Teo Degas' Books & Decks

Flotsam is a very short wordless graphic  book full of wondrous images and a great storyline. I love wordless picture books because they are more demanding on the artist, as the images have to carry the narrative on their own, and they are more open to interpretation (more a door to the imagination than a finished story) but also more Universal.

David Wiesner's drawing and illustration style are marvellous, crispy clean, detailed, almost hyper-real, delicate at times, flamboyant at others, with a great use of colour and wondrous imagery.

Flotsam is a message-in-a-bottle sort of story, the bottle being replaced by the images in an old camera that lands on a beach where our main character is spending his day.

Life is wondrous, you just have to look at it with a bit of attention. There is magic in the ordinary and we are all interconnected. Those are the main points in the message embedded in the story.

I consider that the story is fragmented unnecessarily. I truly loved the Magritte-like photographer-in-the-photographer photograph going from the present to  the past. That is fantastic, a great concept and well realised. The pictures about the sea world that the character sees in the photos are wondrous, but less original and with more artistic and illustration trites than the rest of the imagery. To me, the story about the photographer's photo of the photographer has so much potential for development that it is a pity that the author distracted himself with the underwater world and forgot to connect the first photo in the story with the photo of the first photographer who used the camera. That would had been way more interesting and would have rounded up the story more organically. The ending of the book is great.

Awarded the  best children book for 2006, devoted to children between 5-7y.o.a, the book is also good for adults and illustration lovers.

The "book" is not a book properly speaking, as it has 40 pages in paper and 26 or so in Kindle format. There must be a name for this sort of "books" that are not really books but are not novellas either. The Kindle format gave me so many problems in my tablet that I had to return it. I think this book is great to have in paperback.

I was looking for one of the Taschen wonderful compilation books on Arts, and I could not find any at my local bookshop, so I bought this book instead, to have it as a coffee-table book. This being the case, and the book being so bulky and edited, I did something I rarely do, which is buying a hard-copy book without spending enough time browsing through it. Big mistake.

You know a book of this kind is biased and not serious when countries with a huge large history of awesome architecture that have passed the proof of time are forgotten in favour of the UK and USA. I don't mean to say that the buildings in the book are not great, it is that the way the book is structured gives the impression and "sells" that UK is the country with the most wonderful awesome innovative architecture out there, disregarding the bigger achievements in architecture of countries like France, Italy and Spain. As the book includes architecture from Ancient times and Antiquity, the bias becomes even more obvious because parts of the world with wow ancient architecture are completely misrepresented in favour of countries like... Australia.That is not to say that one country is better than other, because I do love Australia, but the History of Architecture in Australia is not of the calibre of that of Greece for reasons that are obvious to any Art Historian. Yet, Greece's entries are.... just FIVE!

Isn't that called an imperialistic view of the world?

Just to give an example of the crap selection, take Syria and Lebanon for example, two countries with wow Ancient and Medieval architecture. Syria's only building included is the Great Mosque. Architectonic wonders as Palmyra, Boshra, Aleppo's Old Souq (now destroyed), any of the Templars castles, architectonic water deposits are forgotten.... Lebanon's only building listed is the building of a nightclub as if some of their Ancient temples and castles were not wow; Balbek, comes to mind.

There is also a meagre misrepresentation of Asian architecture, in general, and I missed the Utopian Garden in Singapore, although this might be just because it was finished after the update of the book.  Ethiopia just one entry, Thailand two entries, come on! Botswana not even included.

Of course you cannot include every single great building or architectural wonder in a book of this sort, but if you do a selection of this sort, so biased and narcissist, you have lost my respect as a publishing house and editor.

If this was not bad enough, the editor has done a terrible job with the indexes. The indexes are fragmented, the Index of Buildings (not by type but by name!) and the Index of Countries are one at the beginning of the book and the other at the back. No index of featured architects is included. The Index of Countries is in between the Glossary and the Index of Contributors. And no type of building index either. An example of how not to make an index, Mr Editor.

The photos are nice, some of them great, some others not, and not all buildings come with a photo. The texts are informative and well written and might you help to understand (or probably not) why some of those buildings are there beyond being... British as a main point to be included in the book. 

I have decided that the book is perfect for toilet reading :)

Darkroom is not your usual graphic memoir. 

Despite the author being a female, Quintero's Memoir is not the usual female memoir in vogue. I have read a good deal of graphic novels by female artists and, most of them, seem to share common themes: sexual identity, troubled childhood, Mental or psychological problems, love and relationships, or women issues in general. Quintero's Memoir in that regard is a different league. Dark Room connects more with a group of graphic memoirs coming from artists who immigrated into the USA and tell their story of struggle or just their experiences adjusting to the new culture and country. Quintero's Memoir relates to those, but the fact that she comes from a well adjusted family with no neurosis or mental problems, and Racial Segregation forms a good deal of the Memoir puts it on a different league as well. 

