Wicked Chicken Queen by Sam Alden (2014)

, 31 Jan 2016

Wicked Chicken Queen is an example of how 25 pages of simple imagery and very mindful text can create an epic story that will resonate with many people, and keep readers in wonder afterwards. You might need to re-read the book several times to get it. And the book offers a few readings or interpretations, something I always love.

I love Alden visual style made of sinuous lines that move elegantly, in a continuum, converging, diverging and intersecting in a whimsical dance, creating a rich and colourful world and characters out of simple-not-so-simple black and white drawings. There is grace, fluidity, and freshness in Alden's Universe, as if the book was  for children. His book touches, though, on subjects that aren't childish or simple. There are also hints of humour in the book, and a sprinkle of provocation. If you take the time to look at the drawings properly, you will find delightful mini-scenes.

What will captivate you will not only be the art in this tale, but the overall story. I have read a few reviews saying that the story didn't need of text, well, I think it quite differently. I would have loved this a silent book, that is for sure, but in this case the text just takes it to the next level, and allows the reader to explore a world of treasures that are hidden right in front of their nose.

So, what is WCQ all about? Oh, figuring that out is the best part of the book! Here are  a few questions that readers can ask themselves to go through the book and 'squeeze' it a bit:
> What is the first reaction the cover has in you? Is the chicken good or bad?
> If the title was "wicked!" as in awesome, or wicked as in witchy, would the meaning of the story change?
> What changes dramatically in the depiction of the kingdom from the first image to the last one?
> What changes if any are in the relationship between the queen and her subjects?
> Re-read the last piece of text out loud several times. Then wander the space where the queen lived her final years. How do you think she felt? Why was she alone?
> What does the main human character think is missing from her life?
> Why do you think there is a shift in the story, from the story of the island to the story of one of the islander? Anything in the images that can help you answer the question?
> Which sort of Society does the book depict at the beginning and at the end?
> Which sort of vibe or feelings change from the beginning to the end?
> If the chicken queen wasn't a character but an "element", which element would it be? 
> If the chicken queen wasn't a character but a feeling, which feeling would it be?
> Do you see any phases in the relationship between the chicken and her  subjects? 


This is a little-grand modern fable for the young and the old that will leave you  in awe, in ohhhhh I would say, even though you might get the ohhhhh, as I did, minutes after I had finished the book.

This is the first book I read by Alden, and I am impressed. I came across this while perusing some lists of best graphic books of the 2015, and I truly think deserves to be there despite its 25 pages.

 Although totally different, in style and characters this story  reminds me of an Indie BW German short animated film I saw a few years ago, that impacted me profoundly, called Bärenbraut by Derek Roczen. 

Waterwise by Joel Orff (2004)

, 30 Jan 2016

Waterwise, might be presented as a surreal and apocalyptic story by the editorial house, but that is misleading.The only thing I consider a bit surreal is the cover of the book, and not even that.

Waterwise is the visual narration of the unplanned meeting of two childhood friends, Jimbo and Emily, in their native town. Jimbo is visiting after breaking up with his girlfriend in a crossroads sort of situation in her personal life. Emily is leaving town next day to start a new life and a new job. He is an artist, she is a computer analyst. They couldn't be more different, but they have a strong connection despite not having seen each other since High School. Waterwise is the story of the night these two friends spend together, remembering their childhood, and talking about the past, the present and the future, who they were and what they have become. 

There is no structured plot or ending. The ending left me gasping for closure but some answers can be found in the first pages of the book. The story is more intriguing the more you linger on it.


Waterwise is a book in black and white, with just the cover and the last vignette in colour. I like Orff's chunky drawings and cubist-ish images and the way he depicts water, underwater, and the night. Orff's interiors are enveloping and surround the characters in ways that can be overwhelming and even menacing, but they are also cosy spaces for reflection, places of shared secrets and intimacy, as if the rooms were listening. On the contrary the outdoor images, the night, the water are expansive and joyful areas, they are fluid, they are the ones that show the past and the present lived to the fullest. I love the use of water and fish as a metaphor of life, life is like water in movement, never stopping, never stagnant, always flowing towards the infinite.


Despite the absence of plot, Orff has created a story that captures emotional intimacy and what a real inter-gender friendship is, a moment lived in the present, a zen interlude.

The book has a good mood and tempo as well.

