Showing posts with label Brave Intuitive Painting. Let go. Be Bold. Unfold. Show all posts
Showing posts with label Brave Intuitive Painting. Let go. Be Bold. Unfold. Show all posts

Brave Intuitive Painting. Let go. Be Bold. Unfold by Flora Bowley (2012)

, 25 Jan 2023

This book grew on me from the first pages, when I quite disliked it, to when I finished, which I really liked it. This isn't a tutorial kinda book, it's a book to harness your intuition for artistic purposes and give you tips, prompts and techniques that will translate that into your paintings.

I DID LIKE
>> The lovely design and style of the book, from the lettering to the doodles incorporated into the pages to the gradient boxes with the exercises. The book has high quality full-color reproductions, too.
>> Some of Bowley's artwork displayed on the book.
>. The technique prompts in the first chapters of the book are excellent, especially for beginners and something that I haven't seen in other teaching Art books. Prompts cover the use of water spray bottles, fingers, rags, etching, stamping, and small brushes and foam brushes. I also loved the tip on how to create a glass palette
>> Bowley provides us with a great selection of exercises to harness our intuition for artistic purposes. This is actually the best part of the book and something I haven't found in other Art books out there. We're given tools on how to approach a painting, how to go through the hurdles when we get stuck, how to finish a painting, when should we finish it, and how to create from our inner voice. 
>> The fact that Bowley advises us to ask ourselves 'what's working' (instead of what's not working) when we're  stuck or when a painting isn't working.  
>> How simply but effectively color theory is explained in p. 59  and the examples of which color combinations create/don't create mud in p. 69. 
 >> The Taking Stock section on page 120 contains 13 questions for us to ask ourselves before deciding whether a painting is finished or not.  

SO-SO
>> " Remember, only you can paint like you". (Page 112).
-- This isn't totally true. There are people painting The Monalisa like Da Vinci at the dozen in China and they're really great. Also, remember the forfeiting paint industry, which needs of super-qualified experts to distinguish the original from the copy. 
>> The Blindfolded finger painting exercise is fab, but what about if we don't paint on canvas and use A4 or A3 watercolor paper instead?
>> "Make sure you always have at least two canvases in progress at all times (...) as it allows one canvas to dry as you work on the other." (Page 66).
-- Not sure if this is valid for paper either.
>> "It’s tempting, and very natural, to want to know what your paintings are going to look like before they are finished, but the truth is you never really know what the future holds. Incredible amounts of energy are wasted by chasing what you cannot catch." (Page 28).
-- I see this sort of statement repeated everywhere these days but it doesn't ring 100% true to me. Many artists and art masters in the past have painted and paint on commission and within strict guidelines, or like to produce whatever final product, like a realistic portrait of the Queen, just to mention something. I don't think that all artists let their creativity go wild. 
>> Bowley's paintings in the book aren't named or dated. 
I DIDN'T LIKE
>> The book has 129 pages, but the written part of it covers half of the book. Many pages contain full-page photos, most of the others have half-page photos and 1-2 columns of text or 1 exercise boxes. 
>> Too many quotes, covering half page. I like them, but, are they necessary? No!
> The positive-thinking New-Age Law of Attraction spiritual philosophy that pervades the book. It's like something I've read gazillion times in other places for other purposes. Ready-made sentences that mean little to me. Not every painter is spiritual. Not every painter who's spiritual is into New Age or yoga or whatever. You can be a good teacher and be agnostic and in a wheel-chair. You know what I'm a saying?
> Relax by taking a bath... I haven't seen a bath in urban rentals in the huge city I live in for decades. Not even in many of the newly-built small houses.Having a bath is like a fantasy these days, like a luxury, but the sentence comes up so often together with relax that's annoying.
>> "Human aliveness is inseparable from creativity. We are all artists already… each and every one of us." (Page 13).
-- I don't agree with this. We are all creative and creators for sure, not all of us are artists. Not every painter who lives out of their sales is an artist either. I think there are not many true artists around these days. 
>> The About the Author section at the end of the book is vague/generic, and says that Bowley has works published in books, albums and in paintings in galleries. So, which galleries, which albums and which books? It reads more like a FB, Amazon or Fivver profile trying to impress customers than something fit for a book bio. In fact, Bowley's profile elsewhere is more specific and mentions just books not galleries or albums. Vague biographies rest credibility to any author. Also, I would have loved knowing whether Bowley studied Art in Art School or a self-taught painter. 

 
 
TYPOS
Overall the book is well edited, but I noticed, on page 117,the following:
"If you premeditate on using a word before you’ve started your painting, you run the risk of your words seeming contrived. ask yourself whether your words feel forced, or whether they are a natural extension of your process?
Notice that ask should be in capital and that the interrogation mark is unnecessary in this sentence as it's phrased.
 

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