Quintero's Memoir deals with immigration, race, social upheaval and identity.  Not white, neither black, the Quinteros arrived from Argentina in 1961 and settled in the Alabama Black Belt area, in a time when segregation and Civil Rights libertarians were going to change the course of History in America. Lila and her family view and dealt with Segregation in a way that was not what it was expected from them, but they could not but be appalled by the reality of Segregation and life conditions of Afro-Americans, and they indeed were supportive of the Civil Rights movement.

Dark Room is both a personal and family memoir. It is also a memoir about the troubles of immigration, of being always The Other. The book it is perfect to illustrate Alterity processes. In a way, it is just normal that the Quinteros would see "the others" in American society, the Afro-Americans, with empathy and humanness and with empathic eyes. They themselves were "the others" to both white and black people. This gave them an unique vantage point, and also created trouble for them in their personal relationships. I also like the fact that we witness the different fortunes of the Quintero's siblings, as immigration affects differently to the members of the same family because people are, after all, individuals.

Dark Memoir is a lovely Memoir that goes from the personal to the familiar, stopping at the historical. Quintero herself reveals that memory is not the only source of her Memoir, as an historical approach is given to the narration of some of the horrific events happened in Alabama during the 1960s. Moreover, she was academically advised and supervised to produce a Memoir that is clear about the value of our personal memory in a Memoir, especially when dealing with historical events. I think that shows. There is some sort of detachment in the narration at times, that comes from a sound approach to the genre.

Johnson is a Jungian classic, and there is a reason for that. He mixes with easiness, elegance and clarity depth psychology and Jungian Psychology, mythology and dream work. He makes of Jungian conundrums something fun. Johnson, like Campbell, knows inside-out Western Mythology, Eastern Mythology and Philosophy and Christian/Catholic Mysticism.

 "She" is a collection of lectures given by Johnson (first published in 1976  and reviewed in 1989) revolving about the analysis of the Myth of Eros and Psyche (aka Amor and Psyche). The book is very enjoyable to read. Even if you are not interested in Depth or Jugian Psychology, you will enjoy the reading, and the way Johnson de-constructs a myth and gives it psychological  meaning. It is like seeing an orange being squeezed through a macro lenses. Fascinating.

"She" is not only an exploration of the female psyche, but also an approach to "the feminine in all of us", and also a tale of exploration of inner expansion and a dive into the unconscious. As a woman, I could relate to many of the things Johnson unveils.

 Much of the turmoil for a modern woman is the collision between her Aphrodite nature and her Psyche nature. (p. 8)

Bingo!

There are  two distinct parts in the book and in the myth examined: the one before Psyche's tasks and the one after the tasks start. Johnson says of the second is the one that shows more clearly the patterns of development of the feminine principle. However, although I could relate to many of the things he mentions there, I thought that some of the comments could also apply to the male psyche or to humans in general.

Despite the book being so old, is still fresh. Johnson's reflection on the validity of mythology for the modern world is wonderful, as myths contains a distilled imprint of human psychological structure, which is universal and timeless. Johnson does even more, he links myth and dreamwork in a two-way path. He shows, for example, how the myth herewith analysed replicates itself in an apparently unrelated dream of a female patient of his. Most importantly, he points out that some dreams have a mythological structure which makes them perfect to delve into our inner self and psyche. 

A WHINE

I have to congratulate HarperCollins e-books for ripping-off customers. Being charged 11+ bucks for 99 pages of an old book on Kindle sucks.

I always find pearls of wisdom in anything Johnson writes, his approach to the world and our psychological humanity make me ponder, always. Besides, he is a kindred spirit, an humanist in the proper sense of the word,  always worth of my time, even though, too often, I end lamenting that he is keeping most of his secrets to himself.

This book is a collection of four small essays, one of them dealing with projection. Unfortunately, the common denominator of the articles is not projection, but rather inner work and the concept of Maya or illusion. That would had been a more honest title and descriptor. If you are looking for a in-depth book on psychological projection, or a basic approach to psychological projection, this is not your book.

1/ Inner Gold
Half memoir half  simple approach to  psychological projection, it is a lovely piece of writing, with a Memoir sort of tone that I love. 