This is an alternative comic, published by the label Alternative Comics. I really liked it. I just wanted more.

Descender. Vol. 1: Tin Stars by Jeff Lamire & Dustin Nguyen (2015)

, 28 Jan 2016

Descender is a galactic quest to find the child humanoid robot Tim-21, first; to decode his programming, second;  to use that coding to battle The Harvesters, a race of giant robots with the same coding as Tim, which attacked the planet where the United Galactic Council (UGC) has its see and threaten the whole confederation, third. This is also the quest of Tim-21 to find his former human brother. His quest is the only one that focuses on humanity, love and connecting, not on destruction, battling and use of any means to get what you want.

The main characters in this volume are: the uber-cool mega-cute android child Tim-21, his smiley-talker robot pet Bandit, Doctor Quon (the scruffy shave-needed father of modern cybernetics), Captain Telsa (a grumpy tight-panted carrot-headed healed well-connected young "commandress"), the rough-looking dieting-needed loyal pilot, and the good-hearted simpleton-conscious robot Driller the Killer.

Dustin Nguyen's artwork is stunning, really mesmerising regarding composition, framing, use of colour for narrative purposes, light and shadow work, watercolour and pencil technique, attention to the detail, and mood. His portraits are amazing. Besides, his images are very cinematic and stylish, and, let me tell you, some of the kido's clothing is just fabulous -- The work of the amazing painter he is. Having said this, I was a bit disappointed because some of the landscapes and the imagery of the characters reminded me of others already seen in  science-fiction movies. Nguyen talent as painter is undeniable, so I think the script might have limited him.  
   

Jeff Lemire is the author of one of my fav graphic novels but he is not drawing anything here, he is just the writer. The Universe of Descender is not especially original, with plenty of narrative elements and characters pastiched and amalgamated from well-known science-fiction TV shows and movies: Red Sand+Mass Effect, AI, Star Wars, Prometheus, I, Robot, Terminator, and Asimov's three laws. The script does not reinvent science fiction for sure, but it has cohesion, reads well and is entertaining enough. The story starts to get really interesting at the end of the first volume, when things that seemed lineal are not that lineal after all. Most of the characters, even the "good ones" are not likeable, they seem full of suppressed anger, full of secrets, untrustworthy. In that regard, they serve as a podium to enhance the character of Tim-21, who is innocent and likeable, more human than real humans in his approach to humanity. He dreams a-la-Asimov, not of electric sheep, but of electric rebellious robots inciting him to rebel against humans. I, robot. Tim dreams are painted in pink-ish tones, whatever that might mean :P


One of the things I loved in the book is the typography (funny because Descender is a word related to the world of typography), as different sort of fonts are used depending on who or what is speaking: humans, robots, computer system, inter-phone, plus the ambience and noise sounds. I thought the use of typography enhances the reading and made it clearer and more engaging.

I found two major spelling mistakes in the book. They don't make any favour to the authors, nor to the editor if there was any. Can you spot them?
> "Acadamy "instead of Academy.
> "You're father?" instead of "Your father?"
These could be easily fixed in the digital edition.


Although I greatly enjoyed the reading and will probably purchase the next volume, the book does not thrill me, probably because despite the awesome artwork and entertaining story, the book, overall, feels a bit déjà-vue. Let's hope that the main surprises pop up in the coming chapters and volume.

I read this book it on Comixology and the digital copy is fantastic.It makes you appreciate all the details that I would need a magnifying glass to see on paper.

Stunning artwork, entertaining story, at a great price. 

Deep Dark Fears by Fran Krause

, 24 Jan 2016



Deep Dark Fears is an imaginary catalogue of human fears, worries and nightmares.

Deep Dark Fears is another Tumblr's web comic strip  turned into book. Krause started drawing his own fears and then readers began contributing theirs. So, what sort of fears can you find here? Adult's fears. Children's fears. Ghost fears. Doppelganger fears. Aliens fears. Death fears. Toilet fears. Cute fears. Gory fears. Religious fears. Church fears. If you have any sort of irrational worry or fear it might be here.

The book is interesting not only because of the irrationality and interest of the fears described per se, but also from a psychological point of view as it becomes a sort of visual catalogue of the "horrors" of the subconscious.

