Tales from Outer Suburbia by Shaun Tan (2008)
, 11 Oct 2014
Tales from Outer Suburbia is perhaps the most Australian of Tan's books, and definitely very Western Australian. Tan is native from the northern suburbs of Perth WA, and the landscapes, urban furniture and fauna he depicts are just part of Perth's visual idiosyncrasy.
This book is atypical, in two ways. Firstly, Tan, usually very concise in the wording of his books and in the use of words in them, writes a lot in here, and the text is as important as the images. This is so, because this is a semi-memoir of Tan's childhood, and the stories part of his emotional memory growing up in Perth. Secondly, visually speaking, this book is eclectic in styles, because he he uses very different illustration and painting techniques and styles to accompany the different stories, which remind the reader of the ones used in his previous books. In that regard, the book is less congruent visually than his previous ones.
This book is atypical, in two ways. Firstly, Tan, usually very concise in the wording of his books and in the use of words in them, writes a lot in here, and the text is as important as the images. This is so, because this is a semi-memoir of Tan's childhood, and the stories part of his emotional memory growing up in Perth. Secondly, visually speaking, this book is eclectic in styles, because he he uses very different illustration and painting techniques and styles to accompany the different stories, which remind the reader of the ones used in his previous books. In that regard, the book is less congruent visually than his previous ones.
What is still typical of Tan is his mastery at drawing, its ability to create magic realism from the quotidian, to create visually appealing almost-touchable images, absurd meaningful scenes, and quirky funny adorable characters. I love the way he uses his images to create mock newspapers news, mock Post envelopes, mock wall-collages, how he incorporate the credits and acknowledgements in a borrowing slip library card or an envelop, his mock postage stamps, the quirky funny magical sketches that cover the inner front and back covers of the book.
Some of his usual themes are also here, especially the concepts of
foreign (how foreigners see us, how we see foreigners, what foreign is)
and of how our childhood memories never fade out in our hearts, no
matter how mundane they were, because the way we lived and perceived
them.
The stories or chapters in the book are:
>> The Water Buffalo.
>> Eric (this is one of my favourite in drawing style and message -very similar to the Arrival- and because Eric is just the bomb!)
>> Broken Toys.
>> Undertow.
>> Grandpa's Story (Another favourite because of the narrative, and how Tan turns a real story into something really magical).
>> The other country (Because it depicts his contact with the Mediterranean culture and the magic in it. The painting is also very Mediterranean!)
>> Stick Figures (I love the visuals of this one because it depicts Perth summer landscape very well).
>> The Nameless Holiday.
>> Alert but not alarmed
>> Wake.
>> Make your Own Pet.
>> Our Expedition.
>> Night of the Turtle Rescue
>> The Water Buffalo.
>> Eric (this is one of my favourite in drawing style and message -very similar to the Arrival- and because Eric is just the bomb!)
>> Broken Toys.
>> Undertow.
>> Grandpa's Story (Another favourite because of the narrative, and how Tan turns a real story into something really magical).
>> The other country (Because it depicts his contact with the Mediterranean culture and the magic in it. The painting is also very Mediterranean!)
>> Stick Figures (I love the visuals of this one because it depicts Perth summer landscape very well).
>> The Nameless Holiday.
>> Alert but not alarmed
>> Wake.
>> Make your Own Pet.
>> Our Expedition.
>> Night of the Turtle Rescue
To be honest, every story is wonderful.
This is a melancholic book about Tan's emotional landscapes, so it has to be read as such.