We barely understand how much of what we perceive in others and the outside world are actually parts of ourselves. Please observe the energy investments you make. (p.30)

To understand what Johnson says, you need a basic understanding of what projection and shadow are. Johnson does not explain readers what projection is, how projection mechanisms work, why is formed, and how to do something he insistently tells readers to do: to reclaim our inner gold or to return it to somebody else. How do you do that? No answer. Most people have the level of consciousness of a thermostat, they do not know they project, nor recognise that they are projecting or that others are projecting on to them, nor know anything about it, so unless Johnson gives the "recipe", there is no way to go. You expect a recipe because Johnson was an active psychoanalyst, and he must have it! The beans must have been spilled in the Garden of Eden, not sure if my Animus can get there and bring me a few. 

2/ Loneliness
This is my favourite piece. Again, there is a nostalgic feeling and Johnson's memoir approach to it. I love the way he categorises loneliness in three varieties (loneliness for the past, loneliness for the future, and loneliness for being close to God). Johnson basically says that loneliness is a state of mind and the soul, an interior matter, if you feel lonely you have to do inner work to solve it, connect with your essence, restore your connection with your unconscious, ground yourself in the energy of the world, bear your pain and:

 If you can transform your loneliness into solitude, you’re one step away from the most precious of all experiences. This is the cure for loneliness.

Did you need of Jungian Psychology to learn this?  If I were feeling lonely, I would love to ponder on many of the things Johnson says, but I think that would not be enough to cure my soul. Perhaps therapy? 

3/ Love Story
This is a very short reflection of the figure of  Beatrice in Dante's Divine Comedy. Beatrice is presented as a  soul guide or psychopomp. There a few pages sketching some wonderful thoughts but, overall, they are superficial and uninspired. 

4/ The one and future King
This chapter is odd and intriguing at the same time. Johnson is deeply religious (an ex-Benedictine monk) and it shows here, as this is a reflection on the meaning of the doctrine of the Second Coming of the Christ from a non-literal and archetypal point of view. Even if you are not religious, you will enjoy his approach. I think some of the things he says are beautiful and spiritually soothing, and his reflection on literalism is brilliant:

Literalism knows no end, and literalism is the death of insight. But that sublime archetypal structure is always available in its true, interior way, for anyone who chooses to touch it and is capable of touching it. Sometimes the point of contact becomes accessible only in our deepest, darkest moments. (....) Speech is literal and rational and cannot easily contain the depths of the mystery. For that we need symbols and symbolic language. (...) We can discover within ourselves the capacity to sustain both the presence of the divine and the holiness of daily life. The two are, in fact, one. (pp. 75-76)

Johnson speaks of God often, so if you are an atheist or agnostic you have to decide what God means to you. I thought that he connects well with some of the teachings of the New Thought Church.

This is a basic introduction to editing, no matter you are a beginner editor, a peer-reviewer or just want to edit your own texts.

One expects the book of a professional editor to be good, easy to understand, and well organised, and, generally speaking, this is the case.

Although many of the things Dunham recommends are a bit too obvious (especially if writing is part of your job or just your job) they should never be forgotten. At times, it is painful seeing academics doing the sort of mistakes that Dunham mentions in this book. Actually, these are some of the mistakes I do make while writing for work, or writing a review.

An editor basically reads a text at least twice, and systematically checks the relevance and precision of the content, whether the focus of the author is there or not, if the grammar and orthography of the work are correct, and if the language used is good or not. Editors follow style or criteria rules and guidelines generally imposed by the publisher, although if you are self-editing you can create yours to keep consistency while writing. Then, comes the hard task of checking things systematically, for which you create a checklist or task-list to avoid tricks and treacheries of the eye and the mind and make sure that everything you should have checked is, indeed, checked.

The structure of the book follows this sort of order.    

The book is clearly written, without any pomposity or technical jargon. A priori, I thought this would be a dry book, but I found it to be not only useful and practical, but an enjoyable light reading as well.

The chapter I find most interesting and useful is chapter 9 (The Editor's Tools), which not only provides us with a commented bibliography and a list of online resources, but also an example of check-list. I also enjoyed Dunham's comments on the relationship with editors and authors in chapter 9, which are great to level your head when correcting somebody else's work or peer-reviewing, something that I tend to forget because I get exasperated by some people's "crappola". And also his comments on the use of Wikipedia for references.

Some of his comments on common grammatical and orthographical mistakes are spot on and very easy to understand, therefore, very useful. I also like some of the explanations Dunham gives about confusing (fusing) words. I noticed that, while he explains the rule on how to use brackets, just to put an example, he says it in a way in which brackets are used and incorporated into the explanation without the need of any example. Cool, even tubular :)

The book examines and includes all types of editing. You will find similar challenges and methodical approach to editing any type of text. However, editing for a newspaper, for an academic journal or the Government are intrinsically different as they target different readers, and they do so in different ways regarding language used and length and depth of the text. You cannot expect the general reader to understand technical stuff, but you expect academics working on a given discipline to deal easily with that stuff without the need of dumbing down their writing. So, I would have liked a chapter devoted to the challenges that different publications and texts demand from the editor, and the way editors face them. 
 