I love Krause's mastery at creating a story in four or six vignettes, his wonderful sense of colour and mood, his landscapes and chiaroscuro, his black and white and his watercolours. The colour and style change from one fear to another to suit the story.  The book is visually varied, aesthetically pleasing, and very entertaining. I love the winks to the reader in some of the pages, with tiny-winy characters and objects drawn at the bottom end of some pages.

Krause is good enough to acknowledge all the contributors of the dreams at the end of the book.I would rather have them mentioned at the end of each fear. On the other hand, many of the contributors are anonymous, so that is just my preference, and nothing really important.

I super loved the book, I wanted more. More fears. More varied. Why not more? Business? 


The book is In most lists of best graphic books of the 2015. I do love the book but I am not sure I would include it in one. Yet, you don't need to buy it. You need to go to Krause's Deep Dark Fears Tumblr of the same name. According to him, 50 of the fears are unpublished, and the others are favourite ones in tumblr. Well, there are many more unpublished stories in the web than published in the book. Put it that way. If you, like me, read graphic books on digital format, the website is way better than any Kindle format for reading comic strips. Having said that, the rendering of the images and the colouring looks way better in Kindle. 

This is one of those books that would be worth having in paper. And I would say that makes a perfect coffee table book for hypters and comic lovers.  

Step Aside Pops by Kate Beaton (2015)

Beaton is a Canadian cartoonist, actually, a historian turned cartoonist that makes cartoons on historical episodes, historical people, old books and a range of other subjects. This book is a collection of comic strips on different subjects chosen from the strips she regularly publishes in her website Hark! A Vagrant.

Beaton is irreverent, witty and sarcastic. Beaton has an interest in history in general, in the 19th Century in particular, and in recreating old book covers to give them a modern twist.  Beaton uses deadpan humour. Beaton is able to see incongruence and present it an appealing ways. Beaton likes the "whats up dude" approach to stuff. Beaton is funny!

Some of her strips will make you laugh out loud. Others aren't laughable, but they are still a funny reading or just witty overall. I found many others not funny at all. Certainly, different strips will appeal to different people.

Her humour is somewhat elitist. I don't think a person without a good level of education and a good level of knowledge on history, literature, music or the 19th century will able to enjoy some of her strips. On the other hand, some of her deadpan sentences, some impossible dialogues, and irreverence make an entertaining reading overall

I especially like her recreation of old cover books, and the comics related to strong women, femme fatale and feminists. I found them hilarious.

There is a freshness and spontaneity about Beaton's comic strips both in her drawing style, conception and realisation that I love. It feels as if they had been thought and produced in a microsecond, but I am not sure that is the case. It doesn't really matter, they are still great.

I came across this book while browsing several lists of best graphic books of the year 2015, where it was consistently included.  I am not sure if I would include this collection of comic strips among the best graphic books of the year, but it is still a great collection of funny cartoons.

If you don't want to spend your money, just to to her site, as mentioned above, or to her tumblr site. I actually think her website is better to browse her work than any Kindle book.

Fox Bunny Funny by Andy Hartzell (2007)

, 23 Jan 2016

This is a short silent allegorical graphic novel that touches on the subject of being different, feeling different, wanting to be different and not fitting within the group that is suppose the group you belong You were born with a gender but since your childhood felt that you are the opposite gender. You were born with a specific sexual orientation that is not "straight". You were born within a religious group that you struggle to fit in. You were born within a family of high-end professionals who wanted you to be like them, but you feel that you are a different sort of person. You were born in a family of lefties but you are very conservative. The examples could multiply to the infinite. Fox Bunny Funny depicts all of them masterly. In a way, this is a modern Aesop-sort-of fable, the lack of moral preaching is actually the moral of the story.

I love the cute drawing, which goes from the merely cute children cartoon style, to the not so childish childlike gory, to the tripy and almost psychedelic images at the end of the book. I love the overall humour of the book, and the imagination displayed in the conception of the world of rabbits, the world of foxes, and the mixed world. I found very inventive the shot guns that the foxes use, the church of the rabbits, the somewhat "depraved" and "subverted" mixed world at the end. There are many graphic elements that I considered inventive and humorous, which  put a smile in my face. 



The book is silent. However, the action and the expressiveness of the characters speak loudly. Being able to speak to everybody without words is just something difficult to achieve. On the other hand, there is much more to silent books than the specific explicit message drawn by the author. Silent stories allow the individualisation of the reading, to make the story just yours, to adapt it to what you want the story to be and what what the story tells you, specifically. They are Universal, but also less of a monolith.

