Teo Degas' Books & Decks

The Lorax is a metaphoric tale about the dangers of aggressive economical practices and consumerism done at the expense of the environment. The Lorax is also a call to bring forward common sense and tp respect Mother Nature as the only Mother Nature we have. If we destroy it, there is nothing left but devastation. The message of the Lorax is as relevant as ever in our world, and kidos and adults will benefit from reading the book or using the application.

The application is great. Kudos to Oceans and Hay House for doing such a great job with Seuss' books. The app is a sort of animated mini-movie. From the main menu, you select the way you want to read the book, on your own, using the narrator's voice, or you just to leave it on auto-play. The app automatically uses the landscape setting and rotates your screen, and uses the original illustrations of the book, closing up and down to focus on the action and speeches of the characters. Background noises and musical notes have been added to enhance the experience. You can browse the pages on your own using your fingers and the pages flip as if they were the ones in a real book.

Moreover, the app is interactive if you choose the read yourself option; you can click on any image on the page and the word will pop up on your screen and will be pronounced. This being the case, the app is perfect for small children learning to read.

The narrator's voice and interpretation are wonderful, and he uses different voices and intonations for each character, so the whole book is really enjoyable.

A few things that I would have liked to have available in this app are:

1/ Option of female and male voice.

2/ Unlike other books by Seuss, the vocabulary he uses here is more fanciful and creative, not as simple. Some of the words are invented and part of Seuss' wonderful world. A sort of Seuss Wiki would have been a good addition as an appendix section or extra added to the app.

3/ I agree with other reviewers that the application could be more interactive, but Dr Seuss' books are wonderful for the message they convey and, to be honest, I would not want the app to be turned into a video-game either.

This is a remarkable honest graphic memoir by graphic artist Ellen Forney. With Marbles we are given a free ticket, no restrictions, to Forney's life. We witness her sexual innuendos, mental states, family and friends relationships, and intellectual queries. We become part of her psychiatric treatment, mood swings, professional work, medication adjustments and side effects, and ways of coping with being a bipolar in the real world.

I found amazing how Forney is able to convey to the non-bipolar reader, or to anybody for that matter, how it felt in her head to be bipolar, which sort of images, mental pressure and mood state she had to endure. She is also brilliant, and very didactic, at translating scientific and pharmaceutical facts into easy to understand images. See, the effects on medications (pp. 182-185) or when are emotions out of control? (p. 15), just to mention two examples.

The illustration style changes depending on what she is narrating: it is vignetted with a predominance of black over white, and a bit chunky in style, when she narrates her visits to the psychiatrist, and some of the events happening in her daily and family life. On the contrary, the style changes dramatically, is freer, more fluid, expressive and creative, less "blocky", with a predominance of white over black, when she moves from the world out there to the world inside her. There also some pages where the text (no image) is the illustration. She also reproduces some of the images from her personal sketch notebook, in which she painted her self-portrait in depressive phases, which are very artistic, and very different from the rest. Forney is truly versatile.

The memoir is not only engaging and entertaining (I read it in a seating), but it is also full of good practical knowledge about bipolar disorder: what bipolar disorder is, different sub-types, treatment and medication applied, the effect on your brain and mood, Cognitive Behavioural Techniques, bibliography, the social stigma among other things.

Perhaps the most interesting part of her journey is related to her query about who she stands as an artist, whether her brilliance is due to the highs of her bipolar disorder, or not. She asks herself, "are bipolar disorder and creativity actually linked?", or "If I take meds to prevent my mood swings, am I choosing to be less creative?", and gives an honest answer - her answer. She examines the lives of man famous bipolar painters and writers to see if there was a connection between their work and their malaise, as well..

The arrival is a must for any graphic book lover, a wondrous piece of Art that engages the reader from the very cover.

There are many reasons why I consider this a jewel and a must have. The first one, is the quality of Tan's drawings and artistry. Each page, each image, each vignette is a masterpiece of its own regarding technique, detail and creativity. The drawings and images are drawn with a chilling beautiful virtuosity. The illustration is done in a very warm dark-brown and cream duotone, which conveys the overall faux-vintage feeling of the book.