Some of the explanations about punctuation were just sketched and not clear enough or not well explained, for example, the use of Em and En dashes.

Although the book is well organised and I like the structure, a few things were off, to me. I would have placed chapter 9 after chapter 10, included some of the subjects mentioned in the appendix in chapter 10 and enlarge them, and offer a separate bibliography and resources section. Besides, the bibliography mentioned is a bit old. Even though the books are classics, or manuals that any editor should have, there must be most updated improved editions, and  why not including other specialised books dealing with specific matters?  

I found odd that the some articles mentioned in the endnotes have no pages mentioned. They come from newspapers and other periodical publications, I guess. I was taught, that even when the news comes from a newspaper, you provide the reader with the page where the article is found. That is for academic writing, of course. There must be a reason why pages are not mentioned with those articles. Were they retrieved online? Is there any rule about this that professional editors follow?

Now, how much quoting is too much? Well... too many quotes is always too much. Elements of Style and Words into Type are mentioned ad nauseam, so I ended wondering, if these books are so great, why bothering writing anything else?  Dunham is a professional experienced editor, so I wanted to hear his voice loud and distinctly clear, even if he shares the same opinions and approaches his work in very similar ways other editors do. In fact, Dunham shines when he does so, when he is his own self, and speaks from his own experience without paraphrasing or quoting anybody.

Most of the grammar elements and common mistakes he discuses in his book are great, but we can find that sort of information in any basic grammar book, like Practical English Usage or a Practical English Grammar, just to mention two examples of exhaustive reliable books coming from Oxford University. However, I missed a chapter on footnoting or endnoting; too many writers and academics do not use notes properly, they do not know where to place them, or what sort of information to include in them. The same can be said of creating indexes, a bibliography, glossary or your own style sheet. Said differently, how would an editor approach endnotes, footnotes, bibliography, indexes and glossaries in a given text? How to edit those? 

IN SHORT

I found the reading good and entertaining, and, as a first good approach to editing, a great book with plenty of useful items of advice. I was expecting an ABC of editing, but for that you have to go elsewhere.

This is one of those books that everybody should have at home, whether a native English speaker or a foreign student.

Too many natives rely on their "nativeness" to write properly and, funny enough, they made many of the mistakes in orthography, spelling and word use described in this book. The book is great for foreigners, who will need to have explained many things that native speakers use by default without even thinking about or thinking why.

Practical English Usage is one of the best books in the market to help you write and speak English properly. You will find most of your doubts about the use of confusing words, orthography, sentence construction and structure, idiomatic preferences, grammar and writing etiquette, among many other things, clearly explained.

Practical English Language shows how a well-thought and structured index can make your consultation of any book and manual an enjoyable activity. Like diving. The book is structured in numbered paragraphs and sub-paragraphs with every entry and sub-entry in the index relating to those numbers (not the page numbers) -- the quickest easiest way to find anything. There is also a detailed table of contents at the beginning, but I rarely use that. The use of red epigraphs is just a hit with me, because it is just how things should make, red and black, black and red, so you have headings and important things popping up and saying hi to your eyes instantly.

The language terminology section is very useful if you have difficulties understanding some of the linguist and grammatical terminology used in the book. I would say that most people with a High School education would find most of those definitions unnecessary. Yet, great for primary school students.

I found the section on common mistakes in English (something that it is specially useful for foreigners), a bit disorganised, and too small to be of any use. There are specific books on this, that I would rather consult. The section has a bunch of common mistakes that primary, secondary, intermediate and advanced learners make. But the list is not structured within each group, so you have to read the whole section to find anything you are looking for. A waste of time, basically. I would rather have these pages removed and devoted to new entries, or just have them expanded and better organised.

The world of Internet and the digital era have changed the way we write, read and communicate at the speed of light. The book is, therefore, outdated regarding digital issues like writing emails, text messaging. tweeting, facebooking, tumblering, blogging or just reviewing online :O. Some of the things noted and stated in those sections sound like written for 90y.o. people who have never had access to the Internet and don't know how to write an email. I would have liked having a longer more detailed section on all Internet writing and more clear directives about email etiquette. There is not much email or online etiquette any time. We are all shrieks now.