I found that the transition from the childhood part story to the adult part was too abrupt. I would have loved some transitional elements and I think the book needed a few more pages at the end and also in between.The book is still good without them.

This is one of those books that can be read by pre-teens under supervision, as it tackles important issues about identity and fitting in Society in a very light and easy way, and it could give way to great discussions in the classroom or at home. The book might be disturbing for very small kids unless they are showing an important identity issue already.

A great graphic book.

Andy Hartzell is  an American interactive graphic designer and cartoonist.  



Lost at Sea by Bryan Lee O'Malley (2003)

, 22 Jan 2016


This was the first graphic books by Canadian renowned cartoonist Bryan Lee O'Malley, the author of the Scott Pilgrim series, who wrote it when he was 24 years of age. 

I have many expectations about this short novel. Firstly, the ratings are over the top on Amazon and Goodreads, and, secondly, I love Scott Pilgrim. Unfortunately, this books falls a bit short, even though there are glimpses of the best O'Malley.

Drawn in a lovely black and white with doll-ish characters, Lost at Sea tells the story of the unplanned road trip, and the musings of Raleigh, a gloomy girl who finds herself in the middle of nowhere in a car with a girl and two guys she barely knows. She is the daughter of divorced parents, not very talkative, and she doesn't feel much either. She thinks that she lost her soul somewhere, and that a cat took it. In fact she sees cats everywhere, even when she sleeps. 
The book is good at capturing how some teens transition into adulthood: how they talk, how they behave, which sort of worries and angst they have, how even the smallest thing is analysed microscopically in their head in search for meaning, to find a connection with the world out there, to fit, to belong. The romantic part also shows the infatuation teens go through, where everything feels so profound and deep, but that is never the case when one looks back. Fortunately for the reader, the book has a sense of humour, which makes the bunch of narrative and character clichés a bit more palatable.


We all have seen and/or read a bunch of coming-of-age movies, books and comics. For any new story to work, it has to go where others have not, to be genuine and authentic but also original and innovative.. Unfortunately, this is not the case of Lost at Sea. In fact, I felt that the novel ended when it had started to get interesting, and the vacuous pseudo-philosophical approach was forgotten and the unknown, the world of  wonder and the unreal appeared: the constant presence of cats, the photos found in the wall of the hotel, are wonderful exploratory narrative element that are just sketched and never developed. Thanks gosh, Scott Pilgrim came out to appease our hunger for something new in the world of teen comics, and came out with a gong. One has also to understand that this is the work of a very young artist, trying to find his voice, so in that regard, reading this book one comes to appreciate how a mediocre first novel can help an artist to clear his vision to produce something as good as Scott Pilgrim. 




I think this might be a very lovely book if you are 13-16 and you haven't read much literature. If you have, well, you might find it a bit irritating.  
I read the book in an electronic edition for Comixology. The rendering is fabulous and uses Comixology versatility at its best. A truly wonderful reading experience.  

Black Eyes by Claire Connelly (2015)

This is a short but very intriguing wordless novel. I did not read the summary of what is supposed to be. I saw a few pages of the comic book and found them intriguing enough to buy it. 

I am glad that I didn't read anything because this is one of those books that has many possible readings. I 'read' the book several times and I came with two different stories that fit perfectly the imagery. It could be a criticism, but it is not. Anything that feeds my imagination in this way gets a clear wow from me.
 
The book has a glorious black and white in general, it is very minimalist and stylised, with and a clever use of the white space to create mood. The atmosphere is heavy and ominous, and there is tension in the air from the very cover of the book. All the characters are thin and edgy, not even the shining sun is friendly. Kane, the main character, is a also very intriguing character. He is a mix of modern Quixote, 18th-century Japanese farmer and folk monster. The ominous presence of the black sun, the sun-like aspect of the black eyes at times, makes both things indistinguishable at times, as if they were one and only, and even more intrigue. 

The 'official' story reminds me of the folk story around which the mystery of the Japanese manga series "Monster" revolves. You can see the animated tale in full, in English, here: The Nameless Monster.

I think Black Eyes would make a terrific short film.

Claire Connelly is a young British (?) freelance graphic artist, and this book is a self-edition. Well done. I really love it.  