The second one is the fact that the book has a narrative that is universal in nature that uses multiracial characters and alien beings (the tiny monsters). I think it can be understood no matter your culture of origin. The images convey meaning with the need of any word being uttered. Tan does so in a masterly way.

The third is the story itself. This is a story of immigration and challenges in a new foreign land. A story that million of people have lived, are living and will live. I am an immigrant, so the book directly speaks to me. Many of the images reminded me of the early 1920-1950s when million of emigrated from Europe to the States or Australia. Tan's land of arrival is incomprehensible and mysterious. The story is universal because Tan has the ability of distilling real immigration stories and experiences into something that is full of meaning, respects the reality that immigrants face but is full of hope, and shows well how the arrival is also a process of inner transformation and learning to relate in different ways.

The fourth is the wondrous mix of real and surreal elements in the story in a very functional way. This is Tan's speciality and he does so with great easiness and mastery. Tan creates wonderful magic creatures that interact with humans with normality, and vice versa, as if the world was an harmonious mismatch of all sort of beings.

I truly love this book. I don't get tired of it. I revisit it often. Wonderful.

I always crave books in English from other cultures, so I was thrilled to find this one in my local library.

The book is very entertaining, unpretentious, a feel-good story, charming and fresh. Very cinematic, like a soap opera, no wonder the book was brought to the big screen in India.

The story chronicles the adventures of a mixed group of night-shift young workers at an Indian Call Centre. We are introduced into their family, personal and work lives, aspirations and problems, dreams and daily lives.I think it reflects the aspirations of the working and middle class Indian Youth, who we rarely see well represented in Western films and literature.

I truly hated the empty vacuous criticism of Americans and the American way of life, mostly based on crappy stereotypes which border with racism. I am not an American, but I found funny that the author, through his characters, vilifies Americans but the create characters that are very "Western". On the other hand, I think it reflects well the opinion of many young people in India, whose only exposure to the Western world comes through TV and their work at these centres.

This is a translation, so it is difficult to see whether the quality of the vernacular language used by the author was way better. The English used in this book is simply but effective, and the work is well composed and structured.

This is one of those books that I call summer book, unsubstantial literature that one enjoys while holidaying and lying by the beach.

Anya's Ghost is a story of young Russian immigrant Anya in High School, coming to terms with her background, her mum, who she is as an individual, her curves, and the ghost girl she has just found. 

The book is entertaining, it flows well, and it reads easily, and beyond the coming of age story there is the added twist of the ghost story, which turns darker at the same pace you turn your page. 

This is a traditional comic book in format and narrative, very well drawn, very dynamic, with an use of black and white that I absolutely love, especially the blue-ish greys the author uses to create depth and texture.

Having said that, the book is full of narrative and character stereotypes.

Perfect for teenagers.

The novel tells the story of a couple of New Yorkers, who are separating and in a process of personal alienation from each other, which see their lives turned upside down by the events of September/11. The novel also reflects on the different ways that different people cope when destruction and trauma hits their lives.

The novel is well written, well composed and with a great atmosphere; it is also raw and honest, but emotionally engaging. DeLillo uses a concise but precise English, and he is able to describe emotional and psychological states in few words still portraying the depth of the character's feelings, emotions and thoughts with credibility. They feel real and close to the reader, even if the reader is not an American or has lived the trauma of the 9/11.

My favourite part of the book is the first one of the three, in which the husband narrates in first person his experience, physical and emotional, when the attacks happened, and also the account, in the 3rd person, of what happened to a female friend who happened to be in the World Trade Centre.

I did not find necessary, the pages devoted to the recreation of the terrorists' planning and psychology. These chapters are really distracting, they do not help to build atmosphere or chisel better the main characters; also, they drive the reader away out of the main story without necessity. We don't need to know what motivated the terrorists, but on the effects of their attacks on the people who suffered them. On the other hand, we have to praise DeLillo for not letting himself be carried away, because he does offer a non-judgemental realistic composition of these characters and their own process of alienation.

I found the third part of the book -in which we see the outcome of the situation between the couple- a bit different in mood and connectivity to the other two, not as believable, and a bit of let down.

A very good read, overall.