This is an Oxford University Press book, always a sign of excellence to me. What is more, there is nothing as good online. You will find endless online forums, blogs and YouTube videos discussing and explaining English grammar and use, but many of them are not accurate, or are confusing or not clear enough, or they contradict each other. How to put it? I would not have spent my money on a hard-copy book if there was something as good online for free. 

I would love getting this book in Kindle format. I hope the OUP is working on it I am waiting. Tick tock tick tock.

Overall, I must-have manual.

Dataclysm is a fun popular approach to scientific data analysis and interpretation. This a very enjoyable fascinating reading.

There are many good things about this book: it deals with data  in a passionate and entertaining way,  and makes something a priori not that interesting to people who do not love data, really interesting! The book does so in a very clear and approachable language. Besides, Rudder is an insider who knows what he is talking about first hand so everything he says is worth listening to. After all he is not one of those lorikeets who repeat data analysis and statistics without understanding anything about them or even questioning the results. Rudder comes trough as a lovely chap, inquisitive mind, and passionate about the work he does. Most importantly, he comes through also as an unpretentious guy who wants to connect with the reader. We are connected now, baby.

Perhaps the main take from the book to me is that mathematicians and data analysts are coming down to something that Social Sciences and Humanities wanted them to come to decades ago, and, most importantly, they now have the tools to deal with humongous amounts of real-life real-people's life to do that. By reading the book, it became clear to me the need of interdisciplinary studies between Scientists and Social Scientists because, despite the a-priori bullxeet that the "academic establishment" has perpetuated for many decades, the contrary is  necessary. Dataclysm shows the many possibilities open to data analysis as a specific branch of Science and how data collection and interpretation affects us. It is like Mackos - I am loving it.  

The most interesting parts of the book, at least to me, are chapters 12 (Know your Place) and chapter 14 (Bread crumbs). The first because it shows, even at an embryonary level, that geographical maps are sometimes just lines drawn on a piece a paper, while other factors, beyond the place you live, have way more importance. The Dolly project seems to me the most fascinating thing in the world and I would have loved more details from the expert instead of having to go to  Mr Goo to ask him about it. The later chapter is, by far, the most interesting (to me) because Rudder is an insider and anything and everything he has to say about the collection, storage and use of our data or meta-data is relevant and important and needs to be taken into consideration. I would have loved that chapter way more developed and detailed. Rudder is just very clear about how things are and should be, or perhaps should not be, and I wanted more. Also, I wanted to know his opinion on the use of IP blinders, and the use of browsers like Mozilla or Duckduckgo, which are not that keen on recording our data or sharing it with anybody.

I am a critical reader, not a data muncher, so I tend to question or think about what any non-fiction writer says, as much as my limited knowledge allows me. I was pleased to find that some questions or objections that I found myself making to Rudder's statements while reading, were later presented and discussed. Those very questions are the ones are those that can make any researcher transcend data itself. In a way, Rudder has a Humanities sort of soul, which shines now and then when dealing with his mathematician core. I love the combo. 

I also loved al the details about data collection and use, and the games that Rudder and his pals at OkCupid playe, and especially Rudder's trends analysis examples. That is Rudder's forte and it does show! I loved some of his reflections on Google's auto-complete trends analysis, the healthiness of a couple by looking a the chart on dots interconnection on Facebook, or the discussion on racial attitudes in the USA.

The charts are beautifully presented and coloured, so many different styles and ways of organising the data. I am a tables kinda lady. There is nothing that cannot be presented in a table and be understood. And some of those were there. I love squares and red. So the book was visually enthralling.

Dataclysm could have been a better book on so many fronts that it is a pity that is not. Allow me the analogy - I have this distinct impression that, in a way, Rudder self-beheads himself for the sake of an applause in a reality show. That is painful to watch.  

TOMATOS OR TOMATOES?
The main downside of the book is the lack of a proper editor and of proper editing. A good editor can make wonders for any book, no matter how brainy you are. A good editor works not only on making the text more readable regarding spelling, sentence and paragraph structure, but also book structure, approach and level of focus, so the book is not only polished, but also makes sense and conveys the author's message better. Unfortunately, the book is not polished and the structure does not make Rudder any favour. Mind you, the use of verbal contractions is not advisable in a published book, unless you are translating or reproducing direct speech, while it is preferred in blogging. The use of long paragraphs with bad punctuation turns a stroll by the beach into a walk through thorny bushes. You get the image.

GOING BANANAS  - THE BOOK STRUCTURE
It is a pity that the author decided or was advised to present us with the current book's structure. I do not have a problem with general non-related chapters presented as such and bunched together in  three parts, because they make sense to me and they are well connected despite their diversity. However, I do have a problem with the general structure of the book, and the endnotes/notes system.