Phishing for Phools: The Economics of Manipulation and Deception, by G. A. Akerlof & R. J. Shiller (2015)

, 17 Dec 2015


In Phising for Phools George A. Akerlof --co-Winner of the 2001 Nobel Prize in Economics--, and Robert J. Shiller --co-Winner of the 2013 Nobel Prize in Economics--, discuss the myriad ways in which Politics, the Economy (stock market, businesses, marketers, advertisers) actively use deception and manipulation with all of us, they phish for phools, us. The chilling part is that most of those people are not evil people, they are playing by the rules in an Free-Market Economy that  allows them to deceive and trick us for their benefit using the natural working of the economic system, first, and by exploiting humans' psychological cognitive biases and weaknesses, then. "The free-market system exploits our weaknesses automatically". They lead us to misinterpret reality and act on our misinterpretations, they exploit the conflict between what we need and what we crave, they exploit the volatility of our emotions, they present things in ways that are deceiving but trigger our automatic responses. Thus, we will buy things and services we don't need, at prices that are way over their real value, they will are sell products and services that aren't what they say they are.  Phishing is inevitable. We are all phools by nature. 

The book is structured in three parts. The first is a sort of framework on Behavioural Economics. The authors heavily and explicitly rely on Robert Cialdini's lists of basic biases and principles exploited by marketers and sellers, and everyone that want something from you:   
"we are phishable because we want to reciprocate gifts and favors; because we want to be nice to people we like; because we do not want to disobey authority; because we tend to follow others in deciding how to behave; because we want our decisions to be internally consistent; and because we are averse to taking losses. 23 Following Cialdini, each of these respective biases is paired with common salesman’s tricks." (p. 7)
Here we also find defined Phishing Equilibrium (those economic forces that build manipulation and deception into the system unless we take courageous steps to fight it.), a concept that will be repeatedly mentioned throughout the book.

Part Two presents the microeconomics of phishing for phools in different contexts: advertising, marketing, politics, real estate, car sales, credit cards, the food and drug industries and the alcohol and tobacco industries. We are also presented with two specific examples from the financial markets, how bankruptcy is used for profit by some financial institutions or financial gurus (examining the case of Michael Milken and his junk bonds) and the crisis of the 1980s. This part ends with a brief exam of anti-phishing heroes, that is, people, private and public organisations and associations in the US that have fought for the right of consumers and for fairer and more ethical business practices. 

Part Three contains two chapters.The Conclusion, which focus on the Economical policies of the US Government and how the change on focus after Regan had dramatic repercussions in the Economy, favouring phishing-for-fools practices like  never before. In the Afterword we are presented with the authors' particular view on the nature of the Free Market, what is good and bad with iy; they explicitly state that this chapter is addressed to their critics, i.e. other economists who advocate the wonders of Free Market and ignore its dark side, or consider economic crisis (resulting from phishing for phool practices) as something exogenous and exceptional, when they are actually endogenous, at the very core of how the Marke works. In this chapter, Akerlof & Shiller also try to contribute to behavioural economics by adding another element to Cialdini's list. The core of their contribution is:
We are claiming that economists’ view of markets makes similar oversimplification. It may be standard economics to pretend that economic pathologies are only “externalities.” But the ability of free markets to engender phishing for phools of many different varieties is not an externality. Rather, it is inherent in the workings of competitive markets. And the same motives for profit that give us a healthy benign economy if everyone is fully rational are the same motives that give us the economic pathologies of phishing for phools. (p.166)

***

This an interesting book, that succeeds mainly at three levels. Firstly, the authors make a terrific job at letting us distinguish the forest from the trees and vice versa. The trees are the phishers (businesses, industries, financial groups, corporations, dealers and facilitators of services, networking sites that have Phishing at the core of their economical practices). Phishing is everywhere, and that is so because the trees are part of a forest, the Economy of Free Market, of how this  works, and of the Politics and economical practises associated with it, which make possible the growth of the forest. Secondly, they succeed at presenting the forest for what it is, a beautiful luscious green forest full of berries and edible wonders that is inhabited by wolves, witches and nasty beings, allow me the analogy. Thirdly, the authors succeed at having a social conscience and at seeing beyond their own noses, and analysing the Economy with a bit of objective distance and with a good deal of ethics, advocating economical practices that are more beneficial for both the Economy and Society in general, not just a parasitic symbiosis that benefits the Economy and its actors. Fourthly, they succeed at adding another layer of interpretation to the biases mentioned in Cialdini's list, that of the mental script or framework. People are phishable because of the stories they tell themselves, or place themselves in, are very important (subconsciously) in the decisions they make, something that leads phishers to create manipulative stories that resonate with the phools and are advantageous to the phishers.

