other, to have therapy or psychoanalysis, even if they need it and want to. On the other hand, psychological blocks are usually black points in our eye that we cannot see even if they are in front of us, because they are right in the middle of the eye. That demands the help of a therapist, analyst or coach. I understand that Hollis doesn't want to provide a cookie cutter of an answer for anybody who is suffering from a personal crisis or wants to grow up and enlarge their lives, but I would have appreciated he making an effort, because, after all, he is a therapist and has the tools. It is true that the book has some suggestions about questions to pose to ourselves to start a inner dialogue (some of which I have already mentioned), but they cannot be answered if you are blocked, and some of them are too philosophical for the average John and Jane.  Many people will buy this book because they were expecting help, but many of them won't have the intellectual holders to catch everything that Hollis throws at us.  I hope that his forthcoming book will be more hands down and address the lack of practical advice that some might find in this book.  

2/ Muddle in the Middle.
Second half of life is a misleading title, because it departs from ontological  principles that do not reflect who we are as physical and social beings in the 21st century. It presupposes that we have a certain life span guaranteed on  this planet, and that around that half way we have a crisis, and that most of us have a grow-up spur at around the same time. I have said it before, my grandma died as an elderly lady at 48 years of age, so her middle age was 24 and she was probably in a corner by then having no way to go and unhappy to the core; there are women and men on this planet, right now, still living that way. Nowadays, 50y.o.a. is the new 40, or the new 35, or just 50 depending on one's level of maturity and physical state, and the culture and part of the world we were born or live in. On the other hand, a period that goes from 35 to 90y.o.a is a bit too vast! Or mid-life crisis being mostly between 35-45, well, it is a bit too precise!

3/ Mirage.
Hollis says that in the second half of life "We lose friends, our children, our energies, and finally our lives. Who could manage in the face of such seeming defeat?." (locs.  3096-3098). Isn't that a total illusion? The same illusion that generates the obsession with health? There is no guarantee that we aren't going to be killed while healthy or when young, that our families and friends are going to die before we do, or vice versa. It is the same illusion as believing that, by taking care of ourselves, we will delay death. In fact,  we could be super-fit and super-young and be run over a car when walking on the footpath. We might have to deal with the death of all our family when young, because they died in an accident, or killed themselves, or were killed.   

4/ The Brady Bunch.
At least in the Western World, traditional family is not about a man and woman marrying and having children. There are straight couples that don't marry, live together de facto for decades and decide not to have children even if they biologically can. Some uncoupled individuals decide that they have a maternal or paternal instinct and have surrogate mothers giving birth to the children they will parent and love. There are gay couples who live a very traditional life except for the fact that they are gay. There are  men and women who decide not to marry or have children, and join a monastery and form part of a bigger family. Others, won't join the monastery but don't need the need to marry or have children to become whole. The examples are endless. I say this because, asking ourselves what values and ways of being we want to pass on to our children, is a question that is not as valid now as it was 50 years ago. And sometimes Hollis speaks as if the only mature way of life was getting married and having children. I actually know many married people with children who have no maturity at all. I am not saying that Hollis is not aware of this, I am saying that the book does not always reads this way.

5/ Tongue Twist.
At the beginning of the book Hollis says that the aim of the book is to present things in a simple language that most people can understand. However, many times I thought that a 'commoner,' so to speak, would find difficult  getting through  them because of the vocabulary, the high degree of symbolism and/or abstraction. I think this is especially the case in the chapter on mature spirituality, which it is beautifully written but very elitist. 

5/ The pain of  the pen.
When you have remedial massage you learn that you get rid of your pain through the pain, as the treatment inflicts pain on the body. So, in a way, going through your suffering, as mentioned by Hollis here, is a bit like that. However his insistence on the suffering sounds a bit masochist at times. I am not saying that there isn't truth in what Hollis says, because I have experienced that to be true for me, but hey he insists too much on accepting the suffering and going through it. Some people won't be able to do that, and will collapse, just saying.We cannot blame them for not being able to stand the pain, find meaning in it, or  get out successfully from it.

6/ Spirited Away.
Hollis' insistence o spirituality starts very well, but it ends becoming a bit of fixation and, dare to say, 'religious'. There are ways of getting meaning out of life that aren't based on spirituality. Non nihilist atheists I  know find meaning in knowing that our transience demands awareness, living the moment, and making the most of our minutes, that meaning is found in leading an ethical life for the sake of it and leaving their offspring a good legacy, and are very mature and sound people. On the other hand, I also known deeply spiritual people whose lives are full of giving meaning to their suffering, and they haven't grown much inside and are still emotionally and psychologically immature.  

A QUESTION
Individuation is a personal individual thing, so things that constrict an individual won't constrict another, and things that helps to expand a person won't help another. Culture, family history, life circumstances are all impositions on the soul. I would have liked Hollis commenting on how different cultures, religious beliefs and language favour, more or less, individuals. Or put differently, is individuation easier or more difficult to achieve by members of a given culture, religion or linguistic background than ohers?  Does a culture creates more neurosis than another?

IN SHORT

This is a beautiful written book, lyric at times, quite hard at others that loves you toughly and tenderly, and shows you a way that is not what you might be looking for but it might be your best shot to succeed. The book will certainly satisfy those who love Jungian analysis and Jungian ways of looking at the inner and outer world that aren't simplistic and allow for our individuality to be recognised, developed and expressed.

One gets to feel how being a Jungian therapist is what Hollis was meant to be, because his book oozes passion for his profession, and for the wonders that Depth Psychology can do for anyone, not just if you are in crisis. He sees the Jungian analyst as a mediator with your soul and the self, and that is a wonderful way to put it. There is a lot of soul in this book.

Having said that, this book might not be useful or satisfying to you if:

> You are a convinced nihilist.
> You are very religious in a traditional way.
> You are looking for a New Age book.
> You need a book simply written with everyday vocabulary. 

> You are looking for a set of rules, step by step DIY system to solve your personal crisis.

> You need somebody to tell you how to solve your problems and how to get out of your misery.

> You are looking for something that is useful, but not that deep or complicated.  

> You aren't interested on Jungian depth Psychology and want a behavioural approach.