The chapter on sources and data is relegated to the end of the book, before the index. I consider this a big fall because Rudder is asking the reader to believe what he says with some sort of theological trust, while he could have easily earned the reader's trust and respect by just using the "coda" (Italian for tail or epilogue) at the very beginning. Why? Because this chapter explains exactly how he has approached data, and his methodology, what he has done and how he has done it. This is especially relevant in this book, because a good deal of its chapters are re-takes on his own blog posts, so it would have benefited him stating clearly, upfront, at the beginning, that those re-takes used new fresh data and the testing was done again from scratch and were not a copy-and-paste sort of thing. We have to wait to the end of the book to learn that. That is to me, a "going-bananas" sort of decision.

I am a bit anal about footnotes/endnotes while writing and while reading anything coming from academics or people with a high level of education. I also understand that if you want to write a scientific book on data for the general public you cannot do that, just for practical reasons. So, I consider sensible Rudder's restrain at using endnotes. Then, we get to the bottom end of the book, and we find this statement:

"We no longer live in a world where a reader depends on endnotes for “more information”or to seek proof of facts or claims. For example, I imagine any reader interested in Sullivan Ballou will have Googled him long before"

Yes, it is true, even I do that, but it worries me that any person coming from a decent University would say that or do that in a book. We are relying more and more on what the Wikipedia is saying or the Internet (who is the Internet here?) is saying, and not on what scholarly periodicals, books or encyclopaedias, peer-reviewed, properly edited and discussed, say about anything. I would strive to provide "serious" reference material, and add as many footnotes or endnotes or references as necessary.

Confession. I would have forgiven him for this, if then Rudder had not gone bananas again and contradicted himself by providing a "chapter" called "notes", right after the space devoted to the endnotes. Rudder wants to provide us with extra information on certain points mentioned in the book. Well, if that the case, add more footnotes/ endnotes. That is what they are used for, sweetheart! Those "notes" are actually embryo endnotes that Rudder birthed and give in adoption to himself. It sounds ridiculous isn't it?  It is. This is even more painful in the Kindle edition. The link from the note to the text works backwards, and takes you to the part of the text it relates to, but does not allow you to do so forward, because, hello Huston, there is not an endnote to do so properly. 

If this were my book, I would work on fixing this and introducing that information as endnotes in the text, properly. And also to link properly the references forward in the Kindle Edition.  

There it comes the Index, a proper scholar index, one of those beautifully made indexes that are so awesome to have in a book and so expensive to produce in printed books. There for us... Well, useful if you have a hard copy. Otherwise, no, because it is not properly linked in the Kindle edition, and therefore, useless. This is something easily fixable if you want to charge the client full price for any book.

To add to this going-totally-bananas sort of trance, the book, per se, ends when my Kindle showed 65% read. Yes, that is right. The rest is the footnotes, notes, index and info about the author and the publisher. I felt ripped off again.   

Why anybody with the brilliance of Rudder could self-behead himself is something that escapes me. And here it comes the main culprit for the failure of the book - Rudder's struggle to please both the general public and the academia. Mini-Miny-Miny-Mo sort of struggle (my impression). Many of his statements about methodology strive to convey a serious scientific way of work that matters and gets  the approval of his academic peers, because he is really a serious scientist. That struggle also explains why the "coda" and the "notes" were relegated to the end of the book but were not totally disregarded.

A scientist can present his findings and knowledge to the general public being rigorous and respected by their academic peers without trying to please both. Look at Kaiku, and the way he is able to do so with easiness. For that you have to be clear about who is the target of your book, and therefore what you have to sacrifice and what not. Not an easy task, but easier if have a good editor.

FLAW WITH ME
There are a few flaws in the a-priori reasoning used. Perhaps things were not explained sufficiently, so I give Rudder the benefit of the doubt, just because he is a gorgeous looking guy. Here some examples of those sort of arguments should be polished and looked at with a frowned forehead, if you know what I mean: 

+ Although most people are not on online networks and sites, most of them are or will be, so the analysis of the data and its result have some sort of universality. And well, Facebook and Google are the kings and everybody is there, not to say the phone and Internet companies, which are also collecting your data. Yes, it is true. However, my mini-me-on-the-shoulder sort of question pops up. Were do we put the gazillion Chinese on Planet Earth who do not use FB or Google or Western sites? What about Middle East Cultures, like, say Yemen, or Saudi Arabia or Qatar or Afghanistan? Do include them by default in the findings and analysis in the book and decide that we are all one?