On the other hand the authors also fail at several levels. They fail at times to go beyond what we already know in general. Let's be honest, haven't you found two grandpas in a park talking about how the Economy was different in the old days when there was more protection for workers, Medicare was better when, University free and there was some sort of better life balance Don't you know, upfront, that Politicians would lie and manipulate in pre-election campaigns to get your vote? that lobbies are happy lobbying everywhere and selling things that make you sick? that the commercial that says that  a moisturiser is going to get rid of your wrinkles or the lotion that will make your receding hairline come back are BS and  manicured lies? or that the free stuff given to you by some businesses is never ever free? Don't you tell yourself at times, damn it, this seller was so good that despite me knowing that he was selling half-truths I still fell for them? Secondly, the psychological part, the biases and heuristics, and all the psychology on which Behavioural Economics rely are barely sketched as the information used, although very well presented, is not theirs. They haven't done any psychological study on phishing for phools.

 ***

Overall the book is very well edited, with barely any typo, and a good rendering for Kindle. I just noticed a few thingies, resulting from the conversion, like words whose syllables have been automatically split.

The noting system, the bibliography and the index are properly done and a a pleasure to go through. I love and respect any author that bothers to provide these following academic criteria, and that provides notes that are rich in content. Indeed, some points are discussed at length in them. In these case, they are also a sort of  treasure chest for me and I got a good list of new readings to add to my reading list. The notes occupy  52 pages! The index is properly linked back in the Kindle edition, something that I expect from any Kindle edition but it is rarely there.

Akerlof & Shiller have produced a book that has an unified style, with occasional references to them as individuals. They use a very approachable language and the examples they present are really interesting, intriguing and to the point under discussion. and some of them very entertaining. I am not familiar or comfortable with the language of Economics and Finances, so I really enjoyed how the authors describe and analyse the World crisis in the1980s and the collapse of the markets in 2008, or on how crap-bonus work. Some of their explanatory analogies are great.

The book is well structured and organised, very didactic. "We are going to", appears frequently. At the beginning of the book they summarise the parts and chapters of the book and this repeated again at the beginning of Part 2, which is the bulkier one, and the conclusion also makes good points summarising the approach, findings and conclusion. Besides. each chapter ends with a very pertinent summary about the main points discussed in it. However, overall,  the style of the book is a bit conference-like, sophomores course like, and a bit simplistic at times, a bit complex at others.

I dislike it when authors use pretentious words that aren't relevant for what is being said. For example, in this book, I found six times "parenthetically" in expressions like "(We note, parenthetically, that perhaps....) Can you see the brackets, yes? So do I. Unless you are blind you don't need this sort of thing.  I also dislike when the contrary happens, when words that are not popular should be there and are replaced for something too simplistic, in this case "monkey-on-the-shoulder" instead of subconscious. To put it differently, if your are going to be snobbish, great, do that consistently all the way, and if you are going to be pro-general-reader do so consistently and all the way.

I have an problem with Academics using Wikipedia as a source of anything. We all love Wikipedia, don't we?, but we cannot ignore that, unless we are reading an entry about a celebrity (and even those) the Wikipedia can be misleading and heavily biased, and is not always properly curated. And hey, the Wiki is becoming the only source of knowledge, that is another way of phishing for phools... Wikipedia has the best phishers's crafted grabbing story ever. Besides, any professional editor will tell you that references to encyclopaedias and dictionaries are not recommended in an academic publication unless you are using very specialised terminology that is difficult to find in your usual Oxford dictionary or encyclopaedia or when the definition of word is vital a la Wittgenstein. Now, you can understand my surprise at finding 25+ references to the Wikipedia in the footnotes, when the information could have been obtained through other sources. If this wasn't enough, our Nobel couple use it to provide a contrast definition opposing theirs in the use of the expression... 'rip-off'. Yes, no joke. I'd rather go to the Urban Dictionary for definitions of modern terms, as they show that words aren't always used like a monolith or, I wanted to be  rigourous, I would go to any Oxford dictionary. Yet, do you need any dictionary or encyclopaedia to define 'rip-off'? And, if this wasn't enough, the definition the give of 'rip-off' is like buying "overpriced". Not only that, the same definition of what they mean by rip-off is repeated several times throughout the book as this was just a novelty.  I see in all this the hand of the undergraduates "assistants", not the work of two Nobel laureates.