Calling Dr Laura is a raw and honest memoir of graphic artist Nicole J. Georges from her childhood to this day and her life in Portland Oregon. The novel focus on her search for her natural father, her coming out of the closet as a queer, and the process of finding who she is as a person. The book has a good deal of her childhood memories and family related issues, which are not adorned or sweetened, but presented in a very naive straight forward way. She could have demonized her mother for the whole story related to her natural father, but she does not. She does not hide anything bad about her life, experiences or people she comes across, but she does not judge them and focuses more on how she felt or feels. How difficult to do and so well done! The narrative alternates the present with episodes of her childhood. The parts about her childhood are really wonderful but also a bit sad.

The reading is very engaging. That is so because the book is well paced regarding the subjects she presents and how she presents them, the u-turns she does but still coming back to the main road, so to speak. The story is never bland or boring. Although the mystery in the novel is resolved in the epilogue, it lingers throughout the whole book without being overpowering.

I liked Georges' style and versatility to use different graphic languages and even fonts to convey meaning and create atmosphere. Although most of the book is set in interiors, I love her road and urban landscapes. The drawings of her childhood episodes, which are very child-like, are just lovable, and very different from the more elaborate and arty ones done for the present day  narration. I think this is one of those books that would be been great in colour, as the book cover image is.

My favourite scenes are her story of her intestinal problems when she was a kid, the one of the boat when Radar dumps Nickie, and Nickie's fight with her mother in the car about she being a selfish brat. I also love the dog's language balloons she adds when she communicates with her dogs or they don't know what is happening - very cute.

My main complaint about the book is not the book, it is its rendering for Kindle format. I have read the book with a magnifying glass(no kidding) because the pages are fixed in size, so one cannot enlarge them. Vignettes can be individuated by double clicking, but the zooming is minimal. Amazon should be doing something about these issues because they affect the reading and enjoyment of this and other books and we are paying full price for them.

The novel narrates the story of the last days of a compulsive erotomaniac (an unhealthy f*cker and narcissist womaniser, if you prefer it), Bunny Munro, a door to door beauty-products salesman, and his road trip with his 9y.o. son Bunny Junior.

The novel is provocative, like waking up by a jar of cold water dropped on your bed, if you allow me the simile. This is a story for adults with a stomach. If yours is too sensitive, avoid, because the situations described in the book are not politically or morally correct, but life is sometimes like that no matter how much we dislike it.

Cave's construction of the characters, atmosphere and prose are dazzling. The atmosphere has elements of the life in the 1950s and attitudes of the 1970s harmoniously mixed.

Bunny Jnr's character is just wonderful, very well drawn and composed, almost alive; he is a sweet projection of his father's character but with much more spine and emotional maturity than he has at times. The grandfather character is also great; his appearances in the story are episodic and short, but key to understanding many of the things happening in the story.

I absolutely loved the last two chapters, which are very oneiric and hallucinogenic, and a brilliant ending to a brilliant book.

The book is sad, confronting and sweet at equal doses, but also a wonderful piece of literature.

I got this book from my public library, and I was in love with it from the first pages. I read it about 5 years ago, and I still remember it, something I can rarely say of most books I read.

The book tells two parallel stories. One is the story of a writer who is engaged in a research project for his next novel, which is based on a real story that appeared in the news in the early 1920s. The second one is the story of the character the writer is researching. The chapters alternate, one corresponding to each character.

The historical part was by far my favourite for many reasons. The story is not only more engaging for the reader, is is better rounded regarding mood, character construction, action and narrative. I was entranced by this part, and I found it fantastic, so much so that I did not want this part to end! However, the modern part is also interesting but the mood and writing is not as bold, to me.

The book deals with many interesting issues: xenophobia, poverty, human nature, personal story and context, writing as as a way of living and as a cathartic exercise, among many others.

I am not a Jew, so the book made me reflect and feel in my heart the suffering of generations of human beings (in this case Jews) who lived the most brutal pogroms in Eastern Europe in the late 19th and early 20th, generations of people who never experienced peace, respect or a decent life.

Having said that, the book does not seek the sympathy of the reader, it calls your attention on the fact that your personal story and the historical circumstances in which you leave affect the first deeply, so much so that it takes an act of conscious willingness to be just you, and how important is having the possibility of facing life, not life facing you, if that can be said.

Despite Hemon being a Bosnian his English in fabulous: incredibly rich, elegant and precise.