+ Sometimes I had the impression that Rudder could not distinguish, although I am sure he does, that the USA is not the world, and that the Western World is not the whole world. For example,  are his analysis (which I really loved) about race in the USA pertinent, say, in Bolivia? in South Africa? in Botswana? Rudder probably never intended to imply that, for sure, but the book comes across as if the contrary was true at times. I think part of the epilogue should have been devoted to stating what he is doing and what sort of limits his analysis has. This is, unless he is using data from around the world from China to Bhutan, Uganda to Dafour. Then, I will vanish and disappear out of embarrassment. Of course there are some things that are universal because we are all humans, and we all have a human body, and want to relate: "no man is an island" However the other is there, in those places where life is most deeply affected by the religion you have, your gender, or the part of the world you live in. Way different. 

+ The author recognises that the important thing is not just what the data says about what humans do, but why they do it. Bingo! That got me excited. It was a quickie-sort-of excitement. Not for long, because beyond some truisms, nothing of substance is said or argued or even presented as a reply. That is because the data, to me, has a limit. It can reveal what we do, even that we do say something and do a different one, that hidden secrets of us "on the Internet", but cannot always explain why, or put the intention behind. Psychology, can be very helpful on that regard.

+ What a person searches for often gives you the person himself. Really? Well, sometimes, not always. For example, if I look up Google for skin rash photos I might be giving my me having a skin rash, or me studying dermatology, or making an assessment for High School, or my baby has a rash and I want to find what exactly is, or I have a sort of sickly morbid fascination with photos of skin diseases. You get the picture, searches on Google are never straight forward, or at least not all the time. Now, how do you interpret the intention behind the search?   

TRUISMS ARE TRUE NO MATTER THE HUE

Let me ask you some questions. Be honest with yourself. If I made the statements below, would you be surprised or think that a humongous amount of data has to be analysed, charted and studied for your to learn it? Would you be wowed?  
* Men usually prefer younger women, no matter their age.
* At the end of the day, looks aren't that important when you meet a person in real life, more the things you have in common.
* People say they are something but then they are another.
* People tend to hide or not to say things that are not politically correct regarding race, gender and what is not.
* Men-women connect better when they do not sea each other's photo.
* People vote for somebody and lie about at the exit of the polls booth, especially if the candidate is not popular.
* Asian Americans talk more about Korean pop or Korean films than white people, while the music that South American mention is Salsa or Bachata not as much as country music.
* With the Internet we all have a voice now and a larger audience.
* The better interconnected in the family a couple is, the more chances has of their relationship to succeed.
* And so on.

Yes, that is right. A series of truisms, common sense evaluations presented through flashy mathematically crafted charts, and complex data analysis. Isn't this a bit of a waste of the author's talent (to me undeniable) and time?

HIGHLIGHTED SENTENCE
"The era of data is here; we are now recorded"

Is that so new? Have you ever visited a historical archive? Yes, of course it is not the same, but I can envision Sumerian bookkeepers might have felt at the top of the world as Rudder does know, mind the volume of data, the detail and the people recorded of course. Yet, everything is relative. We have been recording our data and our data has been used for ages, literally, just a bit differently. Yes, Rudder possibly did not intend to imply this either, but we do not know. The flash is sometimes too bright to let us see properly.

BRIGHT IDEA
The cover of the book is dreadful. Go and get a decent designer Rudder! And another editor, did I mention that? 

FINAL CONFESSION
I would have not written such a long review if there wasn't something intrinsically good and thought-provoking in Rudder's book, so take it as it is. I still recommend the reading and I think it is really entertaining.

Paper Flow could be called an idiot's guide to organising your paperwork and papers at home, whether it is just your bills and receipts, a few important documents, or having your office a home properly set and organised.

If you are naturally very organised, you will find that you do most of what the authors recommend without even thinking about it. However, you still will find some items of advice and tips that can improve your system. I got some ahas and items of advice that have proven very useful for my work space. I especially liked some of the comments on the best ways to save family or historical documents, how to declutter stationary without putting things in the bin, or recommended periods to keep some documents.

If your paperwork is a mess and you don't know how to start or what to do, this is your book and it will certainly make wonders for you, your life and your place.

The book is very well organised and reads well as it is written in a very simple blog-like language, that can be understood by anybody.