Arkof & Shiller are gracious enough to enthusiastically acknowledge everybody, every single person!, who has contributed to the book. They are very honest about what they did personally and what their research assistants did. That is always to praise, especially with Academics, as too often this is not the case, sadly. They especially praise their three research assistants, three exceptional Yale undergraduates, who did the research for them, edited the book for them, and made suggestions: Victoria Buhler, Diana Li, and Jack Newsham. So, if they did the editing, why aren't they presented as editors of the book or co-authors? Undergraduates co-authors with Nobel prices, you must be joke, you might say. Yet, they are good enough to make some of the work for them. And the authors themselves say, :
 The ideas in this book are a collage of what we have learned, and what we have listened to, over the course of our lives as economists. (p. 77)
After seeing the bibliography, well, I understood why is so good and so large

 ***

Brilliant at times, mediocre at others, pretentious at others, thought-provoking overall, Phishing for Phools is a great reading that I don't think showcases properly the brilliant mind of the authors, but it is intriguing and entertaining enough.

Phishing for Phools reminds me of the brilliant animated clip below. I watched it about 3-4 years ago and is still one of my favourite animated shorts, i-Diots could be called i-phools as well.  



How to Reduce Prejudice: The Psychology Behind Racism and Other Superficial Distinctions by James Pollard (2015)

, 6 Dec 2015


I have lived in different countries, and in areas within a given country, and I have always been the other, the alien, the non-native,  the foreign or the outsider. It has always shocked me to the core of my being that people would change their behaviour towards me, dramatically, depending on which country they think I come from, that they would treat me more or less or just as a different person for something that is not in me but in their eyes. 

***
 This is a short essay (not a book) on a subject dear to my heart: averse racism, cultural stereotyping, xenophobia, cultural imperialism, discrimination, and categorisation, the varieties of strong Prejudice we find (or at least I find) often in our daily life. This essay summarises well how Prejudice works, how to spot it and how to be aware of it in your own life, in other people, in the news, and, most importantly, in you. The essay uses well known studies and experiments about biases and heuristics to explain how Prejudice works and keeps alive, and provides ways of counterbalancing categorisation.

I like most of what Pollard has written, even though he has just written very little. He acknowledges that "the average person isn’t going to read a psychology textbook to learn these concepts, so I’m pleased to pack the ideas into a brief, concise book" (loc, 41-42) and that he is touching many subjects and is just scratching the surface. I always appreciate honesty and lack of BS.  

The essay is short and sweet, very well intentioned, and very didactic as it explains things in ways easy to apply to our daily lives, behaviour or what we hear or read in the news about "the others". Pollard uses simple analogies to explain things, leaving theories aside to present an essay on applied psychology that reads with gusto. I love works that remind the reader not to live on auto-pilot, not to relate to people as labels, and to see the beam in your eye instead of focusing on the speck in your neighbour's. That is always priceless and the path to high levels of consciousness. If you want a succinct, clear and useful first approach to the subject and you want to discover  your blind spot and see how you are prejudiced and a subtle racist, well, this essay will help you to do that easily.

If you are a Psychology student or just a connoisseur on the matter, this essay is not for you as it is simplistic, unoriginal, does not have a  proper academic referencing or even a recommended reading list, the bibliography mentioned is classic but outdated, and it reads more like a short seminar from University than anything else.

The most important message you get from this essay is this, 
By the time you finish reading, I sincerely hope you have a better understanding of people as a whole. Because at the end of the day, that’s what we all are. People. (loc. 66-67)
Now, who is the author James Pollard? No info in Amazon or Goodreads. Google the Ooragle knows it all. His Linkdlh. and  website show that Pollard is not a psychologist, he just has a basic three-year degree in Psychology & Business, and he is mostly a New Age money-making guru and financial advisor. This doesn't invalidate the contents of the book, just points to the fact that you have to go elsewhere to read something with more substance.  

Mind - 3 bucks for a 42-page essay that is not based on original research or own expertise is not really a bargain. But, I enjoyed it.