The book is a bit anal about tidying up, but it is really helpful to get rid of all of your crap :)))

The authors claim that paper flow is the world best proven system to organise your papers. Isn't that pretentious? I am going to tell you what is the  paper flow system in even more simple terms... you will see that you already know what do you but you haven't realised it yet:

You have a basket with bananas and another with apples, so you keep them separate, but put them in a bigger basket called Fruit Basket. Then you have a container with chicken and another container with pork, so you keep them separate and put them in a bigger container called Meats Container. Then, you put those baskets and containers inside your fridge in areas that are the best to keep them at hand and ready for preparation. Then, you have other things that are tinned and bottled and do not need of them immediately, so you put them in your pantry, one shelf for beans, another for carbs foods, another for drinks, another for spices, another for pet food, etc. You put the heavy stuff below and the lighter above. Since you have just one basket for each thing and one shelf for each food category, you need to make sure that you don't buy more than your basket or shelves can fit in;  if you do, you will have to get rid of some of the old stuff to put the new one in, so your food is always fresh and healthy. If your food basket is no longer in season, you remove it from your fridge or replace it with another one in season. Then, of course, you have your cooking books, you put those at hand, as well as your cooking tools. You keep all neat and tidy and looking good because that creates visual harmony and you don't waste your time looking for things every time you are going to cook. 

Apply this to your paperwork management... that is the paper-flow system. Yes, this is it! Just common sense.

I found the appendix of the meaning of colours totally unnecessary. The meaning of colour varies from culture to culture, from person to person, from social class to social class, or from generation to generation, so let everybody choose what each colour means to them. There is so much written about the psychology of colour and the meaning of colours that an appendix of this sort is kinda embarrassing. It would be better providing the readers with some bibliographical serious references for them to consult if they are interested. That requires a bit of more effort and a more serious approach to the readers' intelligence.

I missed, on the contrary, two appendixes one on how to declutter in few simple steps (like a shortcut for messy people), and another on how to organise your paperwork and books if you tend to move between countries, states, cities or just houses frequently. This very fact has dictated what I buy on digital form or hard copy and much stuff I keep and store at home. I learned it the hard way, and it would had been handy learning that the easier way.  

I agree with the authors on the fact that the best way to organise your paperwork is to have the least possible, and to go paperless as much as you can. Therefore, virtual and computer paper flow is advised. You just have to replicate your paper-flow system in your computer. That is it. Is it? No, I don't thinks so. The authors fall too short because computer paper management (virtual or not) and digital technology put demands on us and our paper management that are completely different from those that real paper and hard copy books generates. Space is going to be rarely a problem in sorting out your paperwork in your computer with so many back-up cheap storage devices available. However, you have to synchronise your bookmarks, files, emails and important information in your computer and devices, get rid of some, archive others, decide on security issues.  How and where do you save your documents and emails safely? Which formats are more advisable long term?  How do you visually customise your virtual office? How do you store safely? How do you safeguard your identity? How do you save and archive different webmail accounts and then erase them if no longer need them still have them replicated with attachments in your hard disk (yes, this is possible)? Which sort of programs or resources can you use to keep your virtual archives clean, pretty and up to date? If you are not organised and find a problem dealing with your papers at home, you will find even more difficult to deal with those in your computer and I will need of more tools than opening replicas of your files in your computer. The book is not there yet!

I don't see the need of endorsing any storage shop or brand, as many of the items described and photographed in the book can be found anywhere. I love the brand mentioned, but any other office supplies shop can provide you with pretty little things to make your office good looking and tidy. I hate endorsement of brands in books I pay for. It is totally uncool. On the other hand, a few empty shoe boxes  can make wonders for you and your papers. 

This is a great book for people who tend to be messy and do not know where to start when dealing with their archives, projects and bookkeeping. It gives sound advice on how to manage your papers and how to take advantage of tiny space and little time to create a work station that suits your needs and to organise your papers in the best possible way for YOU. 

Consecrated phrases is a very approachable and useful dictionary for any student or professional who needs a reliable source to translate or just understand common Latin expressions, formulas and words used in theological and ecclesiastical texts (but not only in those). The book offers a great selection of entries, which are defined accurately but with an approachable and easy to understand language.

The dictionary might appeal to those lay readers who want to learn the original meaning of words that are commonly used in English and have a Latin and/or ecclesiastical origin.

On the other hand, I think the book is not comprehensive, as some common formulas used in titles related to Curia dignitaries, are not mentioned. To mention just one that I find a lot in my texts "in partibus infidelium" (in the land of the infidels). On the other hand, other words that are commonly known and understood by everybody are unnecessarily defined, for example, (singing) "a capella".

Having this sort of dictionary in Kindle format is just very handy, so I am very happy with my purchase. Still, the lack of complete justification of the text makes it look unpolished, and I find that visually annoying. However, the main sin of the Kindle version is the total absence of an alphabetic index in the table of contents (I had to use notes to do that), while the crossed references between entries are not linked either. The book is not cheap for Kindle, so a bit of more thought and consideration for the reader would have been great.